Hongri Yuan, born in China in 1962, is a poet and philosopher interested particularly in creation. Representative works include Platinum City, Gold City, Golden Paradise , Gold Sun and Golden Giant. For Hongri,Immortal 、Buddha 、 God and the Gods all is the respected name of the soul . Platinum Song I seek the soul of words That marks the beginning of words That the gods of the eyes Watch me from the depths Makes me tremble and rejoice As to savor the honey of paradise. Oh! The light of light, the soul-star Let the future be a platinum ballad Take the dream ship, for,in no time It shall arrive at the city of the giant Outside the Universe of Sapphire Don’t you think the key is sweet If it condenses into a diamond in solitude And its song unlocks the portals to unseen gold? You have discovered a new paradise! Have the eyes of the juvenile once again You have boarded the platinum ship And the giants welcome you. Set off! Outside the universe of sapphire Explore the Kingdom of the Souls!! Words Such as God Winter comes and winter goes Until boots back the golden spring. My soul has boarded the dragon car of Gods And has just called on the kingdom of 72 planets. Words such as God, where everyone is king When their sun blossoms to you, forever You will forget the world and forget the years.
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Marianne Szlyk is the editor of The Song Is... and a professor of English at Montgomery College. Her second chapbook, I Dream of Empathy, was published by Flutter Press. Her poems have appeared in a variety of online and print venues, including Silver Birch Press, Cactifur, Of/with, bird's thumb, Truck, The Blue Mountain Review, and Yellow Chair Review. Two poems have received nominations for Best of the Net and a Pushcart Prize respectively. Her first chapbook is available for free through Kind of a Hurricane Press at http://barometricpressures.blogspot.com/2014/10/listening-to-electric-cambodia-looking.html . She hopes that you will consider sending work to her magazine. For more information about it, see this link: http://thesongis.blogspot.com/ August in Aspen Hill Despite the coming storm, butterflies flutter over the crape myrtle. They touch on its flowers, scarlet clusters, heavy in no wind under the puffy, steel-gray sky. The temperature drops, the last hour’s stifling, sweating heat becoming cool and chill. Yellow butterflies hover like the last glint of sunlight on dark leaves. Almost Solstice Walking after dinner, she shivers. The wind is ruffling the trees. It ought to be warmer beneath this sky with only scuffs of white clouds. She shivers, drawing her sweater closer. Spring is almost over. Solstice approaches. She passes by the catalpa, popcorn flowers tiny next to giant leaves. White dogwoods linger over red roses. In the park, young cattails and milkweed overwhelm the pond. She cannot see beneath the surface. Northern mockingbirds prepare for tonight. They will make her believe that two am is almost dawn. Fusion #2 Referring to food or cooking that incorporates elements of diverse cultures. Standing at the fusion restaurant’s window open to the rain pitting the broken sidewalk on Florida Avenue, I think about the meatballs my Irish-American grandmother made. She placed a tiny bit of garlic on each globe, then pushed it down to the center with her thumb, then reshaped the globe. I wonder what she would cook now in these evenings of tofu tacos with peanut sauce, of sweet potatoes and collard greens dotted with sriracha and yogurt. I remember Grandma’s lime jello mold salad with pineapples, coconuts, mandarins, and celery that she served at Thanksgiving with turkey, sausage stuffing, and apple pies. Ted Mc Carthy is a poet and translator living in Clones, Ireland. His work has appeared in magazines in Ireland, the UK, Germany, the USA, Canada and Australia. He has had two collections published, 'November Wedding', and 'Beverly Downs'. A member of the judging panel for Clones Film Festival, he has written a number of short film scripts and is currently working on a full-length script. His work can be found on www.tedmccarthyspoetry.weebly.com ROOTS After the ward grows hushed, broken vaguely by the creak of wheels, whispers at the desk, a distant flush, or the half-footfall of a dragging leg, I sit and think of you before your mind assumed its dark. That flat bush by the gate you leapt with barely a run-up, is a tree so densely packed and twisted it must die under its own weight. Remembering how we bent its limbs like bows, it's hard to grudge it that grotesque repose except I find its calm a kind of mockery of your hollowed state, it leans aside and waits a final storm while your forever night remains undrawn, unmeasured. That a mind should simply vanish, is beyond unkind but what are we to do? Say plainly this is how it was and is, that whether we know or not, the same day passes, but pay what reverence is due to memory broken like a stepped-on shoot, the dark-green tracery of withered roots. A RUN OF DISTANT NOTES Through