Renee B. Drummond is a renown poetria and artist from Pittsburgh, Pennsylvania. She is the author of: The Power of the Pen, SOLD TO THE HIGHEST BIDDER, Renee’s Poems with Wings are Words in Flight-I’ll Write Our Wrongs, and Renee’s Poems with Wings are Words in Flight. Her work is viewed on a global scale and solidifies her as a force to be reckoned with in the literary world of poetry. Renee’ is inspired by non-other than Dr. Maya Angelou, because of her, Renee’ posits “Still I write, I write, and I’ll write!” https://www.dropbox.com/s/b7djwy5mwby1p1e/DRUMMOND%20COMPLETE.mp4?dl=0 Facade We laugh cuddle an’ hug, we live to make love~~~ Then name call hurt, we cut, tear down each other’s worth then we laugh cuddle an’ hug we live to make love~~~ Then name call hurt, we cut, tear down each other’s worth. Then we laugh cuddle an’ hug we live to make love~~~ IT’S ALL A FAÇADE. Cause love don’t love us at all!!! Dedicated to: Your move. A B.A.D. Poem No part of this poem may be reproduced, stored in a retrieval system, or transmitted by any means without written permission from the author. All Rights Reserved. Copyrighted material@ April 17, 2017. Double Dutch Bus Shoop de’ Shoop. ‘Dis’ ain’t no hula-hoop. It’s ‘dat’ double dutch rope. ‘Dat’ do what it do. ‘Talkin’ ‘bout’ ‘da’ loop de’ loop. Shoop. Shoop. Yeah, ‘IZ’ shook it to ‘da’ east. ‘IZ’ shook it to ‘da’ west. I shook my butt off on ‘dat’ double dutch bus! Shoop de’ Shoop. ‘Dis’ ain’t no hula-hoop. It’s ‘dat’ double dutch rope. ‘Dat’ do what it do. ‘Talkin’ ‘bout’ ‘da’ loop de’ loop. Shoop. Shoop. Nappy! Bald as can be; aint’ stopped ‘dis’ big bone neck, ashey black legs an brown crusted feets’ from doing the ‘dawg’ on ‘thang’. Shoop de’ shoop. ‘Dis’ ain’t no hula-hoop. It’s the double dutch rope. ‘Dat’ do what it do. ‘Talkin’ ‘bout’ ‘da’ loop de’ loop. Shoop. Shoop. Yeah i rolls my eyes and stomps’ ‘myze’ feets, cause in ‘DAT’ rope ‘dis’ dark sustah’s confidant ‘AZ’ can be. Shoop de’ shoop. ‘Dis’ ain’t no hula-hoop. It’s ‘dat’ double dutch rope. ‘Dat’ do what it do. ‘Talkin’ ‘bout’ ‘da’ loop de’ loop. Shoop. Shoop. Shoop. Shoop. Shoop. Shoop. Shoop. Shoop. ‘Dis’ ain’t no hula-hoop. Its ‘dat’ double dutch bus that do what it do. Dedicated to: 1, 2, 3, 4; get ready, jump in, an’ ‘ev’n’ ‘dat’ score. Shoop de’ shoop!!! A B.A.D. Poem No part of this poem may be reproduced, stored in a retrieval system, or transmitted by any means without written permission from the author. All Rights Reserved. Copyrighted material@ April 14, 2017. Disgust I loathe that big bed, cause more slaves are made! I detest Massa an’ ‘WISH’ he was ‘DEAD’; instead! I despise Missy; she pretend she don’t ‘SEE’! I dislike her kids who ‘LOVE’ ‘MY’ chocolate breast and suckling ‘BEST’! I ‘HATE’ my ‘OWN’ kids cause they belong to him and not me! A B.A.D. Poem Dedicated to: Genetic connection! No part of this poem may be reproduced, stored in a retrieval system, or transmitted by any means without written permission from the author. All Rights Reserved. Copyrighted material@ March 31, 2017. Citation (A Poet’s Haven Poetry Contest Challenge) I’ll write a poem for you; You write a poem for me. Back to back; quotations extract ‘summadat’ ‘BUTT’ remember to cite thee; PLEASE. Illustrations’ mention references; citation is key. I’ll write a poem for you; You write a poem for me. Son of citation will allow thee, to be or not to be; “A BAD Poem” if you please. Dedicated to: Drummond-Brown, R. (2017). A B.A.D. Poem. Bloomington, IN: AuthorHouse. A B.A.D. Poem No part of this poem may be reproduced, stored in a retrieval system, or transmitted by any means without written permission from the author. All Rights Reserved. Copyrighted material@ April 27, 2017. Blood Stained Banner As I pierce the deep blue skies returning home questioning ‘not’ who? What? When? Where? Nor why? Shoeless ‘BUT’ got His favorite BLOOD STAINED DRESS ON! Some say it ain’t so but, if ‘He’ can walk on water to me, then through mustard seed faith an’ ‘sum’ belief; I too can gaze across the shore, calm the raging seas, keeping mine eyes fixed only on Him all the more. And ‘YES’ drown into ETERNITY. Dedicated to: At a ‘TREE’, at a tree (Acts 5:30); is where I first saw the light and the burdens of my heart were rolled away. Yeah, that’s where it ‘twas’~~~I received my sight!!! A B.A.D. Poem No part of this poem may be reproduced, stored in a retrieval system, or transmitted by any means without written permission from the author. All Rights Reserved. Copyrighted material@ April 18, 2017. #666-666
