Colin Dodds is the author of Another Broken Wizard, WINDFALL and The Last Bad Job, which Norman Mailer touted as showing “something that very few writers have; a species of inner talent that owes very little to other people.” His writing has appeared in more than two hundred publications, and been nominated for the Pushcart Prize and the Best of the Net Anthology. Poet and songwriter David Berman (Silver Jews, Actual Air) said of Dodds’ work: “These are very good poems. For moments I could even feel the old feelings when I read them.” Colin’s book-length poem That Happy Captive was a finalist for the Trio House Press Louise Bogan Award as well as the 42 Miles Press Poetry Award in 2015. And his screenplay, Refreshment, was named a semi-finalist in the 2010 American Zoetrope Contest. Colin lives in Brooklyn, New York, with his wife and daughter. See more of his work at thecolindodds.com. Reprieves Just breathing is a hanging offense But reprieves are all around Bad baptisms glow and shift from digital jukebox coin changer scratch-off-ticket vending machine trivia screen devices to keep the people out of the people The dead forgive your desires Cheaply The ones wise enough not to love you will answer your questions Cheaply Every man a justifiable homicide though we’ve been advised not to think on that Every man a justifiable homicide and that includes you So pause, if you must, only to rinse in songs and cheap light Deception’s how the heart beats and the eyes see My Bother’s Keeper Water with perverse and gorgeous bother gives itself to itself Fountains gasp and babble in dead-end streets and open-ended piazzas A family pulls creatures from the deep interrogates and torments them The fountain freezes the creatures in their agony as they confess what, to them, is everything To me, it’s water Insignias on garbage trucks and manhole covers display infants suckling a she-wolf Such a calamity of maternity to found a city upon! But why the wolf and the infants? Why a fountain at all? Why reality at all? Why the bother? Why bother? Am I my bother’s keeper? The bother, above all, persists It separates earth from dark water in a haphazard outburst then flees responsibility, only to turn up late waking me from a good sleep to help rehearse its alibi Angels of Philadelphia Skyscrapers secreted from a mechanical heaven where the army committed miracles prophesied commemorated or both by the twenty-foot train-station angel hauling a corpse the demolished stadium the marble placards in gutted banks and William Penn’s benediction to where his treaty partners roam no more Bounded by established spirits its angels cost more to rip out than the square footage is worth Amtrak beers cut sleeplack from an early wakeup for menial labor and from the outcome of a sporting event on TV Don’t laugh, shortfalls in perspective are all that distinguish us Hurtling past lots of chewed-up cars across from a man who’s so late he’s nearly nothing else though it’s only 45 minutes Up the line the somewhat woods of truck docks and radio towers house angels too I guess poor relations with incomprehensible traditions rumored in worm tracks under tree bark angels who’d chew your ear off about the morning’s cloud banks The buildings beside the river abandoned not by people but by every custom of ownership Old friends sit on shores half-shored with broken aluminum quietly enraged as water and time pass without regard chuckling that every dignity left is outsized and doomed Old Graverty Who was the one who memorized the pavement? Who explained the buildings railroads canals? Who crusted over of the fountain of reality? Who dries the radiating deserts and waters the hanging gardens of cascading consequence? Patron of money sickness boredom Humility’s inventor, imagination’s comeuppance Landlord’s friend, flatfooted lucklack, hammerhead demiurge Letter-of-the-unloved-law sonofabitch You may not recognize him But he recognizes you He takes your complaints in stride knowing better than any how what passes for freedom changes Who divulges the curbs lanterns doorjambs drones the don’ts and incants the can’ts? and mumbles the caveats of graveyards and liquor stores? Who says horizon horizon horizon and what does he say it to ward off? A Thousand-Year Lullaby Above the asphalt and trash wrought-iron flowers snarl at their benefactors The city: Perturbation of nations and the spinning heavens alike is a mere toy by which an idiosyncratic Infinite Infant soothes Himself His wails wrest us from our greatest loves and hardest-bought triumphs so desperate they make us for sleep Between tides of reunion and decay amid siren chant and diesel dirge a slovenly man murmurs a lullaby to keep The Kid asleep The conscientious dress in prayers: That He may grow up That He will not outgrow us The world, for Him, may be a toy But it is almost all we have
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