corridors just wide enough for one, walls cool and smooth, we file into a room that once was two nuns' cells. I look out at a February lawn, grass roots split as if by an act of will by snowdrops almost too frail to bloom. Sick too long, the aunt who hasn't been herself for thirty years, the aunt we knew; swaddled in starch and drips, her breath so shallow it may well have stopped, her eyes dilate in light but give no clue of what goes on within; who long ago became a memory even as she lost hers. This is the end, this time, and no conjecture on mental emptiness, that dried-up river, gives any comfort; nor infinity: the sun sets never to rise again. But when thin morning breaks, she will at last become complete and human as the dead, more than she is at present, giving us leave to remember how at first she filled her years with music, slowly moving toward the silence in her head, and how, when all else failed, a run of distant notes could stir something more - or less - than memory; and how like smoke it vanished. But that phrase, never forgotten by those who heard it, lingers somewhere, like a promise or a hope of bliss. EARTH Now that the long forgetting is over, let thoughtless earth receive you, as is proper, but know that you have become entire again, at last like every other. THE STUDIO Hands flow through gestures - half-moon, peacock, flag, mountain-peak, then the body dog-folds and the back like Atlas holds the world in posture. Noon in the studio. The floor is warm to the toes and palms of those who wish to go into the East, or into a self that will endure, as if their own world, cleft from shoulder to heel, could be made whole by the crane, the flower, and a stretched, held hour would heal that rift. EGGS In a momentary light where every wall is white, and day waits to sink, this time in empty silence, a drunk weaving home, his t-shirt blue as a boy’s, carries in his head a clutch of speckled eggs lifted from a hedge on a morning that never was, clotheslines riotously bright, aerials gleaming like rocket-silver. Against the gathering hill, he threads between pavement cracks, avoiding flowers whose names he doesn’t know. Natalie Crick, an English Literature graduate (Newcastle University) has found delight in writing all of her life and first began writing when she was a very young girl. Her poetry is melancholic confessional writing influenced by poets such as Sylvia Plath and Sharon Olds. Her writing has appeared in various journals and magazines including 'Carillon', 'Cyphers' and 'Interpreters House'. Natalie is hoping to commence an MA in Poetry in the near future. For You This month her depression began. He obsessed her. She tied her heart with ribbon like a present, Licking his fingers and kissing his feet. Words failed her. She breathed him in like a terrible secret, A childless woman beneath the ivory moon. But what about his eyes, his eyes, his eyes. Walking in the Winter trees Were his shadows in the fog. He was innocent as a lamb. Sleep, my Angel, Deaf and dumb As the drugged summer sun. My Love, I want you. Love Me Two friends. Chalk and cheese, gelled with want. The shy one with silver sticks That clunked on wooden boards Skipped to a secret song. And him, a gauzy giant, The bitter scat his excuse. It shines for special occasions, Shouting about life of biting tongues: I am history reinvented. Blink twice. I am not out of the ordinary. He tells me how I have a nervous laugh And how nice The mice looked, strung up in grey wire. An easy spear through each socket. Would I like to walk with them? It would be like kissing the flute With my eyes smoking and hissing, Ash sinking in each pit. Let me roll in icy pools. The Other does that, Hair wet and black, Tossing acid. Do you ever sleep? He wants to be loved. I do not react. The sun lets them in, The moon breaks in two. Bell, once. Bell, twice. One is finished. Dear Sister It is Winter here. Snow has fallen. “I am afraid”, said the moon. She is beautiful tonight. Now it is darker than December. What is dead is a different colour. My dead sister is neither a man nor a woman. She is a ghost. We do not speak of her Anymore. I turn away from mirrors When I see her reflection. The dead can no longer see I no longer care. O Lord of darkness, I want my innocence. Night’s End Snow had fallen, I remember, At the night’s end. Do you hear his voice? I am never alone. And at the end? I do not live. It is forbidden to die. The winds are changing. Our dead brother waited Undiscovered, But very dark, very hidden, As the earth became black. The field was parched and dry, Filled with death already. You walk through it. You see nothing. Sunday School Madeline loves it And sits as Mother would. The priest is like her Father Dressed all in grey, Palms fluttering with Paper clowns, Legs and arms spinning anti-clockwise Like the priest's eyes slide From side to side. We are his for an hour But he cannot touch us, For we are jewels to be watched, And, one day taken. Nobody has ever held his hand But Grandmother, with rings