She’s ‘po’ black trash to ‘sum’. While to other’s~~~ WELL~~~ you know the deal~~~ YEAH~~~ she’s the toast of the town; an’ ‘SUM’ ‘BIG’ ‘BIG’ ‘BIG’ fun. To EVERYONE’s; sons!! Downtown knows her by name WELL!!! Them other sides’ of the tracks; produce some of the same lames’ but, shhhhh…. Satan won’t, if you don’t TELL. This is that and that is this. But remember, shhhhhhhhhhhhhh~~~ some have a hissy fit ‘ov’r’ 666- 666. Games’ so weak ‘itsa’ ‘cryin’ shame. ‘Wazant’ for Eve; Ms. ‘Thang’ own ‘THAT’ blame game; just the same! Rest assure ‘sheza’ knock off Beyoncé ‘kinda’ dame. ‘Wit’ High dreams. Red stiletto heels. Ghetto facade fame; small minded scheme of thangs. A low reach~~~ minus the frills. A brick house ‘anna’ hard pill to swallow that is; when ‘ONLY’ she do what it do an’ make it rain. ‘Takin’ *ABSOLUTELY* no prisoners and *DEFINITELY* asking ‘NO’ LAST names! But, what’s ‘HER’ name? What’s her name? Get ‘ov’r’ it! An’ let her do her. Yeah she can be ‘ALL’ she can be; in her own make believe fantasies. #666-666 CAUGHT^ ‘inna’ web. SAVED BY GRACE^. ‘Dem’ UP-TOWN> ‘sadities’ ‘NEVA’ saw that ‘comin’ but keep reminding her; oh’ ‘dem’ strange monopoly games ONCE played; back in her hay-day of ‘thangs’. BUT GOD. ERASED ~~~~~~ #666-666 ~~~~~~ anyway. And called her ‘OUT’ by anew # ‘witha’ brand new claim to ‘HIS’ ‘kinda’ fame and ‘COMPLETELY’ changed her wicked wicked wicked ways. 777-777 replaced ‘dat’ game AND made her whole again. HER FATHER ‘SENT’ 666-666 on its way! SO, who are you; MS. SADITY (yeah ‘IZ’ said it) to have this inmate’s last say? MRS. UPPITY just SHUT UP!!! And let her do her and you do you an’ CHANGE your own concealed ways! did you forget??? ***NEWSFLASH*** ‘SUMMA’ US REMEMBER YOU TOO FROM BACK IN THE DAY,’ YEAH. DOWN THE WAY. SO, WATCH WHAT ‘cha’ SAY cause we hear not ‘LONG’ ago you too ‘wuz’ 666-666~~~ yesteryears. Just go somewhere, mind your business and while you at it CA$H OR SHALL WE SAY CAST YOUR OWN CARES! Dedicated to: He who is ‘WITHOUT’ sin; let him cast the first lie. A B.A.D. Poem No part of this poem may be reproduced, stored in a retrieval system, or transmitted by any means without written permission from the author. All Rights Reserved. Copyrighted material@ May 1, 2017.
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Ann Christine Tabaka, is better known by her middle name, Chris. She has been writing poems and rhymes since she was fourteen. She was an artist, a chemist, and a personal trainer. She recently had 4 poems accepted into the upcoming Contemporary Group’s anthology “Dandelion in a Vase of Roses,” 1 poem accepted and posted in “Whispers,” 2 poems accepted by “The Society of Classical Poets,” 2 poems accepted by the “Indiana Voice Journal,” and will have poems in the summer 2017 issue of “Halcyon Days Magazine. WASTELAND Lost in a place of undreamt dreams I can no longer find my way I wander through the shadowed halls Among the empty thoughts I stray The footsteps of those who came before Can still be heard within this hollow Beyond the silence no voices speak Along the path of which I follow NOBODY CARES People talking at you People talking over you People turn their backs on you Nobody cares Why should they care Why should they care People rushing past you People bumping against you People shoving into you Nobody cares Why should they care Why should they care Empty faces everywhere Blank expressions only stare People forget how to share Nobody cares Why should they care Does anybody care Everything is so strange No personal exchange Nothing ever seems to change Nobody cares Why should they care Do you care SAME OLD SAME OLD We never catch any fish yet we keep going fishing We never sell any books yet we continue to write We never lose any weight yet we keep on dieting