Currently living in The Czech Republic Philip O’Neil has worked as a journalist, editor, photographer, news producer and presenter in several countries around the globe. His first novel, Mental Shrapnel, is due out in June 2019. BATTERED VIRTUEThis battered virtue cloaked in the downing sun of its own unease and so outspoken yet all I ask of you is why during these calls you persist in the suffering and ask, through these outbursts by the pint of wine how can I explore the depairanto of languages spoken as one oh hearer of tangle tongues. I left you because I counted the numbers of voices pending to the mood and needs cribbed behind the mercy of their call. By your term of less held beliefs there is a home all silent walls call you to bed. and the town crier is by all shores’ rattled escapes following the iguana in a canyon escaping a slither of snakes. I know you rang to buy me back and head towards with this spring of ask but no, I will not go into your suffocating ways I will rush to the city of volcanic ash. You can read my swamp hand plain out of symbols. Back to the slimy commando lift of muscle and bone. GALLEY SLAVES Soul sleeplost beauty abandoned waiting for the chorus of harpies to laugh at our separating bodies just like galley proofs and slaves hollow heads exploding with the cupcake girl-gangs worried about their figures of eight and pieces of wombs designed for just the two. I am now between serpents audacious but lanquid after swallowed deciding between both which fille-perdue I fall for. Maybe it’s the time for the news to entrail them in their moon and black so it’s time for the jeopardy blasting on our roof with Requiem Half forgotten it’s time to feast I’m between two serpents in the garden Languid with easy snatches Am I asking for the snake or its kill? Like a galley slave chained to his bench I fight wars not my own And that includes yours. Sweat it out sister she’s already half forgotten slashing in other towns. WHITE NIGHT The sun burns a hole through the sparrow-drab sky filters through the melting barcode of skewed greasy blinds . I gave up on the night when the pale yellow lights of rush hour beaters started sliding across the ceiling and the sound of faulty plumbing after a stuttering piss to a repetitive soundtrack stung with the hypochondria of sleep lack that starts in the liver and works its way up to the skull. Shadowboxing with Peter Pan would be more useful as running the same dalliance with you, the past. Eyes half open, feel like a plate of glass splintered by a speeding truck. BARBED WIRE TONGUE I have no fear of your barbed-wire tongue the way you played when we were young. Now you call when you’re alone so far apart like bone and stone you make me shy, you make me whole we can’t reprise our loving roles. Buttressed by another’s kiss I close my eyes and think your bliss You were sharp, your lips were thin I can’t believe I’ll ever win. You’re a magnet with changing poles You attract and then repel I want to think, no let’s scratch that You live alone So far apart like stone and bone. The guilt sits hard KAMPA PARKHe loitered by the Devil’s Brook and the old waterwheel in the park of the island covered in leaves watching topless children, painted, playing to guitars and flutes under the giant limes when he noticed the spring yellow and red torch-heads of tulips and the same two-tone peeling paint of the benches where pensioners dozed at impossible angles and in the distance from the lock he heard the plaintive wails of barges cocooning the whole city with his age. NICKNick, I’m crying and I’m in love again - I think. I couldn’t get through to you last night. You’re sleeping beside me, It’s a little awkward with him. It’s like we’re in callipers that stops me talking. Now, I’m moving in my bed like a pylon and you clatter next to me like a fire escape. Nick, I’m crying and I can’t tell you I’m in love with a painkiller and I’m shaking like a musical valentine. Nick, I’ll bleed through my eyes again tomorrow. I just needed to tell you tonight that I was right and I wanted to stroke your hair. I know I’m me and I’m emotional. I know I like blue curtains, red sheets and kitsch dogs and phoning you in the middle of the night. But Nick I’m crying and I want to steady your hand just in case you cry one time. I want to buy silk pants and Stranger Music and the soundtrack to ‘One from the Heart’. I’m tearing away from five ugly days of pain. JIGSAW MINDSI’m doing the jigsaw of images
that shatters the night from her box shark-eyed candy on moonshine trees candelabra ardour overcrowd the countrymen cadence of a mispent time. Where shadowlands turn to home fronts I’m the echo of an age that cannot bear its millenial diagnosis I’m also Peter Pan just a condiment on a demented family table The couple across play Russian roulette Over the sick jaw of dreamscapes every correctly laid piece earns the player a shot the closer he gets to seeing his shared win. The closer he gets to Pollocking his brains out against the dry-stone wall held together by blood-ejaculate Am I still in the slipstream of your box?
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The Braeburn Tree Mother-like it stoops to watch Sheba’s endless sleep, drapes its blush pashmina over her in spring. Its trunk inclines across the slender path to bask in solar warmth; branches grasp us as we grapple to pass. After harvest, we shovel it out, abandon windfalls to compost the ground, around the gaping cavity. Repositioned by the wishing well, we pamper it, hope sap will course through veins again and the chasm left will not be needed very soon. In February’s gloom, we wait for the man trapped in traffic, carrying a mercy-potion. It takes seconds. Max is swallowed by the void as soil shrouds him. We replant nearby bulbs, in memoriam. I first saw Max in a dream-chase, the tabby scurrying from Sheba’s shady grave. Now Max rests beside her. Seedtime rays and drizzle foster apple blossoms to unfurl today; narcissi gently waver where heads once bowed. Easy Lover They met in dunes behind the bay; seduced by warmth she cast away her scant bikini top to bare her virgin skin. Long fingers played on tender breasts; as beach grass swayed she bathed in his caress. She'll wear a gown today when tests uncover melanoma from her lover. Acceptance Impounded, Maggie waits. Too old to race at five, undeserving of her sentence. The pack surrounds us, noses poke, nostrils vetting pheromones. They separate her, contain the rest behind a gate; stress-scratched. Deep chest and long-legged elegance capable of high speed in three strides, large eyes outlined, kohl-like she stands statuesque, as if on a mural in Pharaoh’s temple Tiny scars from food fights, fleck her face, tattoos hide inside ears. Lying overlong on stone floors has worn bald patches on muscle-bound flanks. Muzzled, the retired runner walks close without tugging, then lingers beside me while I stroke. Glimpses of My Mother By chance I catch a glimpse of her,
salt and pepper waves kissing cyan ripples about her neck. A thousand Lepidoptera tickle anticipation, until she whirls around revealing an unfamiliar smile. As I exhale they burst out of my ribcage in a rush, transporting all desires to an obscure realm. One gatekeeper flutters back hovering nearby then settles on my lifeline. Gary Priest writes short fiction and poetry. He has over thirty publications online and in print including Daily Science Fiction, The Eunoia Review and Literary Orphans. He lives in the UK at the end of a dead-end road, which may explain everything. This Morning’s SunThis morning’s sun reminds me of your old love letters. Creased across the middle by thin black clouds. Yellow, with an undertone of self doubt. Wanting to explode, yet intimidated by all that white space. Unable to capture the warmth of earlier days. This morning’s sun seems ignored by everyone but me. Earbuds dislocating them from thoughts of the failing star above their heads. Safe in their soundtracks, as I think of everything evaporating into dust, adding tracks to my armageddon playlist. This morning's sun casts barely any shadows. Which forces me into painting my own. Using green eyes, red lips and black hair to create an undercoat. While various eighties indie bands deepen the hue of my manufactured gloom. This morning’s sun will soon enough sink. Its uncelebrated February light spent across an uncaring hemisphere. Quickly upstaged by the starfucking antics of another slutty moon. Throwing sloppy silver kisses at everything. Three Castles |