LeaveningA chorus of suicides, old relations worn out by marching in place, a whining off an icy bridge, three ODs . . . no, four. Four, how: the dead pile up since I’m not done, not done rasping them faceless, not nearly done amid this shifting about, this clattering, good bones grated, ground, sifted for a tone-deaf daily bread. Such Faith as Is AvailableAbove my house, student pilots
fly circles, figures. I don’t mind the low, day-long buzz. They’re learning-- I believe this--how not to crash.
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Becoming Us |
Anoucheka Gangabissoon is a Primary School Educator in Mauritius. She writes poetry and short stories as hobby. She considers writing to be the meaning of her life as she has always been influenced by all the great writers and wishes to be, like them, immortalized in her words. Her works can be read on poetrysoup.com and she had also appeared in various literary magazines like SETU, Different Truths, Dissident Voice, In Between Hangovers Press, WISH Press, Tuck’s Magazine, Blue Mountain Review, among others. She has also been published in Duane’s Poetree and also in two anthologies for the Immagine and Poesia group. Her poems are often placed in free online contests. She has been selected to be among the Most Influential Women in Mauritius for the 2017 category Arts and Culture and she has also been awarded as a Promising Indian for the year 2017 for the same category. In 2018 and 2019, she was again selected to be among the Most Influential Women of the island for her contribution to the literary field and in 2019, she was one of the three nominees for the National Awards organized by the Ministry of Arts and Culture of Mauritius. In 2020, she was shortlisted to be among the Most Impactful Women of the year for the Women of the Year awards. |
Letting go
Cling on to me,
Breathed life in my tearful face
Cling on to me
As if you leave me,
I lose your energy
Much needed to sustain my soul!
The pain weighing over me
Was getting too heavy
And my fingers
Clinging on to the ropes of life
Were getting weaker
Unable to hold on!
Don't you know, continued life
That those who give up
Are given worse fates
Than those who make it
To their fate's ends?
I looked down at the seas raging
Beneath my feet
And I wondered
At how wonderful must it be
To be mermaid
Gliding gracefully through the waters,
So much that
I did not feel the impact of my fall,
As my transformation was
Way too overwhelming!
Breathed life in my tearful face
Cling on to me
As if you leave me,
I lose your energy
Much needed to sustain my soul!
The pain weighing over me
Was getting too heavy
And my fingers
Clinging on to the ropes of life
Were getting weaker
Unable to hold on!
Don't you know, continued life
That those who give up
Are given worse fates
Than those who make it
To their fate's ends?
I looked down at the seas raging
Beneath my feet
And I wondered
At how wonderful must it be
To be mermaid
Gliding gracefully through the waters,
So much that
I did not feel the impact of my fall,
As my transformation was
Way too overwhelming!
Viral Haiku
Days tap heavy feet
Upon similar essence
Of life's mirage
Empty days echo
Sweaty beds reverberate
Clocks keep ticking by
Dozing dawns and dusks
Threatened by viral virus
Dreams shattered boldly
Hands joined together
Humans face the dull despair
Waiting for rescue
Yet, desolate world
Only sings a lullaby
As a ray of hope
Upon similar essence
Of life's mirage
Empty days echo
Sweaty beds reverberate
Clocks keep ticking by
Dozing dawns and dusks
Threatened by viral virus
Dreams shattered boldly
Hands joined together
Humans face the dull despair
Waiting for rescue
Yet, desolate world
Only sings a lullaby
As a ray of hope
Sibanda is the author of Notes, Themes, Things And Other Things, The Gushungo Way, Sleeping Rivers, Love O’clock, The Dead Must Be Sobbing, Football of Fools, Cutting-edge Cache, Of the Saliva and the Tongue, When Inspiration Sings In Silence, The Way Forward, Sometimes Seasons Come With Unseasonal Harvests, As If They Minded:The Loudness Of Whispers, This Cannot Be Happening :Speaking Truth To Power, The Dangers Of Child Marriages:Billions Of Dollars Lost In Earnings And Human Capital, The Ndaba Jamela and Collections and Poetry Pharmacy. Sibanda's work has received Pushcart Prize and Best of the Net nominations. Some of his work has been translated into Serbian and German. |
The Experimentalist Has Gone Too Far
he says his style is prized and purposeful
besides inventive writing helps us catch
a break from monotony , from real life? he says
hear hear –is he real or he has gone overboard?
when did criminality pay off , good folks?
I called for his arrest with immediate effect
but his fans would have none of it as if he
hasn’t been raping the rules really wantonly
in fact, his enthusiasts howled for my blood
they claimed that they are weary of rigidity
I asked him where he got his poetic licence from--
the one he hypes about, but he wouldn’t tell me!
the poet finds pleasure in playing with language
calling himself The Experimentalist, he wrenches
meaning, narration and syntax in unimagined ways
by the way, when I write wrench, he writes rench
when I spot a misspelling, he sees an apt, arty spelling
when I tell him it`s no longer funny, he calls me a fossil
he brands his poetry a lawless dish of foreplay & wordplay
he says when convention died innovation resurrected
peeps,it looks like The Experimentalist`s insanity is sane,
hey ,excuse his hooey, the poet has a legion of enthusiasts
surprise, editors and publishers fall over themselves
for his brand of works; wild, wild works they call divine
his punctuation is unconventional , his words are unruly
he pushes boundaries , made- up words and nonsense
‘ in a bid to keep the fire of absurdity, freedom & fun alive’
doesn’t his ballooning record of made-up words, parodies ,
paradoxes and oxymorons turn perfect readers into morons?
hear hear ,he says the difference is the same, reading should be fun!
he acknowledges that oil and water don’t blend at all but that didn’t
stop him from coming up with a portmanteau word: oiater; dear Lord!
he relishes fosic, and this funny combination comes from music and food!
peeps, I give up, let him boil his oaiter and enjoy his fosic, and be ecstatic
besides inventive writing helps us catch
a break from monotony , from real life? he says
hear hear –is he real or he has gone overboard?
when did criminality pay off , good folks?