like Little girl's warnings. This is my house of God, Rain thundering as Unanswered questions. Their faces are taught and chilled with frost. He is the bee of androgyny Thrusting candelabras as tusks. This drone of activity, It is all too much for me. Faces dumb as naked dolls. He strips them, licking them with stars Like potential girlfriends Or meats to be weighed. Young Love When you were five And I was six, We would hold hands Just like this. When you were nine And I was ten, We made a pact To never tell, and then: You began to tell me every word That escaped from your lips, with cold secret stares. A look or a glance through long Fingertips. Your beautiful face. I see you sitting by the stair, your body Tight in hot sun, a sad lamb On stage. And when I have passed you Flushed red raw, I want to remember How young we were. Splayed out across the pitch Like baby starfish, pink and pinched As tongue's blood. Our father and mother are in silent reverie, With knotted wrists and electric hair, Nodding and clapping, as dumb waiters do To our games. When we are together we are together. Today we are family as the ill Walk in lines, with shaken smiles that marry us. Mother, to me you are a figure of fun. Father, you are a child when you wake up each morning. She Chose Red It is Winter. He dragged her through the snow, Her heart in her hand. She was trying to be special. In her room Is a barbed cage. She made it herself. She waits inside with a needle in the dark. Exiled. Chewing her own hair. They don't talk to her. Her mouth is full of hair. She chose red. Dreamer, how did you get so low? Anywhere you go, She will follow. She is a slut called Jezabel. There is sunshine in an empty place. Her birthday: a black death. The rush she gets. Machina. Her cousin is a spider. Withdraw. Now give her an inch, a mile. She is a beautiful liar. Aphrodisiac. She crawled out from the sea. A horse drinks from the dark water Dieing, vapourous. Baby's Breath On rainy days I give myself permission To touch the glass And see your remains: Tissues, shadows, All that is left Of you. Dancing with ghosts Over dark hills. Skylarks, old dear. When I stand in your old room I feel so sad that I masturbate myself. Bees feast in tartan plumes, Birds hanging on threads. An old donkey hobbled Into the mists. Ring-a-ring-a-roses. A pocket full of posies. Your tiny hands tremble away From my throat. Jack-daw. Seeing Things My face is changing And no one else can see it. I am in an asylum for weeks. And no one else can see it. My face changes Like a rainbow or a storm cloud. I am a snake now In the mirror. We photograph what I can see And talk about it. My eyes are shrinking. My hair is shrinking, Growing longer today. I don't know where it goes. I think it shrinks away Into my skull Choking all of my thoughts Until I have nothing left. God, He Is In The Air God, he is in the air, Rushing through the wind and Over the hills. Coming at her in waves at the seashore. Grey gusts Colour her cheeks crimson As a bandstand balloon. She doesn't know why. Polka dot flags Hang in the air For Madeline to stuff into her pinafore In handfuls. Secret Life of Life I am a child Thrust open and disregarded, Trashing through corridors unchained. The sound poured into me then, Like birdsong, Sweet and softly tapping At my heels. Short bursts Of stigma Are attached to this threshold. I wandered out, caught Between the lines of cars. Such activity frightened me So I died with leaves. The Secret The words fell from her mouth Like black snakes. Hissss. She has lost them all. The secret! A promise she could not keep. Someone knows. He lies in bed, the room growing dark. It is the last night of their lives. Take me there To the beautiful people Who run in the garden in long coats My name is Moses Chukwuemeka Daniel, I am from Nigeria, Africa. I'm a teenage poet, I love writing and I sing too. My poems have been published in some online journals and magazines. 'you cry you die' All my life defeat has been a friend, in class i sat at a failing end, where i had some friends, and failure was the closest, i had to fight on my own, it gave me help by giving me no goal, all my plans ended in one hole, i cried and cried, i tried and tried, i failed i cried, i got back and tried, i smiled and tried, i failed i cried, i got furious ones more and tried, again i failed and again i cried, there was no hope, i had to look beyond the clouds, to find solace in the sky, sometimes i felt to be happy, The ambiance of my street, Was like a curse to my feet, i had to look within myself, i saw someone else, and he said, 'you have to be enthusiastical inquisitive, be sanguine, do not sit nonchalant and lackadaisical and watch defeat win , your journey is just like a two sided coin, you have success and failure , Let your imperfect self strive for perfection, Fight yourself from within, be true to yourself like the wind , make it work without tears, be indomitably strong, Fight like you want it best not wrong, Do what you love, Let your zeal be driven by passion, Don't you ever give up, And if they say you aren't good, Do not sob, Because if you cry you die. 