Christie-Luke Jones is a poet, fiction writer and actor from Oxfordshire, England. Christie-Luke’s writing is strongly influenced by the Gallic blood that courses through his veins, as well as his interest in the more macabre aspects of the human condition. To see more of his work, visit www.christielukejones.com. URBAN FOX Through gritty, parched eyes I squint, As hazy boulevards wind ceaselessly ahead. The soupy June air weighs heavy on my shoulders, A cruel curse befitting of a cruel hour. I snarl and thrash and seethe. I pray for a swift end. Highgate lovers, swathed in crumpled bed sheets, Gaze down from windows in dreamy post-coital bliss. The soft light emanating from their cigarettes reminds me where I should be, Where I should have stayed. Her cascading onyx locks and melting stare, so far from here. Snatched away in a frenetic dusk. In the murky, nocturnal depths of this Hadean Borough, The thought of fusing my weary torso to the elegant curve in her back is my only escape. To sweetly kiss the nape of her neck, And watch that sensual smile paint joyously across her sculpturesque face. For a brief, heavenly moment, I’m there. But mine is the oppressive still of a North London night, Where bountiful summer trees loom black and menacing over deserted pavements. Lo, wrapped in my internal struggle I have omitted another. One who neither pines, nor laments, nor regrets. A weightless astronaut, he skulks through the night air with a humble grace. His sinewy frame. That restless, twitching muzzle, An opportunist cat burglar, thriving in his concrete woodland. He slows as I approach. A cautious arc. His marble eyes reflecting the street lights above. What does he see? We halt in unison, we share the stillness. His keen nose analyses my scent, his pointed ears flinch at my slightest movement. Such devotion to the senses is something I’ve long forgotten. Suddenly I feel my heavy feet beneath me, notice my short, agitated breaths. This wild animal has coaxed me out of my own head, made me living again. He watches intently as I find the strength to move forward. Down this path I myself chose. And as I glance back, I ponder his sentience. Did he share in my epiphany? Succumbing to sleep I envy the fox. Long to dream his savage, unquestioning existence. OPAL COAST Glassy almonds of many colours strewn about, Massaged by frothy hands. The ghosts of conflicts past scuttle giddily on abundant limbs. Armed and ready, should opportunity knock a second time. A grey-green genetic soup swells and heaves under Palaeolithic gates. To the South lies the North, Its ashen hills and sleepy cimtières a proud hinterland. The painful thrill of the icy current. The jagged rocks. The slimy, choking weeds. Elemental forces unburdened by the lethal follies of man. Blood is spilled under Blanc Nez, as it was decades ago. But there is no razor wire now, no rusty barbs waiting to eviscerate lumbering lions. A baraque à frites sat stoically atop a wind-scorched ascent hails the wounded, Their cuts and scrapes glistening as they congeal under a lemon yellow sun. Feel your limbs, light, almost emancipated from your body, Your face tautened by the healing saline breeze. Blood courses flamingo pink through your youthful veins, Breathing life into those crumbling Republican pillars. You sense that this is it, that this is where you need to be. So aux armes! Defend this blissful feeling lest it die here, Anchor your spirit to the restless dunes and demand your droit du sol. OSLO A solitary orange for breakfast; she delivers it with her unmistakably virginal smile, kneels by my bed in thanks. My body fizzes with polarising urges strong enough to kill us both. Her apartment is beyond all comprehension; I feel undeserving of its pine-scented air, the only discordant note in an otherwise harmonious melody. She dresses in furs and heavy knits. Her glowing skin and lithe body are untouched by the sweating guilt of midnight trysts. A nervous laugh rocks the vast drifts as our paths tentatively entwine across the blank expanse of canvas. Our eyes devour in absence of trembling lips. The inevitability is palpable. A joyful expression of unspoken lust; her hands scream to be touched. I debate the drop, survey the cliff edge with a melting restraint. Hurtling forth; I find myself discussing pickled herring in her father's slippers. God-fearing Christians, no doubt afraid of this wolf in sheep's clothing. Such a charming sheep, though. I bleat and graze with impeccable timing, convince even myself. Neither of us find sleep that night. Impatience drives me to my annex room, whilst her mind is a dance of plush hearts and handwritten love letters. Another 12 hours to keep my mask from slipping.