I called for his arrest with immediate effect
but his fans would have none of it as if he
hasn’t been raping the rules really wantonly
in fact, his enthusiasts howled for my blood
they claimed that they are weary of rigidity
I asked him where he got his poetic licence from--
the one he hypes about, but he wouldn’t tell me!
the poet finds pleasure in playing with language
calling himself The Experimentalist, he wrenches
meaning, narration and syntax in unimagined ways
by the way, when I write wrench, he writes rench
when I spot a misspelling, he sees an apt, arty spelling
when I tell him it`s no longer funny, he calls me a fossil
he brands his poetry a lawless dish of foreplay & wordplay
he says when convention died innovation resurrected
peeps,it looks like The Experimentalist`s insanity is sane,
hey ,excuse his hooey, the poet has a legion of enthusiasts
surprise, editors and publishers fall over themselves
for his brand of works; wild, wild works they call divine
his punctuation is unconventional , his words are unruly
he pushes boundaries , made- up words and nonsense
‘ in a bid to keep the fire of absurdity, freedom & fun alive’
doesn’t his ballooning record of made-up words, parodies ,
paradoxes and oxymorons turn perfect readers into morons?
hear hear ,he says the difference is the same, reading should be fun!
he acknowledges that oil and water don’t blend at all but that didn’t
stop him from coming up with a portmanteau word: oiater; dear Lord!
he relishes fosic, and this funny combination comes from music and food!
peeps, I give up, let him boil his oaiter and enjoy his fosic, and be ecstatic
May, May Happiness Continue To Radiate
She had been hounded, headbutted by strife,
Cheated by the moods, sparks & spins of life
Her challenges were many and various—spiritual,
occupational, environmental, mental and financial
She was named May since that was her month
of birth , but what evaded her life were funds
It was in the month of May that she set out
on a life-changing path and gave it her bout
She sought happiness, health and holisticism
in spite of a hail of hellish winds and criticism
It was a daring, deserved and dynamic stride
to wellness that saw her life enjoy a real ride
Her life realized and relished a love for oneself,
hence she recovered her purpose in life, herself
Hers was a life metamorphosed into meaningfulness,
characterized by regular exercises and liveliness
and a balanced diet, a good sleep, a positive thought
and a holistic way to health that made her less distraught
Cheated by the moods, sparks & spins of life
Her challenges were many and various—spiritual,
occupational, environmental, mental and financial
She was named May since that was her month
of birth , but what evaded her life were funds
It was in the month of May that she set out
on a life-changing path and gave it her bout
She sought happiness, health and holisticism
in spite of a hail of hellish winds and criticism
It was a daring, deserved and dynamic stride
to wellness that saw her life enjoy a real ride
Her life realized and relished a love for oneself,
hence she recovered her purpose in life, herself
Hers was a life metamorphosed into meaningfulness,
characterized by regular exercises and liveliness
and a balanced diet, a good sleep, a positive thought
and a holistic way to health that made her less distraught
I Marvel At Better-than -movies Action-packed Moves
How do they do all this? Where are they from?-- I`ve no answers
A virtual walk sees me stumble on a video that features dancers
Their dancing is so spirited & springy that I call it exertainment
A portmanteau word derived from exercise and entertainment
Exercises keep our bodies in shape as they also boost our health
We use planks, squats, single-leg deadlifts to raise the strength
Around the muscles as the body burns the calories: the road
To ultimate fitness is a routine that is well-ordered and bold
When I watch the video of the dancing troupe, the energy
And finesse that it exudes ---not forgetting the synergy--
I see the quintessence of a theatre, what entertainment!
I see a gymnasium, I swear there is sweat & commitment
A virtual walk sees me stumble on a video that features dancers
Their dancing is so spirited & springy that I call it exertainment
A portmanteau word derived from exercise and entertainment
Exercises keep our bodies in shape as they also boost our health
We use planks, squats, single-leg deadlifts to raise the strength
Around the muscles as the body burns the calories: the road
To ultimate fitness is a routine that is well-ordered and bold
When I watch the video of the dancing troupe, the energy
And finesse that it exudes ---not forgetting the synergy--
I see the quintessence of a theatre, what entertainment!