'Listen to these words instead ' Have you being cheated by the world? They made you cry without remorse? They laughed at your every fall? Please listen to these words. They came as friends, Brought your happiness to its end, Lies and lies they possess, Oh to these words listen to them. Their words made you wither, from the steel you once wore, If those words could make you bitter, Embrace these words it is a stronger wall. They proclaim peace and love, They showcase hatred and war, Lie still on this words, Beyond your view they carry lot more. I will love you they pledged, But like locusts they fled, Remember tomorrow is a friend, Now listen to these words that care. Let the words that i share, Wipe the tears that you bare, Let those pains of yesterday, Be witnesses to the beauty of today. Listen to these words instead, They were blessed by mother's love, And cuddled by father's strength, Just to let you know how much poetry cares. 'A LETTER TO THE GOVERNOR (EBONYI STATE)' my heart gladdens at your good works, Conspicuously they spill good good luck, I saw how you polished our enthusiastic legs, Now we walk on marbles and gems, Your efforts are heart warming, Unlike how yesterday got us diminishing, I solemnly stand behind your good will, Because i know on good path we find good dreams. The future is never a friend, As we find change right now an enemy, But let your good works find no end, In your endeavour for a new beginning, Change and restructure the rice mill, Give aid and recuperate the cement industries, Resuscitate the health care of the EBONYI infants, Retaliate the strength of our agricultural endowment in rural communities, Reduce the amount spent on superfluous parties, And invest in the education of our children, Create job opportunities for our graduates to own offices , Renumerate the effort of our civil service, Harness our talent in every tenacity, And then sit back and watch us thrive. This is no business as usual, Work ,work and work, In no circumstance should you ever stop, We must make our land like what we see in London, So lead the way for us to follow, Lead us to adequate growth, we will fight by your side, So you must teach us how to fish, Lest ours hands be stuck to your dish, And remember it won't be easy, But let God tell your story. 'Africa oh Africa' Our sacrosanct land of old, Born of black unique and bold, With Your endless struggles to grow, You once wore grasses as clothes, Just to hide shame not guts. Today your voice is heard, But your value is ensnared, By your children's children, Who does nothing but glare. You once bathe with the wind, There was no stereo music, But the birds you watched sing in the morning, And crickets in the evening. The day gave you vision, And the night got you wisdom, You were a stranger to love, And an adept to tilling soils. Africa oh Africa, Today your voice is clear, Africa my Africa, But why leave in fear? Your grand children are wise, Yes they are, But they know not your struggles, They have no clue. Remember oh those days, Of white invasion, Remember oh those years, Of bewitching exaggeration. Oh your foods, They are now buried in ignorance, Oh how sweet and beautiful, But they died to the new world without cognizance . Your men and women, Though naked but loved relentless, Even in darkness, They cared. Africa oh, Africa Kristyl is from the island of Malta. Her work has been published in several poetry anthologies by Lost Tower Publications and has appeared in the The Literary Hatchet, Haiku Journal and Down in the Dirt magazine. Puppets on a string A sea of dust surrounds us And the sun scorches our skin As our feelings start to die within Like puppets on a string we move What are we trying to prove? As we walk on eggshells And in the sea of dust we cry And in the same dust we will die Will our names be remembered For all the services we rendered? In the sea of dust we remain Till our bodies they come to claim And if not, our lives will never be the same Us the puppets moving with a string What will the future for us bring? The Sirens A Wiseman once said to me That if a man goes out to sea So very careful he must be For if the sirens he will see Never again will he be free Their song replays in his head Each night as he lays into bed A sweet song, yet almost sad It is enough to drive him mad So all sailors and men beware For if to sail out to sea you dare Make sure that you will not hear The song of sirens lurking there A Dream I wish to dream of you once again for when I met you my life began and though I’ve never seen your face and know not what is your race I long to be with you every night for you fill my heart with delight Pamela is the author of three collections of poetry: “Something from Nothing,” (Writing Knights Press) “Woodwinds” (Lipstick Press) and “Matrimonial Cake” (Red Dashboard). Her next book of poetry debuts in spring 2017 with Oolichan Books. When Pamela is not writing, she's sleeping. She believes sleep is death without the commitment.
