Samuel T. Franklin is mostly from Indiana, by way of Clayton, Terre Haute, and Bloomington. The author of a book of poems titled The God of Happiness, his writing has appeared or is forthcoming in The Indianapolis Review, Fickle Muses, M Review, and others. He can often be found building semi-useful things out of wood scraps and losing staring contests with his cats. He can be reached at https://samueltfranklin.wordpress.com. At the Site of Fort Sackville We came howling down the highway, brash war songs like honey on our tongues. Histories of genocide and tropical suns scorching slave-skin—the crowns we’ve worn since birth. In Indiana’s southern hills, we could imagine wind guttering through dark grasses, wild bison and the skinners who scraped their pelts and stole tongues red as the fire of Mars come nightfall. In Vincennes, we paled before George Rogers Clark’s bronze eyes, the Wabash-wader, hero of the frozen war who claimed untamed prairies and rivers, whose legacy shone brightest where meth now creeps on shoeless feet down dark Hoosier alleys, his name a ghost on cracked lips. Would he have done it all again, traded blood for a life’s glory, if he could see today what he helped shape? See all the sweat and fighting and death in dusty paragraphs in a bored student’s book? The sun mushroomed to the horizon when we left, dipped us in gold that dulled, too soon, to lead, and twilight fell upon the Wabash like the shattered walls of a captured fort whose boundaries no one will ever remember. I Have Seen the DeadThey hold blue fire in boxes and speak with their fingers. They hunker around their bonfires, and flames fork their shadows against sod, where they writhe like pinned snakes. They dream of ascending into skyscrapers of marble and steel and wearing cloth nooses around their necks, carrying sharp pens in leather briefcases. They fantasize of hammering diamonds into the sky and rubies into the moon. They awake to heavy loans and dirt roads. Someone gives them a gravestone and a shovel, and tells them to start digging. The House on Clark StreetI. There are deer who nibble the young hostas unfurling in our front yard. They lope on silent hooves before sunbreak while mist breathes from cool earth. They are shadows moving among shadows, gone soon as they are seen. II. Coffee black as the dirt beneath my shovel. We bury the last of the student loans beneath yuccas and lilies, cover it up with soil and brown roots and sing a blues song over its grave. We sink our teeth into thick lamb steaks like we’ve never used our teeth. III. Something stirs at night in wind bending treetops, in the gloom beyond the gold sodium glare. It echoes in the cough of rusty mufflers, mumbles dark lullabies up the sidewalk just out of sight. A sound of feet, shifting, dragging, drifting. IV. There is an afterlife in the long morning shadows with indigo lupine by the front window and fat honey-makers buzzing lazily. An idyll we think we deserve. My lungs eat the air. I feel the wind in my blood and know I am not dead and have earned nothing. Fortune is luck, I tell the grass. A cloud swallows the sun. V. The deer dodge trucks in softening starlight. Quiet hooves sink into mud dark as the hole in the heart of a dream. From the shade of the magnolia’s pink blossoms, I see a man with a ragged backpack drifting down the road, the ceaseless clap of feet like a bereft wanderer knocking at the door. Killing the Ants Coal-dark little ants
line the kitchen sink like punctuation shaken from a paper or the language of laws lifted from their bills and sent to die in hinterlands and backwaters, tiny dark reminders that fairness is a theory, power necessitates weakness, and we are all strangers in strange houses. There is a man from Congress on the television. He says he didn’t read the bill he passed, he knows not what he does, the Party is strong, the Party is eternal, the Party is king, forgive him these small faults, forgive him the theft of these small crumbs from your mouth, of your lifeblood lapped, of your lifespan burdened, he’s only trying to survive. Ants smash under my hand, their sky full of my flesh, a hammer descending, and he speaks from the television, forgive me, forgive me, I know not what I do.
3 Comments
|
Categories
All
|