I see a gymnasium, I swear there is sweat & commitment
Let The House Be Worth Building
a worthy read is a life, a fondle
whose cute tenderness tantalizes
the heart to flirt and fall with it
booklovers need that intercourse
an interaction that is suspenseful
a touch therapeutic , meaningful
an affair lovely, loving & haunting
let characters breathe and breed
let them dictate, dance with depth
an emotional connection with them
can be a memorable and plausible
affair in spite of their blemishes as
metaphors marry time and place
writing is like constructing a house
each word is like a brick that has to
be of the right size, shape and color
yes, it is more of quality than quantity
and more of a process than a product
or so said a word nerd to an aspirant
the first word is one`s first brick that
should be prudently positioned at one
end and tapped slightly and pleasantly
to bed in, yet the next word is the second
brick that should be buttered up with plaster
or mortar spread onto each end before being rightly
rested and adjoined to the first word, and when a poet
or an author is pleased with their work of art only then can
they submit it to an editor, who in turn uses his or her editorial
expertise and experience as their trowel to put away extra putty,
as excess mortar has to be pushed out from below or in between bricks
whose cute tenderness tantalizes
the heart to flirt and fall with it
booklovers need that intercourse
an interaction that is suspenseful
a touch therapeutic , meaningful
an affair lovely, loving & haunting
let characters breathe and breed
let them dictate, dance with depth
an emotional connection with them
can be a memorable and plausible
affair in spite of their blemishes as
metaphors marry time and place
writing is like constructing a house
each word is like a brick that has to
be of the right size, shape and color
yes, it is more of quality than quantity
and more of a process than a product
or so said a word nerd to an aspirant
the first word is one`s first brick that
should be prudently positioned at one
end and tapped slightly and pleasantly
to bed in, yet the next word is the second
brick that should be buttered up with plaster
or mortar spread onto each end before being rightly
rested and adjoined to the first word, and when a poet
or an author is pleased with their work of art only then can
they submit it to an editor, who in turn uses his or her editorial
expertise and experience as their trowel to put away extra putty,
as excess mortar has to be pushed out from below or in between bricks
It Flows And Glows
hoary, humming, it`s at it
a manifestation to marvel at,
it turns my skin into a tailspin
a sight to devour and delight in,
a scene to behold, to sing along to,
my bathwater, thirst-quencher, dew
I’m wowed by its whispers & lullabies
I listen to its meandering murmurs & melodies
its surging, swaying, serenading serenities & sounds
keep me exhilarated & entertained ; it carries wounds,
seawater carts them all, silently shimmering like ten moons
I feel its flow, its flow is slow, I see its glow; I listen to its croons
I adore the calmness of the cascading water, and how it glistens,
life is a fountain of fresh water ,when it talks , cleanness just listens!
a manifestation to marvel at,
it turns my skin into a tailspin
a sight to devour and delight in,
a scene to behold, to sing along to,
my bathwater, thirst-quencher, dew
I’m wowed by its whispers & lullabies
I listen to its meandering murmurs & melodies
its surging, swaying, serenading serenities & sounds
keep me exhilarated & entertained ; it carries wounds,
seawater carts them all, silently shimmering like ten moons
I feel its flow, its flow is slow, I see its glow; I listen to its croons
I adore the calmness of the cascading water, and how it glistens,
life is a fountain of fresh water ,when it talks , cleanness just listens!
She Wore It
Her demeanor endeared her
She sang simplicity, her fair fur
Her eloquent love for development
Saw her tackle topics dear and relevant
She was always calm, careful and elegant
When stating the crust of the matter, the elephant
She sang simplicity, her fair fur
Her eloquent love for development
Saw her tackle topics dear and relevant
She was always calm, careful and elegant
When stating the crust of the matter, the elephant
Why They Miss Auntie Sithe
Auntie Sithe was on the verge leaving,
To them she was fun, friendly and frank
They would miss her, and her verbal antics
One day after a lovely lunch she fired them up
Into a spell of laughter, love and self-awareness,
This is what she said to her nieces and nephews:
We`ve feasted on delicious isitshwala and baked beans
My weather reporter predicts increased cases of gassiness
You`re all close to me but now it`s time to launch your missiles
From a safe distance, keep at bay until the whole shelling subsides!
Isitshwala—thick maize flour porridge, sometimes it made from millet or sorghum flour.
To them she was fun, friendly and frank
They would miss her, and her verbal antics
One day after a lovely lunch she fired them up
Into a spell of laughter, love and self-awareness,
This is what she said to her nieces and nephews:
We`ve feasted on delicious isitshwala and baked beans
My weather reporter predicts increased cases of gassiness
You`re all close to me but now it`s time to launch your missiles
From a safe distance, keep at bay until the whole shelling subsides!
Isitshwala—thick maize flour porridge, sometimes it made from millet or sorghum flour.
Writer is not a typical poet. He enjoys writing about unusual subjects that poets don't always cover or even notice. (eg The Bench) Writer has had acceptances from Ariel Chart, Conclave, Dissident Voice,Down in the Dirt and Academy of the Heart and Mind literary magazines.
Do Ideas Die
Bitter is the fate of poets
of all tribes, but fate has
punished Russia
worst of all.
-WilhelmKuchelbecker.
Poetry paramount over prose
more Pushkin, less Tolstoy
important and influential
censored by exile.
oppressive state control
poets dangerous to power
memorised each other’s work
memories stronger than chains.
poems on scraps on paper
one reads, the other burns
as Chukovskaya quotes:
Hands, matches and ashtrays.
trials by opinion
no room for interpretation
poets speak their truth
their integrity unpublished
Siberia reached out
recitations in the gulag
verse their only defence
words and thought survive.
of all tribes, but fate has
punished Russia
worst of all.
-WilhelmKuchelbecker.
Poetry paramount over prose
more Pushkin, less Tolstoy
important and influential
censored by exile.
oppressive state control
poets dangerous to power
memorised each other’s work
memories stronger than chains.
poems on scraps on paper
one reads, the other burns
as Chukovskaya quotes:
Hands, matches and ashtrays.
trials by opinion
no room for interpretation
poets speak their truth
their integrity unpublished
Siberia reached out
recitations in the gulag
verse their only defence
words and thought survive.
