Aaron Sandberg resides in Illinois where he teaches. His recent poems have appeared or are forthcoming in Asimov’s Science Fiction, English Journal, Drunk Monkeys, The Racket, Writers Resist, Yes Poetry, Unbroken, One Sentence Poems, Vita Brevis Press, Literary Yard, Perhappened Mag, and elsewhere. You might find him—though socially-distant—on Instagram @aarondsandberg. “Remembering Having Helped a Girlfriend Move”To have a system before was a clever move on her part to guard against the chaos of the day or even how all the days after unfolded like cardboard crates first bursting, sealed-up, and safe like a heart. Still, her labels held and reminded me where we knew each was going to go. We thought it was a start-- then all those brown boxes emptied so quickly and broke down after knife-sliced tape was torn off like the bandage. And all of them knee-knocked and piled neatly next to an old blue dumpster outside her new home for someone else to deal with-- someone else to throw away. “Scattering Ashes at a Disney World Attraction”Not to belie the stowaway loved by our mommies and dads in Ziploc more explosive than gunpowder at the bottom of a smuggler’s purse, she boards a boat and looks left then right then left again past pirates and skulls and crossbones half-mast in what must be mourning or curse, then buries in one smoky clump not in flower beds nor mouse-eared topiary nor under shadows of magic castle walls whose bricks get smaller the higher they climb to give the illusion of height into Heaven, but in a lapping river gently flowing toward itself past Dead Man’s Cove on a brief but endless loop where just a man makes her debark at the end or the start to make room for the new-- and only then in this life can she run up a white flag or strike her colors or get back in line. So now, this time, nodding with Blackbeard to keep her hands inside, clutching an empty bag held by a big heart booming like a cannon in such a small world. “Was Thrown”Once, when I was ten,
a bottle was thrown in the passive voice through our front bay window. A cruiser was dispatched. A truck was caught. And with it the boys, one of whom we knew, though I knew he didn’t know the house was ours. But still, apologies were demanded back in a very active voice. And years later, the house was sold as I’m sure the truck, too. But what am I supposed to do about forgiveness now? I’ve sent things through glass since then-- through homes without address, places held not by bricked cement glue, nothing but bay windows painted black to make it look like no one was home. It starts with pebbles-- a flick of the wrist then stones. And later, not rocks or bottles, but fists.
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