Adrian Slonaker works as a copywriter and copy editor in Lancaster, Pennsylvania, USA. Adrian's poetry has appeared in The Mackinac, Postcard Poems and Prose, Red Weather, Red Fez, ZiN Daily Archive and others. “Postcolonial Paramour” Your wood-hued wolf eyes, your sheltering shoulders of Empire, your commanding tones subduing me, discussing lava lamps over tikka masala. We swayed to the rhythm of an oscillating fan, licking lassi from lips, while I pondered a prayer of thanks. I listened to you with the gentleness of bumblebee fur; you lay into your neuroses like fists upon pizza dough. When you finished, I donned your clothes, not caring that they didn't fit. “...and many more” At 10:32 on the morning
of his 46th birthday he woke up after five hours and twelve minutes of unsatisfying slumber to streams of invasive sunlight visiting him uninvited through spindly blinds derelict in their duty to keep him undisturbed. Already his sinuses were celebrating with the non-returnable gift of honking cold slimy mucus. With a baritone groan, he nudged his naked gym-neglected Dad body- settled by a colony of wiry silver chest hairs and pubes- off the Sealy Posturepedic where he chain-munches Cheetos and sleeps solo. After careening into the kitchen in a contact lens-less blur, he tenderly attended an arid palate with a can of Fresca-deserted by Sheila when she'd given him the heave-ho back in August- extracted from the top shelf of the mini-fridge the way he might feed a dachshund in the morning if only he had a pet.
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Adrian Slonaker works as a copywriter and copy editor in Lancaster, Pennsylvania, USA. Adrian's poetry has appeared in The Mackinac, Postcard Poems and Prose, Red Weather, Red Fez, ZiN Daily Archive and others. “If You Assume” If you assume I remember you suck peppermint pastilles for hayfever in August; your meals must be macrobiotic; and you seek refuge in churchyards when you need to reflect, if you assume I feel your eyes' swirling cyan splashes into my dreams; your nerdy owlish laugh strikes me as tender; and your tone-mauling “music” is a treat for my tympanum, if you assume I desire your placid companionship during winter's first storm; your velvet vulnerability when the jitters besiege you; and your gusts of good news shared first with me, if you assume I proclaim “a lifetime of your tender friendship is sweeter than toffee ”; “I'll grant you a view of what's unseen to others”; and “I'll trust you forever in spite of myself”- if you make these assumptions, then you're shit out of luck. “I Live in a Hotel” I live in a hotel that's slumming it as a motel. It resounds with the the rap-tap-tap of housekeeping and the splashes of a swanky swimming pool, just like in Beverly Hills. The current incarnation of Roger Miller's King of the Road, I've inhabited hotels in Chicago and Seattle and Des Moines and Lexington and Birmingham and Houston and Portland and Pasadena. I'm proud to have overcome lease-slavery, and, if companionship is craved, the personnel are perpetually peppy. On Thanksgiving and Christmas, I make the most of movie marathons and pesto pizzas from places that play up to the freaks of the festive season, pleased not to be plagued by the peskiness of family disputes. I can enter the New Year peeking into the communal garbage can and considering whether the condom wrappers, crushed Coors cans and empty packs of Camels belonged to the same unseen, unknown neighbors. And when I can no longer ignore my itchy feet or the aggregation of ghostly vibes bequeathed by quondam guests, I grab my suitcase and gravitate toward the greener pastures of another hotel. “i.e. and e.g.” i.e. and e.g. are Latin lovers frequently confused by the uninitiated ignorant of their identity. The i of informer pushes the e of explanation; when a racing ragamuffin stubs her little big toe on the end of Grandma's chintzy chesterfield, she yelps "aieeeeee" i.e., she's in such pain she'd deny herself dessert if it meant her discomfort would dissipate like firecracker smoke. But sometimes that e of explanation gets hooked on the g of generous acts, e.g., example-giving for which a reader running across some savannah of arcane concepts may be ever-grateful. “Encounter at 4:00 a.m.” She twirls a twist of his coarse graying hair while his cold calloused hands ascend, then creep down the contours of her spine. He holds on, as a hope-drained seafarer clutches the raft, insulated from the whining wind outside from those terrifying truths of the night, those persistent pangs of pensiveness, embracing her mole-speckled shoulders, his face bathed in her brandy-soaked breath, indulging in that elusive intimacy as comfortable as a La-Z-Boy chair, no worrying, no wincing until daylight discovers him, awakening him with a whisper, taking her away with a scream. “Under Pale Blue Duvets” I don't know how we got here,
what three-act play we sleepwalked and sleepspoke through to arrive in this lonely hayloft. Oak branches filter autumn sunshine while the crisp air suggests a coming chill. I never wanted to be more than your friend, yet here I am in the fuzzy shadows of an early Saturday evening beneath the most faded of your mother's pale blue duvets. |
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