We never give up fighting the perceived good fight We never win any games yet we keep on playing We never get very far yet we keep on walking Our prayers are never answered yet we keep on praying No one ever listens yet we keep on talking We continue to do the same things over and over again Even though we get the same outcome we never seem to change We keep loving the same people who do not love us back We need to learn life’s lesson and our actions rearrange COMFY SLIPPERS You fit me like a pair of old worn slippers Soft, warm, comfortable You mold to my shape and conform to my mood When I am feeling lonely You caress me Even your frayed edges have a familiar feel They are part of your charm Each wear mark holds a memory A special place in my heart Each stain tells a story Of our time together You are always there when I need you To make me feel secure I would be lost without you DARK SIDE Poems are not always pretty Some are ripped from the heart Torn from the very fabric of our being The shredder of life They are dark and foreboding Words spill our secret thoughts As they slowly leak out Like drops of blood from a pricked finger All at once There they are In the world for all to see Our ugliness exposed Bared before all All poems are not pretty rhymes Deborah Guzzi writes full time. Her book The Hurricane is available through Prolific Press and at [email protected]. Her poetry has appeared in Allegro & Artificium in the UK, Existere & Scarlet Leaf - Canada - Tincture, Australia - Cha: Asian Review, China - Vine Leaves Literary Journal - Greece, mgv2>publishing - France, Ribbons, pioneertown, Sounding Review, Bacopa Literary Review, Shooter, The Aurorean, Liquid Imagination, Concis, The Tishman Review, Page & Spine & others in the USA. All the Pretty Little Ponies After: The Fool on the Hill by Paul McCartney The carousel reigns among the visitors; her image flickers behind gargantuan sheets of plate glass in this artsy garden home. Chortling, secretly in a sylvan wood, winking from mirrored eyes, not resigned to age in captivity untouched by the blaze of sun or downpour of platinum sky. Like St. Catherine’s Wheel without the sparks, the old gal spins round and round at the docent’s call. Hidden movements of cogs and wheels spin within the calliope’s heart. Brass and brilliant, these clockworks raise and lower each of the fierce or flamboyant creatures which hold daily court, recalling the days of yesteryear. Hear the um pa pas pump through its organ—start? outside a manicured forest waits: do not walk sign Sustained by love, her horses race on golden, spiraled, poles, chasing the ostrich, frog, or deer; never letting the cat come near. Though instate, she daily waits for little ones, who squeal for joy—to leap on the pinto or plop-down in the old green gilded sleigh. In her missed notes, in the crackle of mirrored panes, a sense of longing resides, for the days long gone, the carnival days—caramel apples, cotton candy and taffy, for sun’s sweet rays, for the busker’s play, for the twenties when women were sassy. Yet, here she sits, assigned, bewitched encased in plate glass. Art on the Bart I met her on the Bart as the subway swayed like a fine woman’s hips. She was a picture of perfect imperfection. Her cherry-red bike chipped, shabby chic as her fingernails. We got on at Mission and 25th Street. A peaches and cream complexion defined her as au natural. She wore a dress of fiery-red polka-dots on a white ground which draped between elegant knees. This walking work of art and kindness bled poetry. the smell of sweat and perfume: fans whir I [a fish out of water in her wake] asked the way to my stop. Her hands elegant in fingerless, red wool-gloves shifted atop the black, trash-bag covered seat of her ancient bike. As she braced the frame against the seat’s stanchion, she looked up smiling. “I’ll watch for you. It’s hard to see—too much noise to hear.” She mouthed tapping her ear. I glanced down at my sneakers beside her caramel cowboy boots, feeling a bit lost but safe. Her Pacific-blue eyes reassured me from beneath honey-colored bangs. She was a vision of disordered loveliness, this