William C. Blome writes poetry and short fiction. He lives wedged between Baltimore and Washington, DC, and he is a master’s degree graduate of the Johns Hopkins University Writing Seminars. His work has previously seen the light of day in such fine little mags as Amarillo Bay, PRISM International, Fiction Southeast, Roanoke Review, Salted Feathers and The California Quarterly. I ASKED MY YOUNG SON I don’t expect an answer anytime soon, but I asked my young son why it had been so drop-dead easy for me to fall in love with a girl I caught searching the internet for the best glue anyone could use to put fallen leaves back on their original branches, and I had confided in his tight little ass that I hoped the glue she settled on would work equally well to pin me to my chair and thereby stop me cold from straying somewhat south of here, from homing toward an Australian widow with thighs the size of a cylindrical mailbox, a Canberran tart just reeking of jasmine mashed with clover in equal measure. LOOKING FOR CHERRIES IN GUATEMALA El Sombrerón: a cautionary bogeyman dressed almost entirely in black I sent myself to Guatemala to look for swell bing cherries, and while it’s true I did find several beauties, it became obvious as I was hopping near the Caribbean, or strutting beside the Pacific, or stooping down to futilely tongue the nation’s private parts in-between, I had a greater chance of straying into a producing steel mill than I had in rubbing up against a singleton fruit tree or chalking up a bounty within a tidy orchard. But I thought then and think now my cherries failure had little or nothing to do with antagonizing Guatemala’s natural guardians, spooks like the Spirit of the Corn, though this pudding-soft girl I latched on to during my travels loudly disagrees. She screams El Sombrerón has had me sighted since my plane touched down at La Aurora International, and that any urchin from the furnaces or fields can foresee the day I’ll be drawing my last breath mashed in-between her squishy, red-tipped breasts. THE MIDDAY EXERTIONS I watched a sweaty amazon Lifting flyweights in full sunshine On the roof of a savings bank. O She did her curls and achieved her squats In series of sixty-some repetitions Before dropping whatever she was lifting, Taking a gulp of spring water, and then Moving on to something lighter weight. Eventually it came to pass that a fingernail Of newspaper replaced a sparrow feather, And following that, my gleaming amazon Stood back to watch big clouds drifting overhead And to listen to cash transactions occurring ‘Neath her feet. Then she abruptly followed My lead and swaggered onto the canopied Escalator and rode down its countless metal Steps to meet me by the tellers (Where we were hooking up to go out For a fishcake lunch with alcohol). I felt obliged as I watched her descend To yell up and ask if after all her midday exertions She wouldn’t rather take a break And shower down before we went to dine, But she screamed back she’d far prefer Relaxing in the here-and-now With a dry Rob Roy, tilapia, and me. MY CRUELTY I went into my hall closet for this one, and I think I made it pretty well overall (‘gave it lots of flourishes and paint and catamaran edges along the rim), but in the long run, my cat won’t come home no matter what I‘ve crafted for her as a bribe to re-cross the hearth. Oh, I can put up a fair scrap and argue that what with all the fucking coats and scarves mashing in on me and cramping from every side and angle, I had insufficient work space in the hall, and therefore, important artistry got boxed out of my results, I was denied aesthetical opportunity to decorate and personalize my sincerity. Yet, beyond this one occasion, my pet’s turned me down paws-down before, and anyone of any demeanor would have to suspect there’s something more at play here than simply what I’ve shown. I mean, look: just as some outrigger, untied and let loose in a storm, might decide on its own to chart a weird and scrambled course ‘neath nighttime Pacific skies, so to I think my calico’s gotten wise beyond her pacing, and now has opted out of bunking with my cruelty. ON SEEING A STAND OF TAN BAMBOO SURROUNDED BY GREEN LEAVES ‘You keep putting your hand down there, and we’re going to be driving serpentine between the pylons, though I think then we’ll finally lose worrying over whom your uncle left his silver moola to. I kind of see the old fella dying prone and in his briefs, and at an hour of the day we’ll not know much about, except that he had the time to place a fluted copy of his will inside a half-full syrup bottle. But importantly, importantly, his widow at last will get the chance to yank nonstop on Juarez shepherds journeying to her daybed, and if she surprises me and tires of that, she’s gonna bury your pet pug alive in soil where hardwoods grow wild and tall.
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