Misconception There’s a terrorist perched in the pine tree in the backyard. He’s frozen as ice is, legs coiled around the tippy top branches, AK-47 slung to his side. The birds bludgeon the morning with whooping war cries and my body hits the floor, takes cover beneath the bed. There is no God here to help me. Clumps of snow fall and limbs crack. Earthworms churn their bodies through dark soil. It won’t be long now and his polished boots will appear at my bed. He will kneel down, lift my bed skirt, and peer into the cross- hairs of the veiled darkness in which I lie in. I pray Allah’s bounty of virgins is enough to go around and wonder if God knows the women are being screwed? Kurd from Baghdad wins Oregon Lottery The story does not end here but triggers a full blown, Facebook feeding frenzy with people going ballistic, blowing up their walls in shell-shocked statuses and point blank posts about this little known man of international mystery: The money belongs here in Oregon! There needs to be rules. This is messed up. Not to be racist, but this is so wrong. We can’t give money to a foreigner. Isn’t gambling illegal for Muslims? This is not what our soldiers died for. Way to bring the terror home, America! God bestows millions on a Muslim. Lord, help us all if they give it to him. This should buy a few air missiles, virgins, guns and goats. In a related story… Iraqi Kurd becomes warlord overnight. This guy will use our money to kill us. You dum (sic) asses. You’ve funded ISIS. What would Donald Trump say? When you’re sliding into third and you feel a squishy Kurd… A man from Iraq wins the lottery. They withhold his name with good reason. Croyden Courts They live in enclosures behind sun bleached walls facing a courtyard sandbox, littered in beer bottles, butts and dirty diapers. Lawns are postage stamps clipped out like coupons. Grandpa sits captive in his den, confined to his chair rolling loose leaf tobacco, sipping stale coffee. He tells me Birdie is sleeping with Leo, Tabby's a bitch and Rex is a snake. Robin’s a pussy cat in her tiger tank top, black panther boots and leopard leggings. Ava's the doe- eyed one who drives Buck, ape-shit crazy and even though Jonah thinks he's a catch, he's really just a jackass. Grandpa's sick of the shrieking, snot nosed kids running wild while parents take time to procreate less time. He roars at them to keep off the grass, keep their hands to themselves and quit feeding the beast. They're all a bunch of animals! Fingers coil around fence posts and eyes glow yellow through the keyholes as doors slam shut. He's the zoo keeper, minding his business while cages moan under the moonlit filth and children curse inconceivable beds. Haven’t got a Prayer How do prayers reach Heaven? Do they hitch a ride on the cosmos in the backpacks of angels, go air mail on the wings of doves or do they drift on a slow spaceship to Zion? Is there a place in Las Angel Bliss where God’s messengers sort requests between the seven deadly bins before sending them Heavenward with their seal of approval? Do they measure and weigh each one, filter out what gets tossed, returned to sender and dispatched to the dead letter office seven stories below? I’m sure they wire the flyers and The Daily Bread. Does all Hell break loose when God receives junk mail and do the angels go Ghostal? Maybe God is fed up with our lack of creativity, our inability to grasp his word. Maybe he’s golfing all over God’s green acres and is on a million par hole. They say God answers in his time, not ours but time doesn’t exist in eternity, so forever and a day takes no time at all. Perhaps prayers are left unanswered because God in his infinite wisdom knows we just haven’t got the damn message yet. It’s all about the Yoga A forest of women spread leafy green limbs to the matted-mossy floor. They are ferns unfurling branches, bending and arching their newfangled bodies with open minds. I'm the camel plodding along, sweating it out in the dry hump of midday. I don't belong here in this dense grove of women, this cathedral of ever- green composure. I don't wear a red cape, drive a blue mini-van or drink. I am a trinity of all three melting into a twisted rendition of Edvard's Scream in an ugly frame of mind. I am not sitting Lotus or posing as the Fallen Angel. I'm the woman in the yoga pants, downward dogging it to pick up toys, soldiering on till I undertake the corpse position. I lie there, a spineless cactus without a stiff prick of rain to inspire me to get off my stump. Kim Bailey Deal writes Women’s Fiction, short stories, poetry, and creative non-fiction. She's been published in Firefly Magazine, A Journal of Luminous Writing. Kim has also been a guest blogger for Robert Lee Brewer’s blog at www.writersdigest.com. She authors a weekly column and is Social Media Manager for www.five2onemagazine.com. Kim also has a creative nonfiction piece published in Pilcrow & DaggerAugust/September Issue http://pilcrowdagger.com/issues/, and