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CHARLES HAYES - THE KING

10/15/2016

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Charles Hayes, a Pushcart Prize Nominee, is an American who lives part time in the Philippines and part time in Seattle with his wife. A product of the Appalachian Mountains, his writing has appeared in Ky Story’s Anthology Collection, Wilderness House Literary Review, The Fable Online, Unbroken Journal, CC&D Magazine, Random Sample Review, The Zodiac Review, eFiction Magazine, Saturday Night Reader, Cha: An Asian Literary Journal, Scarlet Leaf Publishing House, Burning Word Journal, eFiction India, and others.
     

                                                              The King               
 
 
 
Drifting on the water, turning like a tardy second hand on a mirrored sky of cirrus, we park our canoe paddles and watch the steep timber slowly spin. Silver Maples flash waves of white brilliance as a blow rustles their coats. A furtive beaver pops a tail, sending shore birds aflutter, and a whisper of far current plays a wash as pollen swims, sweetening the aroma of muddy banks. 
 
 Beth dangles a hand in the water, her smooth brow a plain of calm as she reads the maple signs. Flipping a line toward an ivy covered log, no slack to contemplate, a sharp tug I feel and set the hook, watching in excited awe as a Bass breaks the water, exploding sprays of color from its manic dance. Bringing in the king of the hole, its mouth gasping large, I remove the hook and drop it back. Snapping me with a terrified eye, it winks a glossy flank and disappears, a tiny ripple of glass and pungent hands its only print. Beth frowns and says, “You must like potted meat and peanut butter.”
 
Thinking that though she be right, I’ll never tell the heart that she has captured. “I’m sorry babe,” I say. “I just couldn’t keep the king of the hole.” Turning back to fore, Beth hands her paddle and rights our tack, the call of froth not far. “That’s OK,” she says. “I’ll get us one when we pitch for eve. That one was a beaut, though probably tough.” I choke a burst of mirth and look to see, Beth, her eyebrows high and lips a tinge of smile, looking back at me. My leg no longer curled, I smile and say, “You got me.”
 
Moving faster now, a sparkling ribbon, topped with furrowed lace, sucks us in. Slapping faces and blurring eyes, our ride has its own way. Beth digs her paddle down, I drag mine behind, the chute to find and steady on. Sometimes with only air to pull, we squeal and laugh, and let the river lay our track. But through luck and the strength of pearly years, we burst from the rapids to slip into the lee of a wider pass, our thumping hearts telling how small we are. Beth, her hair undone and plastered to her face, turns to me and stills. Her look, a second star with so much to say, touches me to lead the way. “I bet you haven’t done that before.” Shimmering with delight, she screams and catches breath while my heart swells. “Oh my God, Peter,” she finally says. “I had no idea it could be so much fun! This is worth it to miss the sheets and kitchen fare.” In a surrender closely held, happy to the core, I see a flame in her eye, one that I have lit. Trying to calm, lest I burst my chest, I stroke on. “You bet, love. It belongs to us.”
 
A finger over the ridge, our bright star cools and begins to set. Looking now for lee that will last the night, I point our craft to the sandy strip beneath the Sycamores, their dappled trunks and broad lime green our décor  of choice. Pulling the canoe up high we unload and pitch our tent. “I am really hungry,” Beth says, as she pops the peanut butter and gathers bread. “Fix me one too,” I say. “I’ll make a fire for later on.”
 
Crickets chirp and June Bugs light the air as the sizzle of green sticks with dogs on end make our juices ache. Black before they can swell, our dogs split the dough and catch a strip of yellow spice. On a palm with chips at hand our dinnerware is curt. But after three or four our cheeks deflate with canteen sips to wash them down.
 
After several chunks of drift, the fire all yellow gone, is but a cherry glow. June Bugs no longer fly their blink, lanterns dark by now. Sun cured faces with pools of ember glow, gaze to the celestial lights beyond. The moon, a happy face that clicks across the sky, winks as we say goodnight, its cheeks a rouge of blush as we zip the tent.
 
A flat smack breaks the quiet of night when all is well and truths have all been told. Sleepily Beth feathers my ear with a query of common yore. “What was that?” Smiling deep within I am tempted to boogieman a yarn but instead reply, “A beaver tail I suppose.” Her breath still soft upon my ear, she says, “I don’t think so.” Enjoying this sleepy repartee, I finger dance along her skin and say, “What was it then?”
 
With a little giggle that wafts like music around our nest, she says, “The king.”    
 
  
 
  
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CHARLES HAYES - SCHOOL HOUSE PERSPECTIVE

10/15/2016

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Charles Hayes, a Pushcart Prize Nominee, is an American who lives part time in the Philippines and part time in Seattle with his wife. A product of the Appalachian Mountains, his writing has appeared in Ky Story’s Anthology Collection, Wilderness House Literary Review, The Fable Online, Unbroken Journal, CC&D Magazine, Random Sample Review, The Zodiac Review, eFiction Magazine, Saturday Night Reader, Cha: An Asian Literary Journal, Scarlet Leaf Publishing House, Burning Word Journal, eFiction India, and others.

                                           School House Perspective   
 
 
​
The white school house, covered with years of coal dust, looks so much smaller now. A rusty flag pole, white when it adorned, lies among the busted mine machines that cover the grounds once for play. The mine gone, the coal trucks only noisy ghosts in my mind, can I have lived here?
 
Its little flat spot up against the steep land of the hollow where it came to be, my place to learn and grow back then. Marbles at recess, oral book reports to a room with two grades, and the growling gray trucks, humped with coal, that passed all day.
 
Broken windows, like eyes that only light can see, sadly look my way. And a missing door with only night beyond seems to say, “Oh yes, I loved you then. I am not so bad. Look at you now.”   
 
 
 

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