Jim Zola has worked in a warehouse, as a security guard, in a bookstore, as a teacher for Deaf children, as a toy designer for Fisher Price, and currently as a children's librarian. Published in many journals through the years, his publications include a chapbook -- The One Hundred Bones of Weather (Blue Pitcher Press) -- and a full length poetry collection -- What Glorious Possibilities (Aldrich Press). He currently lives in Greensboro, NC Mungo Park Finds a Tuft of Green Moss in the African Desert I should have been a farmer, instead I plant bribes for passage – an umbrella furled and unfurled, my prize blue coat with silver buttons. I marvel at the curiosity of Moorish women, their corpulent beauty, feet and fingertips stained dark saffron. They explore my shining whiteness, offer bowls of milk and water. I should have been a farmer, instead I harvest the hate of arrows in Bussa where they call us Tanakast, wild beasts, and say the river starts at the world's end, then show us the way. Wedding Day In the back of her uncle’s black continental, they listen as Ozzie steals home. Goldfish at the Botanical Gardens muddy the pond. She moves her hand over the water. They feed on what isn’t there. Losing his hearing, he watches mouths as if words might come out like smoke signals. He nods and picks an expression. Later he hears the ocean. One day she forgets the names of her children. One morning he walks into the empty hall and finds them standing there in shadows. That’s when Ozzie breaks for home. Before the Old Craig Hotel Sank Into the Mohawk On River Road just before the bridge crossing water we were afraid to touch because of General Electric, because of the factories that made god knows what, because of the stories we heard. It was never a functional hotel in my lifetime. Ruin resurrected, if a dingy bar is considered restored. The attraction was they seldom carded. Legal, we went there just because. Foosball and quarter beer nights were our hosannas, faces morphed beautiful in dim light. Stepping outside into the gravel parking lot, we were aware of the river creeping beyond our drunkenness. Some winter nights, zaftig flakes coated cars with a crystalline skin. I can still smell that air now a million years later after the river has forgotten it all. A Somewhat Inexact History of Flowers I could write how I’m amazed at the yellow of spring’s first daffodil. But that would be too exact, untrue. In fact, it’s just the first I notice, looking up. It catches my eye, the bud not yet fully open, poking through a layer of dead leaves. And I’m not amazed by it, but more by the consistency of things, the plodding renewals of crabgrass. Of a yellow flower. Younger, I might have stomped it, angry at everything then. But it would take sixteen steps to reach the garden’s edge, and sixteen back again. My anger’s burrowed deeper than a seed. Besides, a neighbor now is out walking his overweight dog as he does every day, and will continue to do until one of them gives up. We wave without speaking. Muscles and brain, as if saying - I see you, I don’t see you. Mulligrubs, March Nothing disturbs the berm as it aspires towards a grassy knoll, the path to your misgivings. I pocket them, touch my freckled hollow, my whiffet. Here, take a digit, an ounce. I practice the reverse of no, of knowing. My cock points towards the moon. Things fall off. I pick up stones from wet morning grass, wash them in my cheeks. I speak of love and poetry, rigmarole and poppycock. Who is the you of this? Not the wife I left, caught embracing the wide windows of another man¹s life. I know you are out there too. I save my broken teeth for when we meet, your dress, bone-buttoned, scrunched about your hips. There¹s not much left. I sit in the grass and count the birds. I could name them if it mattered. Sulky whiff, cat bait, breath of my dark. I wait. Nothing creeps closer.
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