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Joseph K. Wells is a businessman, doctor of occupational therapy, part-time professor and few wannabes from time to time. With his poetry forgotten over two decades, he rekindled the old flame a few months ago. He blames this on his midlife. Since the beginning of this year, his poems have found a home in the Red Fez, Napalm & Novocain, Dead Snakes, Every Day Poems and Section 8 Magazine, and are forthcoming in several more. Chase I chased behind my tail fast and furious, round and round; smoke spiraled, sparks flew, the world cut below by my laser feet. Succeed, I did. Yes, indeed! With my tail in my hands, and lips shining, my face lifted and then dropped as I fell into darkness, the hole I had dug beneath… Net Worth One summer afternoon, comfort filled the room. I completed my “net worth” form and through the open window let out a warm smile. Suddenly a hissing gust forced in, tossed pages of an open book, shook hung wall certificates, slurped up my net worth form off my desk and rushed out, serpentine. Feet shocked, my sight leaped out the window behind the sheet, clinging to its tail, as I stood bit in awe, a lot teased, watching it soar higher sticking out its tongue back at me. But soon it began to descend earthward, abruptly. Contrasting the majestic flight it had just borne, it landed disgracefully, torn. I walked down to where it now laid in a small puddle. Wet, tattered, soiled. Smudged, bleeding ink all over its soggy body. And, then it dawned. My net worth on a helpless sheet of paper! And, a warm smile entered me again… I Always Was I was never the fool I was taken for, that ugly I was made to look, that weak but beaten repeatedly, that strong but withstood, that alive to live life, that dead to not live. I was betrayed by the destiny of gods and stars. I am just the hopeless romantic I always was. Patricia Walsh was born and raised in the parish of Mourneabbey, Co Cork, Ireland, and was educated in University College Cork, graduating with an MA in Archaeology in 2000. Previously she has published one collection of poetry, titled Continuity Errors, with Lapwing Publications n 2010, and has since been published in a variety of print and online journals across Ireland, the UK and the US. In addition, she has also published a novel, titled The Quest for Lost Eire, in 2014. More Than An Apology Connecting with excess, drink and a sorry existence Biting heels for a scrap from the table Form following function in an escape plan Touching cufflinks forbidden in time. No one wants to see me unhappy No schadenfreude washes over my tears A rabble of protection still guards me From the poison of my words falling flat. Measuring attention, keeping time On what now means the world to me. Some shallow soul jaundices association Enough for you to slap me to the floor. Still warm, enough for you to cut my losses Relaying information in front of your aides Sunk from view, fleeting familiarity From all that is mine, resigned to the moon. You got what you wanted. Lessons learned Forbid me from doing the same mistakes Spitting poison to share my heart A tirade suitable expressed by speakers. Half-nakes through sunlight, via the curtains Another day rears its brightened head Enough to reassure my incarceration is gone Enough to kiss the last standing enemy. The Woman Who Sold The World Illuminated pictures blight the wall Flowers at every turn, scent depleted Pledge to do at least one constructive action A week, to sate an ego long overdue. Covering your face, as though committing a crime The clock name-checks your boring canonisation Still watching the fairy lights flicker Long after Christmas breathes its last. Shuttering the window to ill effect Not advertising custon as you would like Cigarette burns turn to a blinding eye Viewing darkly a habit of the dead. Candles in bottles, creating an effect Lost on customers, slipping between cup and lip While i write on petty events like these The world jolts inexplicable, a wake-up siren. Have what is yours. Money is no problem Being big on hugs is another question entirely Time is seeping through cracks of satiety