aide to wandering mothers. The cars stopped and with a finger point, she shooshed me off the East Bay train, never telling me her name. A Withering Reign Inspired by The Bayeux Tapestry 1077 Clouds, top stitched with crows, smother a cruel sky. The tapestry of morn captioned with flying glyphs glowers at the assignations of allies? Across the tundra, a Russian bear lopes standing to shred the welkin with claw and fang while the eagle sleeps with the Kremlin’s gifts. On the bleached bones of the weak, the eagle gnaws its baser side feasts on the kills of others. Ruled by gold, its Aryan leaders once abhorred demonstrate the state of hate between brothers. Let rebels rise, Betsys with needles in their hands to mend the standard of our founding mothers. Pierce the sky at this cruel time, right demands the return of light and justice to this land. Chante Fable for Unholy Nights Spiraling east into the sun, a cloudscape unfurls through vales and rills. Mist clings. We wing above. Air France buzzes Charles De Gaul airport, vibrating with holiday travelers. An eight-hour flight, NY to Paris, arrives. The drowse of sleepers goes uninterrupted by game playing mini-tyrants, parents’ call—children. A rocky landing gifts an omen, put-aside—too quickly. France surrounds Paris, the mons Venus, its sweet bit on the Ile Saint-Louis. Notre Dame rises with esprit. The banks of laggard Seine rotund, pierced with light, spread, climatically stunned, Ah, the intrusion of men, the confusion of women, Vive la différence. Among other retirees, I float the Seine toward Normandy disconnected from the Net. Lazing sated like the odalisque - La Grande in the Musée du Louvre in Paris. I munch hors-d’oeuvre and sip champagne. Peace and plenty engulf us as we move from lock to lock, disembarking only for choice sites. We peruse history sanitized for tourist’s palates. December twenty-first, we re-dock in Paris. At seven PM, we bus cruise the Champs-Élysées while in Dijon terrorists drive into eleven people in a Christmas Mart. Still, death is distant thunder which does not follow us to Provence in the south or home. The Eiffel tower recedes, height minimizes, misleads, for the beauty of a dream for war to end its regime. Is there a difference? Reconnected to the Net, I sit at home. Encased in quiet and serenity, I ponder. Is there any safety, any river of peace, any odalisque who has not chomped too often on the tit of condescension? The distance between ‘have’s’ and ‘have not’s’ has grown too great. Rebellion rides upon a pale horse. La Petite mort de Mère with utter disregard & apathy, Pip’s and Estella’s bid farewell (no sense in chasing them) the west coast soul seekers run from east coast roots & vice versa (there’s no looking back) each escaping the parental grasp once treed, these green buds-- to citron-suckled—meld to tangerine—then burgundy are cheeky in their leaving like the blush of a vestal virgin or falling petals of September’s mums—imagined or contrived, they flee with Cheshire Cat grins with—pure abandon a right royal tear of tender hearts—ripped up, ripped-in-two this episiotomy of a day--from nubile buds or ancient family trees they leave the nest, flee the tree disperse (all gone—ground to sepia stages) like the fortunes that remain in a teacup fertile offspring leave returning only for the birthing of grandchildren Hongri Yuan, born in China in 1962, is a poet and philosopher interested particularly in creation. Representative works include Platinum City, Gold City, Golden Paradise , Gold Sun and Golden Giant. His poetry has been published in the UK, USA ,India ,New Zealand, Canada and Nigeria. I Pulled a Sword of the Rose Out I pulled a sword of the rose out With a starlight Repeled the eternal night I made God to retire Return the golden stick of his hands With a lightning I carved a spell in the mask of the sky Make the stars to dance Make the sea sweet Make the giants to return from outer space The Wings of Phoenix Excavate a window in the wall of the phantom of the world Let the rain of fragrance from heaven to bathe the soul When you hear the madadayo song of the angels You will see the golden transparent