three poems, two short stories, and a creative non-fiction piece to published in September and October 2016. Kim is mom to three sons and one daughter, Nim to her grandchildren and step-daughter. She lives with her husband, John, near Chattanooga, TN. To connect with Kim, follow at www.kimbaileydeal.net. The Reluctant Warrior My shield guarded my spirit My lance pierced hearts with the truth My sword cut through their falseness My armor deflected the collateral damage I am a warrior, life made me this way. Ever since you took my outstretched hand and we danced, I thought I no longer needed my weapons, I set them aside, collecting dust in the remnants of fights and fear Until the day the wolves materialized while you stood idly by they took pieces of my flesh a morsel at a time, Stripping me of my ecstasies Reducing me to rubble Exposing me to their single-minded scourge Until a jagged coat of rotting muscle skin over splintered bones were all I had left to protect my spirit You, then, began to feed off my remains rejoining your clan and forsaking me Forced to come back, the warrior me, I knocked off the dust and limped into the fray, my lance and sword of truth raised, War paint smeared across my face, each howl and scream returning fierce flesh to my bones. Donned with armor shield raised I fought for you Backing down was not an option reciprocity was unexpected from you. This I realized as worms ate the rotten flesh of the person I had sloughed off, the person I now despised, the carcass of a woman who was nothing but a shell. The wolves fed on the last of the meat what once was gorging on their victory. Reclaiming myself, speaking my truth filling myself with love and respect honor and boundaries and authenticity no room for doubt no second-guessing who I am or who we were supposed to be. With shield and sword, lance and armor I began to relentlessly fight Yes! I have hell on my side They kept coming, cutting me with their insults slashing at my words seeking to shame me into submission, demanding my Silence. Turning to you in the melee I howled, “I have been fighting for you! Will you fight for me?” You simply turned away, as my war cry echoed in your ears. Redemption I was a flower reaching for the sun, my petals barely open my green arms small, yet strong alone on the sidewalk nestled in the cracked concrete where you walked laughing with roses and orchids clutched in your hand as you passed me by. I was a diamond glittering among shards of glass, gathered at the side of the road, ruined resting in the shade of trees under which you drove, tires screaming rattling the remains, remnants roaring past me with gold and silver bound fingers tapping to a different tune. I was a bird broken-winged, banished, pushed from the nest too soon flapping in circles calling out to you, singing my broken song, shrill and scared as you strolled past in silence, smiling whistling with the whole ones their melodies unmarred. I was a flame dim, in darkness flickering surround by walls self-induced solitude barely drawing on oxygen wafting through the cracks of my fortress glowing and dimming fiery and faint fierce and forlorn refusing to die. I am the fire burning blistering bright, a bloody red rose, thorny a blue diamond, blinding a mended bird, soaring singing my songs, scorching the lies, searing the walls, watch them crumble and break, a forged sword slicing to the bone of truth. Revolution and Evolution Listen up! Open your hearts Expand your minds The time has come For a revolution From which you can No longer hide, Made to be your companion My sweet fruit always at your fingertips You took without asking Plucked me before I was ripe Stunted my growth and left Me to wither and rot In my shame and grief. You took Without giving in return Is this pleasure? What a joke. Your lips never tasted my lips Your hands clumsy and quick Your dead heart pressed against mine so fierce Your eyes closed to the beauty inside my soul Your shadow darker in my light. You took Not only my young body You took my tender heart You tried to take my soul And my mind, you considered so feeble When my thoughts did not align When my words did not echo Your own. You took My children, who sprang from my womb Suckled at my breast Who heard my heartbeat long Before they heard your lies You had the nerve The audacity to believe that THIS had no meaning. You took When I had nothing left to give Worn out parts and broken Dreams placed in boxes beneath My bed When all I asked All I needed in return Was the comfort of your hand A heart to beat in sync with mine Respect for me, a woman With thoughts and feelings and dreams You took And you took And you took And you took And when you were finished When you had your fill When my sweetness turned To ashes in your mouth You threw me aside Like a worn and broken part Like yesterday’s garbage No use to anyone or you anymore. Listen up! There will be no more taking. This fruit Sweeter still Grows more glorious on the vine This fruit Stronger now Spreads its seed