Calling home before it’s too late to stagger. Advertisements come and go. What happens When you wanted so much, but couldn’t buy? The world is your crustacean, eroded away From your happy-slapping soirées a fait accompli Rain Stopped Play I could walk for miles and miles Across the perimeter of a slow holocaust The earth betraying a wronged culure Keeping secrets from the unwary. The minute raindrops danced on our cheeks Signalling abandonment, forever welcome A chance to play cards and shoot the breeze Monitoring destruction to a tee. Kneeling in dirt, debunking ditch forms Massacring anomalies where intended Modern features go recognised slowly Games of chance with soil ring true. Assauted teacups lined for action Not large enough for an extended lunch The rain immunising agains a rock-hard sun Washing down a work in progress. The council drops by. Flurried to attention The unwilling comrades desert the cabin Hacking at history’s betrayal of one event Swept aside for posterity, resurrected, now. Destroyed by measure by gods of progress By-passes and motorways come dropping slow Enough to smoke a cigarette in light of leisure On the perimiter of a story realised. Vegan Bread (for Niall Julian) A bird is known to fly on one wing Catches flies as it passes a throng Full of sanctity, a virtue worth reposessing A weekend full of chaste desire. Football discussions lie under skin Of perfunctory emails, lying in wait For a maching communication, phone cell dying A special place in the heart of cards. Interest where now intended. A surreptitious arm In the cinema sparks a prophecy I cannot get away from posh sorrows Inflicting themsleves on circumstance. We are so clever, role-modelling to pieces The path once travelled of mutual friends Pledging faithfullness, in light of temptation Not thinkin about distance, teetotalling journeys. Some queries beset themselves in light of reality Blue-eyed inquisitions ligh path of prophecy An accessory covering over a multitude of sins Desperation assuaged, heartstoppingly exciting. Cheap missions of mercy, resting my case Graphic designing curing all of my ills First love going to the back of a bus Deservedly alone, unlike most others I see. James, a retired professor and octogenarian, is the author of 3 poetry collections, "The Silent Pond” (2012), “Ancient Rhythms” (2014), and “LIGHT” (2016), and over 880 poems. His poems have been nominated for pushcart and best of web awards, and were published in The 100 Best Poems of 2015 & 2014 Anthologies. He earned his BS and MA from California Polytechnic University and his doctorate from BYU. His books are available on Amazon, and Barnes and Noble. Alone, But Never Lonely I sit near the edge of a Tranquil pond where moisture’s Mist coils around my mind, And, the soft balmy breeze Like a new born baby’s breath Wipes away my lonely tears. In the Wee Hours In the wee hours of the pomegranate Tinted dawn, When colorful birds commence their Morning song: I rise sleepily from my warm comfortable Bed, As the sun’s rays shine down surrounding My head: The mountains tinted with the morning’s Pinkish gray, Reflect the calm beginning, of another Summer day: The seashore heaves a cheerful sigh as the Ocean’s tide, Hurls its white haired waves, upon warm Sand so wide: And, I in my half roused state slowly stir To greet the new day, To form all those new memories which will Sooth my aging way. The Meadow At Dusk The slow moving brook sings a rippling tune to me as it meanders around curves in the side of the hill under shale outcroppings, bouncing over boulders searching for sky. I listen to nature’s sounds, and become aware of an Indian flute playing in the far distance. The stream’s song and the flute’s song mingle in my mind until I am not sure if they are real or just a long lost melodious memory echoing in my fading ears. The sun is starting to fade into the horizon, and in time, dusk will set in for another day. I watch hawks in the sky lazily floating like brown leaves in the breeze and wonder what they are thinking. The wild Irises under the Sycamore tree are folding up for the night and waft their last bit of scent; even the stream seems to be settling down to a slower speed. Frogs sitting on the edge of the stream are beginning to stretch their voices to sing their croaking melodies for the night creatures. Suddenly the noises cease, and I drift into the silence that has befallen the meadow and