skin of the earth Your eyes will twinkle like stars The dates of yesterday will disappear in the distance like clouds A golden scepter is held in your hand Make the mountains and rivers is like picture Make the heavens is like jade The sound of the dragons will make you into nirvana Spread the huge wings of the phoenix My sword of the dawn My sword of the dawn Came from the ancient sun Fly in the grim night To find that king of the demons Breaking its head Casting a net of lightning Let the monsters perish With their bodies and spirits The Stars Were Gathering in the Sky The stars were gathering in the sky Armies of the gods began to set out The earth was trembling The dark night was surrounded by flames Ancient city, python of millennium In a network of gold A sword of the moon Cut off the figure of the lightning A golden bell roared unexpectedly in the sky A golden car of the sun A giant with a crown on his head From the clouds flew near angrily The Gods Will Return with Thunder and Lightning The spring is as charming as the poppy The gates of hell, gold carving Make the smile of the times As sweet as the red wine of the blood of the grape The eyes of the vault of heaven became forbidding Overseeing huge cities In anger the earth is waiting for The gods will return with thunder and lightning Translated by Yuanbing Zhang Laura Trueman is a prolific American poet and a resident of Los Angeles, California. Bridge The word is wand and Faith, creation, and narwhal? When I hear the sound of canter, And the beating of flapping wings, The promise of lovely darkest days, Rays do not whip me. Kim D. Bailey, a 2017 Pushcart Prize Nominee, writes Women’s Fiction, short stories, poetry, non-fiction, a weekly column. Kim is a poetry editor for two journals. She is currently editing a third novel and does freelance editorial work. She's published in several online literary journals and print magazines, podcasts, and has taught writing courses online. She currently lives in Fort Oglethorpe, GA with her partner and published poet, S. Liam Spradlin. You may connect with her at www.kimbaileydeal.net or Twitter @kimbaileydeal, Instagram @kimdbaileyauthor or her Facebook page https://m.facebook.com/AuthorKimDBailey/ Serendipity There will be time for sadness again, to wring hands, wail at the half-moon, gnash teeth and shake a fist at God, or whomever, for the losses and pain, but not today. Grief will rest heavy upon the chest and like a cat's claws, dig in for an extended stay to mourn or feel numb to form a sinkhole in the heart, but not today. Another moment of rage will burn hot white, red bloodletting knives will be thrown from our lips and eyes at someone, or something, for the wrongs not righted, but not today. Disappointment will drop by unexpected and unwelcome, to remind us that life is never fair to us or to those we love, a reality check of ups and downs-- but not today. On this day we will climb this tower together, tethered only to one another, tied by beats of our hearts, in sync serendipitous and surreal, and while we gaze above the treetops from this place, or at the clouds from this blanket on the grass, we fly, our feet never leaving the ground. At Last, Arrival The first Saturday in March we met on the corner, Camp House coffee for two, a voice from my phone stated, “You have arrived at your destination.” I looked both ways before crossing searching for a familiar face booked for several months kind eyes, hard to tell the color, but they draw me close and we collide. All at once it's clear your face more familiar than I first believed, your smile a caress and I let you wrap me like a gift, as I fold up within your arms as though my place had been saved bookmarked while our lives transpired, preparations made, hearts broken glued back together with grace given to hope, in all hopelessness, never give up never say die and when I look into your eyes, I know that I know that I know I have arrived. Tourniquet Are we comfortable, content, moving daily toward a dream—or complacent, caught up in sad refrains, reaching but not rising, to meet one another watching the decay, hopeless? What would it