beyond your reach This fruit Speaks truth into darkness Moves mountains with a roar. This fruit Is inaccessible to you As you have been to me Your lips Will never taste The exquisite delight Of my mouth Your hands Will never trace the sacred dark places for which you hunger Your eyes do not see me Your heart is cold to the fire of knowing me Or knowing yourself Your hands that took Without hesitation, Became weapons against me When you did not like what I gave back Your arms stayed empty For they now hold only a dream A memory of who you wanted me to be Who I never could have been. Your mind is closed To my imagination Your heart is hardened To the beat of my spirit Your tongue is thick With pride and rage Your eyes grow so dim The brighter I shine Your ears hear But they do not listen Your lips move But they do not speak. Your foggy promise fades In the hazy morning light Burning off as the sun rises warming my face as I give its glow the one thing I refused to let you take from me To you I give my back And walk away. Donal Mahoney, a native of Chicago, lives in St. Louis, Missouri. He has worked as an editor for The Chicago Sun-Times, Loyola University Press and Washington University in St. Louis. His fiction and poetry have appeared in various publications, including The Wisconsin Review, The Kansas Quarterly, The South Carolina Review, The Christian Science Monitor, Commonweal, Guwahatian Magazine (India), The Galway Review (Ireland), Public Republic (Bulgaria), The Osprey Review (Wales), The Istanbul Literary Review (Turkey) and other magazines. Some of his work can be found at http://eyeonlifemag.com/the-poetry-locksmith/donal-mahoney-poet.html#sthash.OSYzpgmQ.dpbs (Photo: Carol Bales) Small Backyard It’s a small backyard I’ve watched for years from an upstairs window while chained to a computer. Whatever the weather the old widow was always planting in spring watering in summer raking in fall shoveling in winter but the yard’s quiet now the only traffic a resident squirrel heading for the oak over the tall grass the widow’s heir has stopped mowing. She told her son you don’t have to garden but please mow the grass rake the leaves and shovel the snow or I’ll shake you at midnight the rest of your life. A Third World Life When he was just a boy, they took him to the dump to scavenge, bits of metal, any food that might be eaten. When he became a man, young and handsome, every day he would go to the dump and scavenge. When he was middle-aged, other men followed him after he discovered a bigger, better dump to scavenge. Now old and blind, he sits in his hut while seven children and their children go to the dump and scavenge. Small Shoulders She speaks the truth as she always has in 40 years of marriage especially when she’s lost in making dinner this time though she has to wash blood from the paring knife before she peels the last of the potatoes. Until the knife went in he didn’t think in 40 years she had noticed that for a man his size he has small shoulders. Reprobate in Recovery If you’re a reprobate in recovery you have to be careful what you do. You’re no different than an alcoholic, always in danger of falling again. At least an alcoholic has a disease but not every reprobate is sick. Some are genetically louses. They love what they do. If you’re a reprobate in recovery it’s understandable to think you might be safe in church. Lots of good people go to church. But reprobates go there too. Some may be worse than you. The next time you go to church, even if it’s your first time, remember this old saying, recently refreshed: A church is a hospital for sinners not a resort for saints. When you go to church, a reprobate might hand you a bulletin, pass the basket, nod off in the pew next to you or bellow from the pulpit. So watch for a reprobate to join the mix after a Sunday service during fellowship with coffee and donuts. If you can't spot one, a selfie may do. Odd and Strange The day Paul got married, his old girlfriend called his house just before he and his bride Anne caught the plane for their honeymoon. Paul was outside packing the car and Anne answered the phone. His old girlfriend was angry because Paul had married somebody else so she told Anne strange things Paul liked to do, strange things Anne had never heard of, stuff that didn’t sound like Paul at all, but Anne said nothing about the call and they flew off to a nice honeymoon, diving off cliffs and swimming in the sea, seeing rare birds and tropical flowers, eating native foods Anne hadn't heard of. Years later, they went back to Oahu for their 40th anniversary, and Anne told Paul about the call but didn’t say anything about what the girl had said although she remembered every word. They were sipping drinks at a cafe when Paul admitted he remembered the girl because she would ask him to do things he thought odd and strange. He was open-minded but there’s a limit. Anne said she understood because after 40 years with Paul, she now liked to do things she thought odd and strange when she left the Amish for