wonder if it too is ready for sleep, as am I. Nature's Tranquility The languid sun crawls gradually over the mountains to the east painting the verdant valley below with a soft orange hue, a new day rouses from the night. The mountain brook lazily flowing down its rocky bed reflects sun-beams off leaves of orange and yellow fallen from tall Sycamore trees. Downy birds begin to sing their warbled songs as they fly to and fro from tree to tree searching for bugs for breakfast. A doe and her fawn nibble gently at green grass in the meadow watching with ears fluttering for intruders. The old man pauses to take in the peaceful scene and sighs. His wooden cane by his side trembles slightly as he leans on it for support. So many years, so many years… and the beautiful landscape of nature never varies, it continues on season after season, year after year, always offering visions of pleasure. So much turmoil in the battered world, so many troubles, so many hurting, yet in nature’s world, beauty and tranquility reign. Sound Reach into the gray mist; and recognize the essence of sound; listen to the night sounds, the lonely wailing of a lone coyote with hunched shoulders, and wary eyes crossing a meadow in the far distance, the guttural croaking of black and green frogs in a placid pond, the strident trilling of crickets’ violins humming in a pile of old branches, the creaking of rusting bones in a cemetery atop a knoll. When the soul wishes to speak it has no sound except silence, yet we can reach into its memories and hear sounds of the past. The sounds walk upon ghost paths strewn with ancient stones, and echo into our dreaming somnambulant minds, reminding us of our mortality, and a muted echo filled with soundless time. Time fades into nothingness as sounds diminish into the darkness of night where only an eerie hush can be heard. The mist rises and feeds the threads of wind, weaves the stones into beds where water flows with a sound of rushing laughter. The energy of sound pulses into creation, and meadows fill with the aroma of soundless flowers. The old house at the top of the hill creaks and murmurs with sounds of that which is gone. The nearby trees are inundated with the sounds of downy birds, tuning up for their morning aria, after their morning journey into the bright melodious sky. Then there is the euphonious sound of tiny lazy rill creeping beside an old barn into a garden, and then far, far away into a stream that flows into the mouth of the sea where the ocean’s raucous sound is protected by watery memories painted on jagged rocks projecting into the water. Reach into the gray mist; and recognize the essence of sound. Ojo Taiye is a young Nigerian who uses poetry as a handy tool to hide his frustration with the society. He's a twenty- three-year-old microbiology graduate from Tansian University. He lovea books and Anime in that order. Taiye, has some of his muddled thoughts published and forthcoming in a few e-magazine such as Kalahari Review, Tuck magazine, Lunaris Review, Elsewhere, whispersinthewind33 and so on. Motif of Pain the scramble letters of life, converse in diglossia that its dead weight mutters two syllable: salty puddles, or combat. Memory and grief Some things mama left undone: a suckling who needs an urgent un pair a galley attendant a cotton ball to cleanse Papa’s ichor Some things papa left behind: a red bank note a tattered monument all the things they both left behind: memories marinated in a bowl of grief Untitled the silk threads of agony that ties throbbing wombs to flaccid phallus eyes that have lamb in drooling dreams eyes that spliffs to drown boredom after many visit to craggy mountains to offer incense to unpacified spades that roams the orb of your dwelling place to allow your udders swell and wipe the shadows underneath your eaves ANTHEMS FOR THE SUN Countless days and night Need you not? For the dead weight of breathing Makes the vault a scary nightmare From the cradle, We constantly navigate the maps Of the public square In the streams of creative insomnia Thirsty for the purpose Of dance and wine Thirsty for the purpose Of love and grief Thirsty for the purpose Of dreams and becoming Old love song Love is a wicked girl Love is a furious storm Love is a passing wind: It smothers, swaddles and track trails of grief Love is the mirror wand that resurrect dead movies Love is the shadow of your dead lover’s soul Love is the interstitial space