take? Teaching moments miss the mark, slide around us, leaving us lonely looking for a way out. Stifling fear and oppression fill the void once overflowing, lingering love lost on echoes of egregious words, killing fields of kindness run with blood; broken hearts and dreams, derailed by deleterious dogma, refusing any outsider purchase on this sacred ground. Blood, it’s all that matters, despite the vows or veneration whispered, wedded. I tripped over my tongue and sprained my ankle aspiring for first place in your heart, I broke my own, shattered against the wall where blood begets bond above all, so this is where I limp away. Dane Karnick grew up by the Colorado “Rockies” and lives near Seattle. His poetry recently appeared in Gravel, Here/There and Bookends Review. Visit him at www.danekarnick.com. The Railroad Crossing On the west of end of Widefield Was a demarcation Where hammers and saws would not Cross over to build rooftops Beyond Canam Highway A place Dad would drive me In his ’55 Bel Air On Sunday afternoons With no special reason Except to see the other side Unfurl endless sagebrush With no roads to enter Like Father’s private life Across dusty plains Bereft of signposts From those wooden tracks Marshaling infinity On either side of us Gawking at immensity Squeezed between our shoulders Teenage Therapy As Chris and I drive south In his parent’s Oldsmobile The speedometer chases One hundred twenty Toward Sagittarius A half-human creature Stalking El Paso County Through the high beams of Our car that snarls at Constellations rigid As Marksheffel Road Taking us away from Family break ups while We roar underneath A tributary of stars Summoning regard like So many nights gazing In telescopes that Funneled our anger Through apathetic space To Smokers You are a celebrity When crossing my gaze With your nomadic swirl Unfurled in urban crowds As you skillfully inhale While pedestrians walk by That ritual incense Blessing your body Sometimes you stand alone at A restaurant back door Blowing a small cumulus Near your bewitched fingers Or your left hand does arm curls Out the driver window Pausing for the luscious cloud Above the sprawl of muscle How hypnotic that burn Of tobacco with its fire Waving turbulent thoughts Into extinguished care Improvisation 6 After the drawing by Cheryl Richey, 2014 Some impromptu moments Occur like an itch In the hippocampus Calling for attention From its squashed room That is narcoleptic Yet manages to budge As if hatching from Years of incubation The urge to burst out And scribble away The darkness that had Held everything so tight In a merciless egg Now slithers unaided Toward a midday sun Revealing on its path The need to stay eclipsed Door to Nowhere After the photograph by Helen Geld, 2012 Never to open again The handle was removed Just like the memory in This short alley entrance Distinct extinction For the Ballard tavern Banished behind lumber as A backstreet Siberia With its latitude Of secrets closed away In remote terrain Beyond geography A place we settle for In our conversations Where intimacy follows The butchery of hush Nels Hanson grew up on a small farm in the San Joaquin Valley of California and has worked as a farmer, teacher and contract writer/editor. His fiction received the San Francisco Foundation’s James D. Phelan Award and Pushcart nominations in 2010, 2012, 2014 and 2016. His poems received a 2014 Pushcart nomination, Sharkpack Review’s 2014 Prospero Prize, and 2015 and 2016 Best of the Net nominations. Upside-Down Is Right-Side-Up Upside-Down A mitten grows fingers to match its willful thumb. Each day a buck’s risen hunch nurses at the branched antlers until they disappear in one theorem. In pond water the peacock catches 50 blue-green eyes watching from its plumes. Sad coyote starving forgets and chases the roadrunner while rack on rack 10,000 pumps of the princess stare at the closet’s polished floor. The dreaming pilot’s jet bomber takes off without her, leaving white, then gold and pink contrails, odd flight plan she almost can decipher. When the poet falls silent as snow pages turn to windows with bars all the words can’t bend to