![]() Neil Slevin is a 26 year-old writer from the West of Ireland. An English teacher, he has returned to university to complete an M.A. in Writing at N.U.I. Galway and to pursue a writing-based career. Neil writes for Sin (N.U.I. Galway's student newspaper), editing its entertainment section and culture column, Resonate, and as Events Reporter for the Institute for Lifecourse and Society. Neil’s poetry has been published by The Galway Review and numerous international journals.
A Mermaid's Song One day I went home searching for waters deep enough to drown my problems, but then I thought of you. As a child, in passing, I learned about you, heard your story spoken of but never told: how you grew unhappy in yourself, feared you’d be taken away; how you couldn’t bear the shame, you refused to. Now, I imagine you slip out and edge your way along shadows of fading light through the estate, hoping no hand will block your path, no mouth will draw you back. I follow you, sense your relief mottled by despair, then advance into the darkness you now own. I prowl behind you at a distance safe enough to know you won’t hear my footsteps over your own heartbeat and the voices in your head that pound against their prison walls, shrieking for release. You tramp for miles, yet finish in full view of a home you’ve now forgotten: you stop to turn your back on invisible, unwanted hands, unheard of, drowned-out voices and shatter the water’s veil. The sea accepts you the way your life never will, wrapping you with open arms; you go down gracefully, and for a moment you sing like a mermaid at home in her ocean, your handful of notes bubbling, bursting as they brace the air. Then your song ends. I listen to the silence, until strange men arrive to fish the deep waters, as if they’d always known it was here they’d find you. But I don’t wait for the boy who thinks you’re still at home hiding somewhere from him. The one who’ll always love that woman who wanders up and down the hallway, from room to room, as if the house conceals all of her life’s answers, and they are just sitting there at the back of a press, waiting to be found. The son who will always remember the last words you spoke to him, and know they were ‘Goodbye’. Walking On Your Memory There exists a gap you cannot fill; the hole in your heart betrays her missing shape. Her light creeps through still, into the dark, uncertain shade she left behind. She is gone but the space remembers, and even in those waking moments, ones when you forget, the ghost of her memory dances on the walls, her hair still blowing in the wind of dying storm. That breeze will always blow, however softly. No matter how you shelter from it, it will find you and gently claw its way back to penetrate the cracks of your long-broken heart. Hand-in-hand, her light and shadow will follow you like an echo of former existence, foreshadowing the life you will try to lead but always a few steps behind, walking on your memory. The Ticking Clock Your microscopic heart stopped beating like a clock forgetting the time. I wasn’t even there, was I ever? Do you watch us in judgement or pity? Do you look and think, “I had a lucky escape”? Are you nameless and wandering like both of us now? Are you happy, sad, loved, hated; all those things that we are, or at least could be in this mess called life that we took away from you, because we were too young – too foolish – too drunk on reality? Reality bites, drags me back to the present, to thoughts of what I have done, should have done and need to do. I wonder what and where you are, who you could have been, then I do for me (still oh-so-selfishly). What have I become, what will become of me? The clock is ticking. Our Tardis On wet, ill-tempered mornings, that perspex box of phone was like the Tardis of our town, abetting our escape and journey to place and voice unknown. Deep inside we ventured, sheltering from late dawning’s misery, its cold, while spiders webbed and must spread, and found ourselves a no man’s land of mystery, stories untold. But within its space grew less as we ourselves grew tall, grew old; the rain would stop, the sun would shine, the wind no longer wont to blow. And time passed in the same way we grew to pass our Tardis by: it no longer bore the space we craved – the room we had to find to spread our wings, for flight. Time left our see-through world all alone – enslaved; our phone box Tardis a copper gravestone – something we had out-grown: something else we could not save. My Escape In sobriety, singularity and silence, I search for and solicit me. I seek solace in syllables: sounds and senses that stream from somewhere inside – some space they spring from and stretch to fill. Socially, they serve others through simile and sublimation; solely, they shape me, and my soul: I write to be (and escape) me.
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