in your skin The choking breath that refuses To be putrid stench Love is the old songs that makes you night walk Into rusted galleries lying gnawed In the dust of history Love is the muffled voice in your forest Reciting the mutations of your habits Love is religion: The pelting knees at the cross of passion Ogunniyi Abayomi was born July 11, 1991 in the city of Lagos, where he reside. My love for poetry is very strong whereby i consider it a page of my life. I am aspiring to create positive values as a poet to my world. LOVE IN THE ART OF DESIRE Beautiful, Eyes paint nothing to the art of her skin. Craft of the creator, to behold complexity in winds of the mind alone to decipher. The steaming imagination of no match, delight of all eyes across sphere to taste and bite. I forsake your character to be your slave, To aim the desire beneath your Cloak drowning under your ocean to send my thirst to its exile of rust. Thy golden glory i found in the dirt of lust, The scrambled desire to send my soul to its cave. Luring, the intimidation of your skin in the mirror of my mind Burning the sac of my heart, fire beneath the silk of skin. The cold tongue of thy lips, icy tongue that melt the air to the sea of imagination. Under this ocean never to swim. To scream and smile, the comfort and satisfaction of your romance. To be free from your fiery drama of lust, Ripped to the gentle fire beneath her feet. Sean Lynch is a poet who lives along the Delaware River in Camden, NJ. He is the editor of Whirlwind Magazine. You can find more of his work on www.swlynch.com Halo Nest Along the reluctant blue of Camden’s Cooper River there is a hospital, an unassuming monolith adorned with a stone statue once cracked by an earthquake now sealed and standing stoic where a spotted hawk nests amidst the halo of the virgin mother beyond the 6th floor window where my own mother fights the fire spreading through her stomach - though she sits unphased by the word cancer; she sits as still as the gray tomb of Whitman below us in the hillside, and still in stillness she’s never been so full of life. Heather M. Browne is a faith-based psychotherapist, recently nominated for the Pushcart Award, published in the Orange Room, Boston Literary Review, Page & Spine, Eunoia Review, Poetry Quarterly, Red Fez, Electric Windmill, Apeiron, The Lake, Knot, mad swirl. Red Dashboard released her first collection, Directions of Folding. Follow her: www.thehealedheart.net Dragging My Insides in Churn There's a rusted rake pulling my belly Dragging my insides in churn That greasy cream of butter Slick Maybe too much wine yesterday Never enough sleep Needing salt to soak up that greasy Sheen The ocean perfected its drunken fest Waves that crash, tides that sway or roll And salt, salt to preserve and Float Everything needs to be carried Somewhere far from here Messages in bottles, hope corked and Found I wish someone knew my name Remembered I'd teetered across these rocks Looking for a castle on which to dream Secure Darker Than the Sky I bought her a cactus the day after her Daddy died in a little dark blue pot, darker than the sky. It looked like a brain or a teeny tiny coral world covered precisely, perfectly with needles fatally sharp, reminding me of fairy tales her Daddy had just read two pricks ago. At least it was protected. It made her laugh, that neon orangey ball, the color of a cartoon heart scribbled rapidly, carelessly outside the lines, missing its beat. She left it alone to fend for itself as other things, others tales and pokes took precedence, forgetting all about his voice decomposing within its bulbous shape, its bright, little pricks prepared to protect. She watered it yesterday, she, a swimmer and a splasher drowned her cactus dead and now it merely hangs lifelessly, listlessly with its waterlogged head like it’s just been dragged over the edge futilely of some kiddie pool. Drooped and sleepily dead, its tips now darker than the night time sky. With its papery thin stalk, wet and soft, its beach ball head, so transparent you can see every vein, every single poke now only tender hairs, hairs you could brush with child like fingers patting her Daddy’s head, her prince, no longer needing protection, never missing a beat. To Sleep To sleep like stone settled, in grounded weight nestling under earth’s dusty sheet humming ancient Indian chant and song the rhythmic tap of geodes the beat of drums To sleep like