John Grey is an Australian poet, US resident. Recently published in Front Range Review, Studio One and Columbia Review with work upcoming in Naugatuck River Review, Abyss and Apex and Midwest Quarterly. I WILL NOT LET THIS HAPPEN TO ME When she opens the door, my first impression is how much I tower over her. Cool and niceties, strategies and smiles - those are the ingredients I am trying to pass off as myself. And that difference in height is the perfect proxy for who's in charge. But then there's emotions, try to hide them from the woman holding me, from soft couch, warm fire, rain on rooftop, and fuchsia - God, if I knew there was going to he fuchsia. I never would have come. And what about all this candlelight. Their flame takes four walls and turns them into dance floors. As well they buff up eyes and lips, turn ordinary faces into portraits. As for the music - I truly believe that a stereo is as conniving as a wolf – and wasn’t “wolf” a role I cast myself as. But that soft jazz- how it imitates my undercurrents - by the third song. I can't tell my nerves from Wynton Marsalis. By the time the evening draws to a close, I can feel myself starting to get serious. I am still 5 foot 11 and a half but I am no longer the only tall one. DEVIL WOMAN A cute and cocky face, a renowned low-ball specialist - in fact highly proficient in a number of areas like being sneaky and tough but with finesse of course, even beyond the foul-lines - curt when needed. classic by arrangement, some say empty and cruel but I prefer the word, accurate - no wonder I'm falling like this, a tumble of words gives me away, I yearn for the warm, we can discuss the blunt edge later - I never planned this. I could never have imagined we would be together - I tried my immune tactics, but she had my core in her clutch, letting in light and air only when necessary - tracing a map of my hand. smoothing over the restrictions in my delivery, defining my position. warning me against sitting and thinking like this, my breath on the ropes, her ass on the throne, dwelling in the gray, of her beauty's free enterprise that can pick my pockets at will - you say I'm soft to be in love, that her kisses are strikes. her hugs, a sword plunged in my back. that she'll peck my seams apart. keep what she wants, toss the rest, but I can't be ice, so if relinquishing power is required, I'm willing to be with her all the way to my vanishing point. A DOG? A dog? Stella was a good cook. And an excellent lover. But a dog? A cute little bounding bundle of fluff that leapt into bed, warmed and licked on a frosty winter's morning? Frost was killing the outside. At times, it took its toll within the rooms. Almost to the point of us calling it quits. But then the flapping red tongue came into it. And that merciless unconditional love. Wind was blowing outside skewing the snow sideways. And yet this creature still wanted to be a part of all this. Even when divorce was mentioned, it didn't faze him. He wasn't even a purebred. But, by then, we were kind of mutts and mongrels ourselves. But a dog? A dog to the rescue like Lassie or Rin Tin Tin. A dog who could see the good in meat on the bone. And scraps. Not just food scraps but the people kind. With the bad weather blowing and the dog inside, parting never came up again. A dog? From the time Stella brought him home, we wore his leash proudly. HOLLY GIVES ME MY NOTICE The door closed behind me with a report louder than a bullet. I climbed on ten ton legs into my ear. Before I started the motor, I listened to my stuttering heartbeat like another car whining up the grade from somewhere deep below. A wisp of rain face-clothed my cheeks just so tears wouldn't have to. I finally turned the key. It’s a good feeling when the machinery obeys. But it's not a great one. GROWING UP WITH THE STARVING On the news, she saw film from Africa, saved pennies for the starving babies. Her father said there was kids starving in the inner city. Her mother's response was that some women just shouldn't be allowed to have babies. She stopped saving once she heard that. At school, there was a boy who had no lunch money. Some teachers smuggled spare change to him. He got by on charity and the compulsory pint of milk delivered every morning. She wondered if he lived in the inner city. And was his mother one of those people her mother was talking about. By high school, she had her own problems to deal with. Not poverty, just first bra, first period. first just about everything. African children with protruding ribs and bloated bellies were part of the scenery. The boy with no lunch money left school in the middle of the sixth grade. She saved her pennies for eye-liner and lipstick. And never once did she think that selfish or cruel. For all she knew, there were already other seven year olds who were doing what she did when she was that age. The starving kids were accounted for no matter what.
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