Debasis Mukhopadhyay lives and writes in Montreal, Canada. He has a PhD in literary studies from Université Laval, Quebec and poems published in several magazines in the USA & UK including Yellow Chair Review, Thirteen Myna Birds, Of/With,Silver Birch Press, The Bitchin’ Kitsch, Foliate Oak, Eunoia Review, Snapping Twig, Fragments of Chiaroscuro, Words Surfacing, The Curly Mind, I am not a silent poet, With Painted Words. Follow him at https://debasismukhopadhyay.wordpress.com/ or @dbasis_m on Twitter. I stayed with you when it was dark
I left you dead at dawn with no sea around inside an empty rental room where paper flowers crouching before the matter of sky through the shattered window pane with no darkness to become one flesh with you. I can now look afar off your dead hands which are not beyond the scope of a poem. Mirador Bouncing over my blue you rolled over like a damn boat as I kept watching you standing in the silence that claimed the night of your skin, the salt of your whispers and sighs, the roses of hope that'd colored my gaze on your smoky skull. Brittle and alone across the page, I look for you in the recesses of my dreams. That dance was meant to be our last waltz, Soledad, where did you go? Inkblot i had known it from the start she said in sepia and turned away i tried to touch her the membrane felt and felt a song the overcast bounced and rolled over like a damn boat a hundred years now to stretch away from each other we imagined scars where had been living the extreme rust thereafter came the leftover poems and i got up only to walk up to monnet's poppy field against the wall and i bent down to the swaying flowers thinking of her words gone in blood the flowers bled to let loose in the meaning and to lose the meaning i tucked my dreams and dreads in her chest again so quick she too opened her ribs that kept ticking all our corpses are swimming back up and the clock filled the room a hundred years the inkblot now made some sense
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