sea sliding softly into slip sun’s strong warming blanket cooled the sigh and snore in ocean wave lullaby of rise and fall the tinkling of shells To sleep like glass sheer and transparent allowing light to travel through entering, shining and stirring gentle rattlings lucid dreams and clearing visions bright But oh, to sleep like stone I Wanna Get Laid It’s been six months now. The longest I’ve gone in 21 years. I think about it a lot, probably too much, remember how it feels. That hollow hunger within pleading to devour and be fulfilled. I am so empty. I could grab someone off the street, meet someone on-line, but the only one I know is gone, and with it all my security. He knew how I moved, understood my eyes and my eager mouth, knew just where and when. I wanna get laid but without the fear of sin, or pregnancy, disease, will he call, how fat are my thighs, am I even any good? I wanna know how to please, but I’ve lost all I know and I’m not ready for questions. What’s your favorite color? How’d you get that scar? He knew every single scab, all my vulnerabilities. He gave me band-aids and my last name. Oh by the way, my favorite color, blue. Paths She's lost within the mountain uncertain of whether to switch or back, lays her head upon earth's pillowed rock. There is no comfort. She listens to the groan within the cracking that comes between the avalanche and fall. She forgot the chosen path, misled herself along the river stepping into today's current uncertain and slipping half way between and just below the surface right on top of everything sifting everything falling next. Adam Levon Brown is a poet, student, and activist residing in Eugene, Oregon. He enjoys the outdoors, playing with cats,and meeting new people. He has been published in a few dozen places including Burningword Literary Journal and Yellow Chair Review. He can be contacted via his website at www.AdamLevonBrown.org, where he offers free resources for poets. The Kale Chip Woman I liked the way your flannel, down jacket hugged the curvature of your small frame. I wanted to hold your hand while engaging in flashy conversation about how Barack Obama would never fulfill the needs of the populace. I guess that it’s too late now; But your non perfumed scent of half eaten Kale chips will remain on my mind. Polling for Student President I asked you if you wanted to chat about the politics of Lane Community College on a humid spring day You said that we could take a ride in the first building’s elevator. I knew by your answer that you didn’t want to talk long, since the elevator only served one floor I asked if you wanted to vote for me for Student President and you said no. I felt the anger wash over me as you exited the cramped, claustrophobic space. I took a deep breath and headed to my next destination. Courtyard Memories I sat in the naked courtyard, attempting to focus on my copy of Bukowski’s collected works. You passed by with a small frown on your young, perfect visage. My olfactory sense picked up the scent of lilies emanating from you. I battled back and forth in my mind whether to say hello. I took a deep sigh, readjusted my focus, and found my place. in Bukowski’s work. Daniel Ross was born in Vancouver, British Columbia and currently lives on Vancouver Island. He posts on Instagram as @dcsross and his website is www.dcsross.com. Parc and Sherbrooke The deadened go up the hill, and through the snow over bootprints, so they can know where the tombs are. White hills and sweaty hands, leather gloves and wedding bands, well met with steady toes the deadened go. Black jackets with fur hoods scream loud a steady "no" in the direction where the tombs are. Sit on heels waiting patient stopping snow. The rancid hearts of all flatline where the tombs are. perfume Ultimately we were doomed, gone, in awe, trembling like the trees that drooped above the pavement. Faded charcoal snow dripping from the gutters. Leaning sidewalks like an old mistrust, and the road shifting underfoot. Your perfume smelled like lies. bad luck Is her picture of vanity Narcissus? Everyone wanted a pound of flesh. The stream to look in. Her hypnotized by the flow. Her loving the reflection, or imagining drowning? Her bathtub is deep enough to end it. She was the type of girl who would rather gouge out her eyes than break a miror Blindness can be overcome, but, Bad luck is bad luck. |
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