Mark J. Mitchell studied writing at UC Santa Cruz under Raymond Carver, George Hitchcock and Barbara Hull. His work has appeared in various periodicals over the last thirty five years, as well as the anthologies Good Poems, American Places, Hunger Enough, Retail Woes and Line Drives. It has also been nominated for both Pushcart Prizes and The Best of the Net. He is the author of two full-length collections, Lent 1999 (Leaf Garden Press) and Soren Kierkegaard Witnesses an Execution (Local Gems) and two chapbooks, Three Visitors (Negative Capability Press) and Artifacts and Relics, (Folded Word). His novel, Knight Prisoner, is available from Vagabondage Press and two more novels are forthcoming: A Book of Lost Songs (Wild Child Publishing) and The Magic War (Loose Leaves). He lives in San Francisco with his wife, the documentarian and filmmaker Joan Juster. OZYMANDIAS SMILES I woke from seeing long and level sands stretched taut over fragments of stone almost grains themselves. A forgotten face is lost to light: Nose, eyes, beard, crown—gone. What began in ruin has gone past ruin: Cool dune ghost under footnoted moonlight. A thin trail of commentary leads me past three failed exams. Answers erased themselves. Uncrossed eyes and teacups circle a past tense smile. There are no creatures patrolling these grounds. My hand escapes the sheets, groping around for nothing at all. Do I make a sound? Space is deserted. A broken line stands Behind a statue’s tooth. It won’t be found. TRANSPORTED ANGELS They don’t get used to this sky: Blue as a pregnant virgin-- Heavy with reluctant moisture-- Where sparks snap off street cars And birds forget how to fly. They file onto buses-- without paying their fare-- just to hide from it. DAILY REPORT It’s simple to forget morning already absent from rear-view mirrors. Afternoons have no voice, unless baseball is played below the sun. A littered table is all that’s left this evening—names escape lightly as butterflies. Dreams are scattered like pennies from a child’s broken bank. SHADOW SONNET Because I’ve missed you so long I won’t say I miss you. Whenever I see my face refracted through whisky—then I miss you. I’ll tune my guitar and miss you. Through years without you—I miss you. I can’t undo anything now. Lent passes. Easter nears and I remember white nights and pub crawls. I see your small shape through a long shadow when the spring sun rises and the moon falls. I remember you crowing while you show me some new-drawn myth (ignoring my small victories with a smile). And we would do the great dance of drinking, of drugs and lies and collapse and laugh and oh, I miss you. FIRE She says her husband smelled smoke and left. She never knew what kind of smoke—tobacco, sulfur oak or hickory-- just that he smelled it and went out like a candle.
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