something new. I, Renee’ B. Drummond-Brown, am the wife of Cardell Nino Brown Sr. and from our union came Cardell Jr., Renee and Raven Brown. I am the offspring of Mr. and Mrs. Peter C. Drummond of Pittsburgh, Pennsylvania. My siblings are Delbert D. Drummond and the late Pastor Shawn C. Drummond. I was born in North Carolina, at Camp Lejeune US Naval Hospital. I am a graduate of Geneva College of Pennsylvania, and my love for creative writing is undoubtedly displayed through my very unique style of poetry, which is viewed globally. My poetry is inspired by God and Dr. Maya Angelou. Because of them I pledge this: “Still I write, I write, and I’ll write!” “Renee’s Poems with Wings are Words in Flight” is flown across the seas by God’s raven. There are several Scriptures that I love; however, this one speaks volumes during this ‘season’: “And he sent forth a raven, which went forth to and fro, until the waters were dried up from off the earth.” (Genesis 8:7 KJV) https://www.amazon.com/Renees-Poems-Wings-Words-Flight/dp/1490887946 https://www.amazon.com/Sold-Highest-Bidder-Renee%C2%92s-Flight/dp/1504968395 http://bookstore.authorhouse.com/Products/SKU-001068789/Sold-To-the-Highest-Bidder.aspx Still I Write (The Answer to: Dr. Maya Angelou’s “Still I Rise”) Maya, Of course they wrote you down in history, You proved them wrong in truth, But you planted for me calligraphy, So I’m heard on paper all the way to God’s celestial roof! My passion for writing does upset them, But I can’t be concerned, Cause you left for me a gift from God, And it’ll be forever writing that I yearn. Just like God’s Raven leaving the Ark, ‘She’ flew to and fro, Until the waters were dried up from off the earth, Because of you, I’ll forever write in the skies, seas and dirt; for certain this I do know. I was that broken soul, And bowed so low to Satan’s pit, With nowhere to get; but up, I allowed my pen to place me within God’s Script (ure). I know my writings excite you, And with God for you, who can be against us, in giving me that nod, I finally hear your words loud and clear, The poems you left behind are messages of truths, minus the facades. Some have shot my writings to pieces, While others have damaged me over time, But God; sends a ram in a bush, ink, a quill, and wrote for me Ecclesiastes 3 He Author’s the time and place with limited ‘seasons’ for their hurtful rhymes. From the shame you told me to write, I write, From the pain you told me to write, I write, I am that Raven Blackbird with a large wingspan, “Renee’s Poems With Wings Are Words In Flight”; flying all over God’s land, I too want to leave behind my unhealthy fears, So in the dark, I write, But in the light, I see the imagery our ancestors gave to you; which you passed onto me, Maya you are the dream, Barack Obama was the hope, and I am the slave set free (to write). Still I write, I write, I’ll write. Dedicated To: A Tribute to Dr. Maya Angelou muddy waters black as ‘da’ night negro’s colour of the day iconic blues ol’ as dirt mosquito ‘an’ bees sway to rhythm ‘n’ rhyme rustic blues feel ‘da’ beat ‘n’ tune gnats own rural towns cotton plantations urban vibes ‘keepin’ ‘dem’ swampy puddles alive mississippi’s definitely on my mind no! ray sang georgia but why? ‘i’z’ feels like ‘goin’ home chess’ cat knows ‘da’ deal chicago’s turn Be ‘fo’ real ‘cuz’ back in ‘da’ day northern ‘mudd’ ‘i’z’ where you got played dedicated to: wade I (still) Do We met On the street After dropping them keys I picked up For you Our eyes Fell asleep Deadlocked Refusing to drop ‘Luv’ at ‘MY’ first sight ‘Daze’ went by, years, ‘an’ O’ ‘Dem’ semi-precious nights We laughed, cried, fussed and literally Fought a good fight I did my best To select a white dress While you didn’t know it You passed Mr. Right’s test Even saw the ring 2 Karats Meant the world to me Yeah ‘everythang’ Including clarity But something??? Just Wasn’t Quite Right I noticed You never stayed Full nights ‘An’ I never met family Foe nor friends Something just ‘wazant’ right ??? Then Reality Shattered all dreams As she walked down the isle To my man ‘Wit’ a smile Wearing My dress and ring And I still wanted to say I Do Ever so badly To the unknown man I met on ‘dem’ streets That would be you I still do Dedicated To: Drifting on a memory Who Are We? I don’t know us anymore Has time re-written our lies Do we not speak Of truths Yet Rely on blind guides The poetic scribes Tell tales O’ Seasons For all time Don’t know us anymore No heart beat Nada rhythm Nor rhyme Just texting’s left As Zombies silently cry Who are we? I don’t know anymore. Dedicated To: The Unknown Success On bottom No one seems to care. When you rise They ‘ALL’ WATCH ‘an’ glare On top They love, love, love ‘dat’ black skin house, car, clothes ‘An’ ‘ev’n’ ‘dat’ nappy bald hair! But when you drop, My Lord… Not…family, foe, nor friend Will be left standing there But God… I know ‘dat’ I know YOU’LL BE THERE!!! dedicated to: Standing above ground and I’m on top of the world mom! |
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