Withdrawn
Books now withdrawn
knowledge diminishing
reading lists shortened
history thrown away.
books stamped out
shelf life over
our memories lost
defaced by time.
library no refuge
books unwanted guests
thinking time served
on literary death row
reader’s loyalty marginalised
like folded page corners
dust jackets collect dust
book sale imminent.
photos of authors
reputations now cropped
autographs unwanted
lines scribbled on egos.
now a closed chapter
fate always the same
ideas on their way
to the knackers yard.
knowledge diminishing
reading lists shortened
history thrown away.
books stamped out
shelf life over
our memories lost
defaced by time.
library no refuge
books unwanted guests
thinking time served
on literary death row
reader’s loyalty marginalised
like folded page corners
dust jackets collect dust
book sale imminent.
photos of authors
reputations now cropped
autographs unwanted
lines scribbled on egos.
now a closed chapter
fate always the same
ideas on their way
to the knackers yard.
Leaving Home
A rejected home
no backwards vision
consent absent
for an untouched future.
nothing left behind.
gathering broken parts
of temporary images
of a second-hand life.
many long days
of a childhood betrayed.
no out-flung arms
of immature years.
an unwanted birth
of memories cut out
of unlinked hands
contact deformed.
a birthmark discarded on
an unloved face.
a history stillborn
like a wound closing.
a confused youth
now incognito
merely a cipher
en-route to where?
no guide, no map, just steps
on unknown streets.
not fleeing, just changing
looking for wisdom.
no backwards vision
consent absent
for an untouched future.
nothing left behind.
gathering broken parts
of temporary images
of a second-hand life.
many long days
of a childhood betrayed.
no out-flung arms
of immature years.
an unwanted birth
of memories cut out
of unlinked hands
contact deformed.
a birthmark discarded on
an unloved face.
a history stillborn
like a wound closing.
a confused youth
now incognito
merely a cipher
en-route to where?
no guide, no map, just steps
on unknown streets.
not fleeing, just changing
looking for wisdom.
The Bench
an ordinary bench
a witness to history
a record of forgetting
as years unfold
impassive, unmoved
a static reminder
of life evolving
but rarely upgraded.
footsteps approach
identity unknown
an invisible birthmark
faces promising nothing.
sees failure abound
some wasted breath
hears truth and lies
in different languages.
lovers expose a love-knot
in everlasting moonlight
host wooden faced
taken for granted.
a memorial plaque
time unwinding backwards
brings death to life
old becomes young.
bench removed
old, broken, pitted
an empty space
filled only by memory.
a witness to history
a record of forgetting
as years unfold
impassive, unmoved
a static reminder
of life evolving
but rarely upgraded.
footsteps approach
identity unknown
an invisible birthmark
faces promising nothing.
sees failure abound
some wasted breath
hears truth and lies
in different languages.
lovers expose a love-knot
in everlasting moonlight
host wooden faced
taken for granted.
a memorial plaque
time unwinding backwards
brings death to life
old becomes young.
bench removed
old, broken, pitted
an empty space
filled only by memory.
Translators
mapping the contours of
the world. Recording others
history. Like explorers
finding new words,
discovering unknown lives.
spreading communication like
a street map of cities, an old
print where debate can surge,
where the past
meets the present.
making sense of foreign lands
unfamiliar countries reveal
untapped potential. Knowledge
gift-wrapped for success.
Wisdom in another language.
forging links to obscurity
like opening closed doors
to rooms unfurnished
with light. No longer
reading in the dark.
a messenger for all
words across continents
translating infamy, cruelty,
compassion and aspirations.
Evil now displayed.
once out of reach, but
meaning now revealed
touching the edges of literacy,
shaping understanding,
prompting praise and critique.
reading between the times
revealing the forbidden,
learning truth from lies,
emotional power released
liberating the past.
the world. Recording others
history. Like explorers
finding new words,
discovering unknown lives.
spreading communication like
a street map of cities, an old
print where debate can surge,
where the past
meets the present.
making sense of foreign lands
unfamiliar countries reveal
untapped potential. Knowledge
gift-wrapped for success.
Wisdom in another language.
forging links to obscurity
like opening closed doors
to rooms unfurnished
with light. No longer
reading in the dark.
a messenger for all
words across continents
translating infamy, cruelty,
compassion and aspirations.
Evil now displayed.
once out of reach, but
meaning now revealed
touching the edges of literacy,
shaping understanding,
prompting praise and critique.
reading between the times
revealing the forbidden,
learning truth from lies,
emotional power released
liberating the past.
Author Reneé Drummond-Brown is a renowned author residing in Pittsburgh, Pennsylvania. She holds a Master of Arts degree in creative writing with a concentration in poetry from Chatham University. She also holds a Bachelor of Science degree in Christian Ministry Leadership with a minor in biblical theology studies, graduating summa cum laude from Geneva College of Western Pennsylvania. In addition, she received an Associate of Arts degree in Christian Ministry at The Center for Urban Biblical Ministry (CUBM), where she served as class president and graduated in the top 5% of her class. She is still in pursuit of excellence towards her mark for higher education. While at CUBM, her writing career blossomed into Reneé’s Poems with Wings are Words in Flight, a phrase that eloquently coins her work. The dominant themes of her writings are spiritually based. She has been led to write about blacks’ history, The Civil Rights Movement, slavery, family, and the African American woman who at times is taken for granted. Drummond-Brown’s poems with wings metaphorically points to this scripture “And he sent forth a raven, which went forth to and fro, until the waters were dried up from off the earth” Genesis 8:7 (KJV). Drummond-Brown has published several poems, one of which was written for the Original Freedom Singer of The Civil Rights Movement, the legendary Ms. Rutha Mae Harris. The poem was published by Judith Hampton-Thompson, of The Metro Gazette Publishing Company, Inc., Albany Georgia. Drummond-Brown is the author of several poetry books to date, and her work can be seen across the globe in various anthologies, programs and magazines. Her poetry and essays have placed in several contests. She has received accolades each year since she started writing in 2013. Because her work is viewed on a global scale this solidifies her as a force to be reckoned with-in the literary world of poetry. Drummond-Brown is inspired by none other than Dr. Maya Angelou, and because of her, Drummond-Brown posits “Still I write, I write, and I’ll write!” |
Missing Person!!!
ve You Seen Me?