save the stranger with black coat and hat stumbling for black woods. Halloweens in the mountain castle a dead king called “The Enchanted Hill” lovely maiden and her unicorn in the meadow stitched with daises rouse at a monster’s ghost trying to enter the tapestry. As the sprinter’s chest expands to break yellow tape lanes reverse, backward the slowest runner wins the trophy. Nightmare: our President wakes in sweat, certain he’s been elected President. Finally he recalls, showers, shaves, shirt, tie, the fine suit as striped as a prisoner’s. Lightning Strike She didn’t want the kids to suffer. He ran about as far as he could run. Why’d she leave Tipton? Her mother lives in Tucson, so I took her old dog. Is that far? South of Phoenix. What weather do they have? It’s hot with rain in summer, turns green from thunderstorms. Father saw a lightning bolt strike an end-post and shoot all down the vineyard wire, just like that split each stump in half, like with a paring knife. Well, sooner or later we all get struck. My yes, and now it’s hit pretty close to home. The Werewolf I heard the primal howl older than any mad dog’s scream terrorize my human ears and next I knew all was white and red, snow, blood, my blood. The risen full moon bleached blank the barrens I’d crossed for my true love rumor said lived secretly in the farthest north, her castle made of ice. Now my face wore fur, my mouth lion’s honed incisors, hands, feet bare, unfrozen, comfortable, well-armored tiger’s sharpest claws. With nostrils flared from a 1,000 too pungent scents I smelled and hunted one only, sweet, hot, salty, disguised in living flesh. A new different hunger led me past dark pines, on the trail of the lone caribou till blinding day I woke, no boots or gloves, down parka, wild taste burning my raw tongue so I ate snow. I stood shirtless, bare-chested, and upright trudged on for love before next month’s moon when on my palm I’ll see the Gypsy’s pentagram, my Pole Star and silver bullet. Allison Grayhurst is a member of the League of Canadian Poets. Three times nominated for Sundress Publications “Best of the Net” 2015, she has over 1000 poems published in over 410 international journals. She has sixteen published books of poetry, seven collections and nine chapbooks. She lives in Toronto with her family. She is a vegan. She also sculpts, working with clay; www.allisongrayhurst.com Under the Coupling Clouds Under the coupling clouds weddings and funerals reign, faith is crushed like a blade of grass beneath feet and destinies capsize. Forging through life's worst mishaps, enduring hearts still burn great and potent dreams. While reeling in the cries of rat-bitten love, comes legends of courageous forgiveness. Under these coupling clouds people heed morning as an adored second chance. Habits break to let begin a blazing birth received. before This child will come like the spinning of a maypole - strong colours entwined and all her blood in unison with the sun. She will be a glorious bird, sure of her place on this earth, sure of the love that moves from each breathing lung to the unseen stars, tied to it all like water is to the shore, like a night breeze coming to soothe the summer day's scorch. She will be set free by her heart's irregular beat, unique in her beauty and in her strength. This child will come, welcomed like a prayed-for dream. We will hold her and know her - our highest visions united then separated into an infant being. Autumn Throw in the towel. Throw in the left side of your brain. Remember now to speak against the polliwogs infiltrating your dreams. A dozen ships have sunk under the banner of righteous revenge. Still, people are talking about the end, as if such a thing was predictable. The end will come but not with wings of fire or because of the clocking of the millennium. Children are new. Antelopes are running unharvested fields. Death has no beauty, though some will tell you different, some who have never touched lips with Death or felt Its cold, eternal hold. There are patterns in the fallen leaves that none but the birds can know. Wait now for winter, for something immaculate to cover up, then to