A misplaced Congolese-slave,
trips on a banana-peel,
slides onto a slave ship,
beneath the bunks onto the sardine-packed splintered-floor
with magical shackles and chains
appearing round the waist and legs,
sailing-em’ off onna angry boisterous battered sea,
into a door of no-return
with no lock or a ‘steal’ key,
repeatedly raped,
all the way to Jamestown VA.,
1619 (to be exact),
misplaced slave fabricates lies bout-being,
“SOLD TO THE HIGHEST BIDDER,”
by a fine, noble, honorable, decent and respectable lady of liberty,
fabricates lies bout
babies fed as alligator-bait,
fabricates lies bout
slaves having them so-called relationships,
fabricates lies bout
Presidents’ owning slaves,
fabricates lies bout
babies with Presidential DNA,
fabricates lies bout
wet-nurse slaves,
fabricates lies bout
slaves ever being treated nice,
fabricates lies bout
white sheets branding and hanging-em out to dry,
fabricates lies bout
slavery dying,
fabricates lies bout
the 21st century “PTSD aftermath”
of anger-management, protest, and cries.
Ole’ truthful george, and christopher columbus
didn’t ev’n see this one coming,
but
Stevie, and Ray Charles did,
O say can you see?
If you see me (near the truthful cherry tree),
please by all means,
return me
to my Rightful Owner.
Dedicated to: I’m here, flawless, after-all the lies I’ve told???
A B.A.D. poem
A misplaced Congolese-slave,
trips on a banana-peel,
slides onto a slave ship,
beneath the bunks onto the sardine-packed splintered-floor
with magical shackles and chains
appearing round the waist and legs,
sailing-em’ off onna angry boisterous battered sea,
into a door of no-return
with no lock or a ‘steal’ key,
repeatedly raped,
all the way to Jamestown VA.,
1619 (to be exact),
misplaced slave fabricates lies bout-being,
“SOLD TO THE HIGHEST BIDDER,”
by a fine, noble, honorable, decent and respectable lady of liberty,
fabricates lies bout
babies fed as alligator-bait,
fabricates lies bout
slaves having them so-called relationships,
fabricates lies bout
Presidents’ owning slaves,
fabricates lies bout
babies with Presidential DNA,
fabricates lies bout
wet-nurse slaves,
fabricates lies bout
slaves ever being treated nice,
fabricates lies bout
white sheets branding and hanging-em out to dry,
fabricates lies bout
slavery dying,
fabricates lies bout
the 21st century “PTSD aftermath”
of anger-management, protest, and cries.
Ole’ truthful george, and christopher columbus
didn’t ev’n see this one coming,
but
Stevie, and Ray Charles did,
O say can you see?
If you see me (near the truthful cherry tree),
please by all means,
return me
to my Rightful Owner.
Dedicated to: I’m here, flawless, after-all the lies I’ve told???
A B.A.D. poem
Shut-up and Pay Attention!
To those teachers
who ‘neva saw-us,
sitting in the back of those classrooms.
We paid attention to you.
We paid attention to you.
From the back of the room;
we watched you teach
the “select” few.
We paid attention to you.
We paid attention to you.
From the back of the room;
looking at the pictures on the board,
while watching your mouth(s) move.
We paid attention to you.
We paid attention to you.
Now, looking at us, watching and wondering
“How do “that” intellectual mind, do what-it-do?”
Glad you asked.
Now, I’ll tell you:
In the midst of your discrimination, while you pay us no mind.
We paid attention to you.
We paid attention to you.
Dedicated to: If you ain’t ‘gone teach I before E except after C to ‘uryone…GET OUT THE WAY!
A B.A.D. poem
who ‘neva saw-us,
sitting in the back of those classrooms.
We paid attention to you.
We paid attention to you.
From the back of the room;
we watched you teach
the “select” few.
We paid attention to you.
We paid attention to you.
From the back of the room;
looking at the pictures on the board,
while watching your mouth(s) move.
We paid attention to you.
We paid attention to you.
Now, looking at us, watching and wondering
“How do “that” intellectual mind, do what-it-do?”
Glad you asked.
Now, I’ll tell you:
In the midst of your discrimination, while you pay us no mind.
We paid attention to you.
We paid attention to you.
Dedicated to: If you ain’t ‘gone teach I before E except after C to ‘uryone…GET OUT THE WAY!
A B.A.D. poem
Thulisile Ngomane is a South African writer from a small town called Barberton. Her poems have appeared in print as well as online literary journals Down in the Dirt and Ariel Chart. She enjoys reading while basking in the sun on warm, breezy days. She has a steamy romance with tea that can find her curled up in a corner giving blank pages meaning on lazy mornings. |
Coffee
I tasted him in my cup of coffee this morning. Lukewarm and bitter, yet enough to leave me wanting more of that same exact taste. Black, because cream weakens his richness and removes his lingering scent from my tongue. Unsweetened, because along the way I’ve been brainwashed to believe that a man is unfeeling.
When I am in his presence there are shadows of vulnerability that even the most luminous of light cannot erase. The day I met him, one could smell his sense of entitlement from miles away. He had to have me and he did. From the moment our eyes met I was his, mind, body, soul, I belonged to him.
He was a fountain of bad decisions and dry well of promises but I loved him. I looked passed his ill temper and razor blade words because a woman should have forbearance my mother said. He makes me happy, at times. But I do not have a photographic memory to keep this one picture of him in freeze frame, to make the moments of happiness last longer than they should. I'll settle for this moment to moment happiness because it is far better than being alone.
Yes, his love may be violently expressed but I have met men far more vicious. He is only a fraction of my father, I guess that’s why I’m only half as strong as my mother. I see it you know, the silent judgment from the women who know better. Through my tinted shades covering our argument from last night which left my indignation imprinted across my eye, I see them.
I've conjured up this idealism of a man unbeknown to the existence of men. Hoping that my daughter will experience a tender love that doesn’t bruise so easily on the skin. An unimaginable vision of goodness of which she will tell her sons and daughters one day and they will marvel.
Teach your sons that it is important to be human, to reserve humanity. Tell them how the art of chivalry was never dead yet merely suffocated by Neanderthals.
To those who have already been ruined, remember your mothers and daughters. May you see your raised fists in the reflection of your daughter’s eyes because maybe then will you see your ferocity more clearly.
When I am in his presence there are shadows of vulnerability that even the most luminous of light cannot erase. The day I met him, one could smell his sense of entitlement from miles away. He had to have me and he did. From the moment our eyes met I was his, mind, body, soul, I belonged to him.
He was a fountain of bad decisions and dry well of promises but I loved him. I looked passed his ill temper and razor blade words because a woman should have forbearance my mother said. He makes me happy, at times. But I do not have a photographic memory to keep this one picture of him in freeze frame, to make the moments of happiness last longer than they should. I'll settle for this moment to moment happiness because it is far better than being alone.
Yes, his love may be violently expressed but I have met men far more vicious. He is only a fraction of my father, I guess that’s why I’m only half as strong as my mother. I see it you know, the silent judgment from the women who know better. Through my tinted shades covering our argument from last night which left my indignation imprinted across my eye, I see them.
I've conjured up this idealism of a man unbeknown to the existence of men. Hoping that my daughter will experience a tender love that doesn’t bruise so easily on the skin. An unimaginable vision of goodness of which she will tell her sons and daughters one day and they will marvel.
Teach your sons that it is important to be human, to reserve humanity. Tell them how the art of chivalry was never dead yet merely suffocated by Neanderthals.
To those who have already been ruined, remember your mothers and daughters. May you see your raised fists in the reflection of your daughter’s eyes because maybe then will you see your ferocity more clearly.
Spiritual Thirst
Ghosts only make an appearance when you least expect. God only makes an appearance when you least expect. The sea is the world's looking glass, I searched the world over but could not find him. Sometimes I think he chooses not to be found. Let the record state that I fought as hard as I could for my sanity, but it was oil in the palm of my hands that was bound to slip through my fingers.
Endless one sided conversations and calling it prayer. Bended knees to altars I've never seen, singing songs I never wrote, paying levies for my recurring sin. But still I wait, at the shore for the tide to come in and bathe me. For the salt to nurse my wounds. Craving a mythical healing only attainable through death. The closest I've come to dying was vanquishing myself to this foreign land where no one knows me. It makes sense to feel alone in a place of no relation than in your own home.
Desperate. High strung and desperate. Desperation can have you living outside of yourself for so long, you'll have no idea how to get back to you. This is slowly lacerating through every layer that took me so long to insulate my fragile core within.
Stripped bare. I’ve tried to use these fig leaves to cover myself but you have not noticed my absence, have not yelled out my name. The fountain of living water from which we drink and never thirst? But I am parched. I've quenched my thirst from this very fountain and find myself having to come back every so often. Teach me how to drink of you, teach me. The journey to myself has been a long road but the one to you is endless.
Endless one sided conversations and calling it prayer. Bended knees to altars I've never seen, singing songs I never wrote, paying levies for my recurring sin. But still I wait, at the shore for the tide to come in and bathe me. For the salt to nurse my wounds. Craving a mythical healing only attainable through death. The closest I've come to dying was vanquishing myself to this foreign land where no one knows me. It makes sense to feel alone in a place of no relation than in your own home.
Desperate. High strung and desperate. Desperation can have you living outside of yourself for so long, you'll have no idea how to get back to you. This is slowly lacerating through every layer that took me so long to insulate my fragile core within.
Stripped bare. I’ve tried to use these fig leaves to cover myself but you have not noticed my absence, have not yelled out my name. The fountain of living water from which we drink and never thirst? But I am parched. I've quenched my thirst from this very fountain and find myself having to come back every so often. Teach me how to drink of you, teach me. The journey to myself has been a long road but the one to you is endless.
Annihilation of You
My back still carries the wound, the blade sized wound of the machete you used. In folly I blamed Cupid, thinking he must have missed my heart when I in fear turned my back on fate. Forgive and forget? In order to forgive I’d have to admit that you hurt me, so there is nothing to forgive. Forgetting means total annihilation of the memory of you.
Sniper in hand, tracing every step that you take as you run through my mind and at the perfect moment assassinating the very thought of you. Suicide, was when I thought I could trust you.
Like an addict, I momentarily relapsed at every sniff of attention you gave I caved. From strong values to attention seeking my next fix. Going cold turkey was never an option because I never ran out of the supply of you, nor did I want to.
The very first step to recovery is admitting that you have a problem. Well I guess I don’t because you’re the problem here and I don’t have you. So there is no need to rehabilitate me back to my senses it’s senseless, to think that I fell in the absence of gravity? We denied any form of chemistry between us therefore the laws of physics don’t apply.