renew, the old. We Walk Again We walk again, becoming the watery breath of lovers touched by the same vision. We feed our skins again on the shifting flame that burns all natural affliction. We kiss again on home ground, and do the things of togetherness, full of letters and sighs and the bones of our ancestry. We stand under the umbrella, nearing the darkness but staying alive. We release all secrets drenched in the soft light of a fluid and tender joy. Change of Address I long for the tree I am missing by the window on a sunny morning. Shadows are like an empty vessel and I count the days like coins, passing frantic from hour to hour into this good beginning. I will settle, discover my happiness on this side of the threshold. I will toss my past into the river and watch it surrender to the undulating tide. The walls of my home are vibrant with love. I will walk to the corner, learn a new road. John J. Ronan is a poet, playwright, movie/TV producer, and journalist. He has received national honors for his poetry and is a former NEA Fellow, Ucross Fellow, Bread Loaf Scholar, and Poet Laureate in Gloucester, MA, where his cable program The Writer’s Block with John Ronan is in its 27th year. Poems have appeared in Three Penny Review, New England Review, Southern Poetry Review, New York Quarterly, Folio, and many other publications. Media productions have won a Telly, an Aurora Gold, a First for Education Programming from the NECTA, as well as other awards, and have been aired on PBS outlets. In 2010 his book of poetry, Marrowbone Lane, was named a Highly Recommended selection by the Boston Authors Club. A new volume, Taking the Train of Singularity South from Midtown, appeared in January 2017. (TheRonan.org) At the Vet’s Even expensive vets are trailer park In tone, single wide and used at that. Dogs do this. Cats. The odd exotic – a snake or lizard, rats. It’s the public pissing, the crap-where-you-will clients Who live and think in immediate never minds. Diplomas hang next to a television set Looping pet PSAs, Opposite shelves of Pet Mart Products: Hamster wheels and dog chews, flea Collars, flea powder, taxonomic charts Of the familiar puddle-to-people tree, seeds And leashes, carriers, shampoo, canopic jars - With ovals carved for a mug shot of the loved One, portrait in long-ago-dog. A woman enters, stoled in silver fox. She passes the diplomas and urns, the TV Explaining deductibles, a five pound Pom At her jeweled breast: “Give mommy a kiss.” High heels click-clack across The waxed and easily cleaned linoleum floor. Dives: On Confirmation Bias There was a certain rich man who was clothed in purple and fine linen... Luke 16:19 Turns out, the obese are obliged to eat – The latest gene theory. Others address Bi-polar and A.D.D., Or why students, vexed, should study less. Concerned with popular disease, America leans On the no-fault of science to nail down The exceptional cool of its people - like you, like me. The wider universe, too, excuses humans: Late or spacey’s explained away by relativity, Love loss and loose ends by entanglement. Your own observation, of course, ends uncertainty, And obscure powers that shadow stars, the benevolent Dead or dark matter, approve what we do: As, “All is forgiven” and “Everyone loves you.” Dives: Uncontrollably Old There was a certain rich man who was clothed in purple and fine linen... Luke 16:19 A time-worn tease, “You couldn’t handle it!”- The young one by the restaurant door, Angled finely in afternoon light, Jeans and high heels. Wham- Bam’s ebbed to pleasant, unoften. Usually, it’s the news and three innings, Sleep. Age is a. m. In the first, mid-twenties, “Sir” Hints of arthritic ache, unsteady Heart and mind – the eighth decade’s Slippage of personal universe and truth, Divide of appetite and ash. Witness The reluctant blood, the phantom limb, And lately, the codger-condescending “Cute.” Early bird dines at five: Soft targets, softer food - The old lady trade, fondue. Rascal’s twenty feet back, A distance that lengthens day-by-day, And the young woman steps aside To hold open the door, unasked. |
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