It’s safe to say we never met, I never wept, I never slept and dreamt of you and I, and I never fell in love with you. For there to ever be a chance between us we would have to be strangers once again. Retrograde amnesia, you walk past me and at second glance turn back smile and say hi. But sadly life does not have a reset button. As flawed mortals we bit the hand that fed us breath and scripted our love story the day we failed to play our role.
You're not fully to blame, my hand was dealt when I took residency in this here zone of comfort. Comfort of always flirting with the ideal of meant to be. Comfort of always being someone’s fantasy but never really anyone’s reality. And most frighteningly, comfort of built up walls of insecurities.
But for my sanity, just for my sanity, the yoke must be fully on your shoulders. Because mine are too limb from having cushioned so many heads and being drowned by salt water. I, myself, thought I had found shoulders on which to rest my head. But my time has not yet come and for us the sun has not set. I’m not trying to deny your existence or the impact that it had me. It’s simply a case of selective memory. So if ever asked I’d have to say, I don’t remember you.
Sniper in hand, tracing every step that you take as you run through my mind and at the perfect moment assassinating the very thought of you. Suicide, was when I thought I could trust you.
Like an addict, I momentarily relapsed at every sniff of attention you gave I caved. From strong values to attention seeking my next fix. Going cold turkey was never an option because I never ran out of the supply of you, nor did I want to.
The very first step to recovery is admitting that you have a problem. Well I guess I don’t because you’re the problem here and I don’t have you. So there is no need to rehabilitate me back to my senses it’s senseless, to think that I fell in the absence of gravity? We denied any form of chemistry between us therefore the laws of physics don’t apply.
It’s safe to say we never met, I never wept, I never slept and dreamt of you and I, and I never fell in love with you. For there to ever be a chance between us we would have to be strangers once again. Retrograde amnesia, you walk past me and at second glance turn back smile and say hi. But sadly life does not have a reset button. As flawed mortals we bit the hand that fed us breath and scripted our love story the day we failed to play our role.
You're not fully to blame, my hand was dealt when I took residency in this here zone of comfort. Comfort of always flirting with the ideal of meant to be. Comfort of always being someone’s fantasy but never really anyone’s reality. And most frighteningly, comfort of built up walls of insecurities.
But for my sanity, just for my sanity, the yoke must be fully on your shoulders. Because mine are too limb from having cushioned so many heads and being drowned by salt water. I, myself, thought I had found shoulders on which to rest my head. But my time has not yet come and for us the sun has not set. I’m not trying to deny your existence or the impact that it had me. It’s simply a case of selective memory. So if ever asked I’d have to say, I don’t remember you.
Lasting Reflection
When does holding on become unhealthy? Clutching onto the memory of a loved one long deceased as to not lose sight. As to not forget their significance and what their presence once brought.
I forget sometimes, that there was ever a time I had a mother. That I once lived a life that was considered a family portrait. I use to stare at your pictures for long periods of time, a few years after your passing. I was trying to imprint your face in my mind as to never forget you. Never forget your laugh lines, your big, bright eyes, delicate skin and lushes jet black hair. I told myself I would never forget. Never!
It worked, for a few years but as the years passed it became easier to forget. You see keeping the memory so vividly was equally beautiful as it was torturing. It always ended with me in tears, mourning the loss all over again.
My special form of torture was choosing to wallow in misery on the anniversary of your passing each year. It somehow made me feel like I was honouring you. As a kid I use to scratch out that date every single year from the calendar in my journals. It was a day that should never have existed I reckoned. So every year I would cry myself numb on that day as a form of solidarity. I needed you to know that time had not made it easier.
Sometimes I could not recall your face and that gutted me inside. So today, as I looked into the mirror, my eyes swelled up with tears because I could swear you were looking right back at me. The face I tried so long to imprint in my mind had somehow become my own reflection.
I forget sometimes, that there was ever a time I had a mother. That I once lived a life that was considered a family portrait. I use to stare at your pictures for long periods of time, a few years after your passing. I was trying to imprint your face in my mind as to never forget you. Never forget your laugh lines, your big, bright eyes, delicate skin and lushes jet black hair. I told myself I would never forget. Never!
It worked, for a few years but as the years passed it became easier to forget. You see keeping the memory so vividly was equally beautiful as it was torturing. It always ended with me in tears, mourning the loss all over again.
My special form of torture was choosing to wallow in misery on the anniversary of your passing each year. It somehow made me feel like I was honouring you. As a kid I use to scratch out that date every single year from the calendar in my journals. It was a day that should never have existed I reckoned. So every year I would cry myself numb on that day as a form of solidarity. I needed you to know that time had not made it easier.
Sometimes I could not recall your face and that gutted me inside. So today, as I looked into the mirror, my eyes swelled up with tears because I could swear you were looking right back at me. The face I tried so long to imprint in my mind had somehow become my own reflection.
Woman
you are a beautiful distortion
born with a voice so loud it shatters
through the airwaves of affliction
reducing obstacles to lumps of clay
that you reform to tangible dreams
you nurture the universe from your bosom
quenching its thirst for unrequited love
you radiate Love and Sapphire
you are home
you are woman
never look outside of yourself
to find what’s already within.
born with a voice so loud it shatters
through the airwaves of affliction
reducing obstacles to lumps of clay
that you reform to tangible dreams
you nurture the universe from your bosom
quenching its thirst for unrequited love
you radiate Love and Sapphire
you are home
you are woman
never look outside of yourself
to find what’s already within.
Rob Lowe is a disabled senior citizen living in Milton Keynes in the U.K. where he shares an apartment with a niece who is also his medical carer. He began publishing his writing after retiring from employment as a Student Support Officer. His work has since appeared in numerous magazines, anthologies, and journals, both online and in print, most recently in Dwell Time, Libretto, Squawk Back, Silver Stork, Lucent Dreaming, Seventh Quarry, Abridged, Aromatica Poetica The Stony Thursday Book, and elsewhere. He is a member of The Open University Poetry Society, and likes baking, growing things, reading novels and contemporary poetry; as well as listening to live music.
ROOKS
Do they know they are the legacy of God?
They saddle the winds with their black flight;
Strut like cocky boys upon November sod;
Their cawing scrawls graffiti on the light:
Not a hundred winter days can rub it out;
Those dried-out nests that look like crowns of thorn,
Which nail demented branches to the skies,
Resist the years; re-used by fledglings born
To the harsh cradling of late March days,
They will gradually fall apart; but not until
Neighbouring woodland has been vandalised;
Neither the farmer’s gun, nor the brown fox
Can prevent this: the world is colonised
By every offspring of God, both good and bad…
They saddle the winds with their black flight;
Strut like cocky boys upon November sod;
Their cawing scrawls graffiti on the light:
Not a hundred winter days can rub it out;
Those dried-out nests that look like crowns of thorn,
Which nail demented branches to the skies,
Resist the years; re-used by fledglings born
To the harsh cradling of late March days,
They will gradually fall apart; but not until
Neighbouring woodland has been vandalised;
Neither the farmer’s gun, nor the brown fox
Can prevent this: the world is colonised
By every offspring of God, both good and bad…
SUNSET DOGGEREL
Well, I don’t drive a car
And I don’t watch TV,
And my flat has no central heating.
But I do have a place in the sun.
I don’t have a freezer
Or microwave cooker;
Or stereo-system, or washer
For my life in the light of the sun.
I don’t travel by ‘plane;
And I don’t use machines
For those jobs one can best do by hand;
It is good to work land in the sun.
I don’t do any sports
That demand good physique:
I like walking, swimming and thinking
With my wife, and my brother, the sun.
You could say that I am,
Like the birds or the lamb,
Untroubled by many possessions,
And live in the loved sun’s reflections.
I don’t smoke, drink or bet
For my ways are all set
By cycles of day, night and seasons:
Those signs that the Sun has its reasons.
So I worship God Ra
And am one of his tears
Spilt from his “Barque, of Millions of Years”
And I live in the Light of the Sun.
And I don’t watch TV,
And my flat has no central heating.
But I do have a place in the sun.
I don’t have a freezer
Or microwave cooker;
Or stereo-system, or washer
For my life in the light of the sun.
I don’t travel by ‘plane;
And I don’t use machines
For those jobs one can best do by hand;
It is good to work land in the sun.
I don’t do any sports
That demand good physique:
I like walking, swimming and thinking
With my wife, and my brother, the sun.
You could say that I am,
Like the birds or the lamb,
Untroubled by many possessions,
And live in the loved sun’s reflections.
I don’t smoke, drink or bet
For my ways are all set
By cycles of day, night and seasons:
Those signs that the Sun has its reasons.
So I worship God Ra
And am one of his tears
Spilt from his “Barque, of Millions of Years”
And I live in the Light of the Sun.
ABOUT BIRDS
If we cared about birds
We would not pave our gardens
Nor have so many cats
Nor would we trim our lawns like Gillette shaves,
If we cared about birds
If we cared about birds
We would not use slug pellets
Nor cover our soft fruits with netting
Nor would we have
So many polluting cars
If we cared about birds
We would dim city streets at night;
Our gardens would have no sensor lights,
Trees would grow by our kitchen doors
And the thrush would sing from a branch
Having been outside to the road
Where I live, and looked right and left
At vehicles in paved drives
With cats squatting underneath;
And sensor security lights
Over each garage door and house;
And examined the state of the lawns
Free of invading plants,
I am forced to conclude
That we do not care about birds
We would not pave our gardens
Nor have so many cats
Nor would we trim our lawns like Gillette shaves,
If we cared about birds
If we cared about birds
We would not use slug pellets
Nor cover our soft fruits with netting
Nor would we have
So many polluting cars
If we cared about birds
We would dim city streets at night;
Our gardens would have no sensor lights,
Trees would grow by our kitchen doors
And the thrush would sing from a branch
Having been outside to the road
Where I live, and looked right and left
At vehicles in paved drives
With cats squatting underneath;
And sensor security lights
Over each garage door and house;
And examined the state of the lawns
Free of invading plants,
I am forced to conclude
That we do not care about birds
Categories
All
ALAN FORD
ALEXIS GARCIA
ANOUCHEKA GANGABISSOON
ARIANNA SEBO
AYAFA TEKENA
BOBBY Z
C. BARRY BUCKNER
DOUGLAS J. LANZO
DR. DOUGLAS YOUNG
ELEANORE LEE
FREDERICK POLLACK
GTIMOTHY GORDON
JAMIE FIORE HIGGINS
JOHN J. BRUGALETTA
JOHN VALENTINE
JONATHAN WIKE
KEITH BURKHOLDER
LOIS GREENE STONE
MARY KIPPS
MICHAEL H. BROWNSTEIN
MORGAN DRISCOLL
NDABA SIBANDA
RENEE DRUMMOND-BROWN
RENZO DEL CASTILLO
RICHARD T. RAUCH
ROB LOWE
SAMUEL PRESTRIDGE
SAUL HUGGINS
SHAAN SOOD
SHAHEER PULIKKAL
STEVIE VOSS
TED MC CARTHY
THULISILE NGOMANE
VISHNU B. UNNITHAN