Andrew Hubbard was born and raised in a coastal Maine fishing village. He earned degrees in English and Creative Writing from Dartmouth College and Columbia University, respectively. For most of his career he has worked as Director of Training for major financial institutions, creating and delivering Sales, Management, and Technical training for user groups of up to 4,000. He has had four prose books published, and his fifth book, a collection of poetry, was published in 2014 by Interactive Press. He is a casual student of cooking and wine, a former martial arts instructor and competitive weight lifter, a collector of edged weapons, and a licensed handgun instructor. He lives in rural Indiana with his family, two Siberian Huskies, and a demon cat. The Soup Kitchen (East Fourth Street, Indianapolis, Indiana) They changed the name since I was here last Now it’s the Men’s Christian Mission. Same difference. The line is long. We don’t look at each other much, We don’t talk much, Is it shame or indifference? Some of both probably I don’t really know, I don’t really care. A few snowflakes swirl around us, They melt on the cracked concrete. It’s cold, later on they’ll stick. This week I scored Army boots that fit And a wool scarf six feet long. I’m in pretty good shape. One guy mumbles how he was scouted by the Yankees Nobody listens to him. One guy has a pint of blackberry brandy We focus on him like sharks in bloody water. He sees, chugs the bottle, And throws it in the street. Inside there’s still a line But it’s warm: snow And sleet and snot And god knows what Drip off us onto the dirty tile floor. The cost is not extreme: Some woman reading the Bible, And she’s not hard on the eyes. St. Mark: something about How the bad ones are taught In parables so they can’t understand And get saved when they shouldn’t. Way over my head. The soup. It has real meat And carrots. I’d forgotten There was such a thing As carrots in this world. God bless carrots. Comeuppance in Flushing (Queens, New York) Hot, drizzly August morning Behind schedule leaving the apartment For the groceries, the cleaning, the diapers. I do an ungainly skip and hop To avoid stepping on a giant slug Oozing like a senscient, three-inch booger Across the flagstone walkway Apparently intent on the garden wall Ten feet ahead of him, Bricked up and five feet tall. I think how incomprehensible My maneuver must have looked To white-haired Mrs Van De Camp Who sits all day at her sixth floor window In her purple bathrobe Watching her world: The walkway, the garden wall And a sliver of street beyond With one metronomic traffic light. When I return, drenched, Laden like a pack camel with grocery bags And carrying four dry-cleaning hangers Between my teeth (an indignity No camel ever suffered) I find my morning whimsy was correct: Mr slug has crossed the walkway Traversed a yard of weeds And made it halfway up the wall Leaving an iridescent slime track behind. No less repulsive than two hours earlier But more interesting for the question he forces On my soaked and panting self: How does a snot-glob With a brain scarcely worthy of the name Conceive a plan so bold and reckless As to journey to the wall At the end of the universe And scale it Just to see What lies beyond? And how does a thing With no visible means of propulsion Execute his plan with such vigor, Fortitude and resolution? When I consider his achievement And what he’s got to work with I am awed. I stand in the rotten-cabbage smelling foyer Dripping on the unclean tile floor Drooling around my shirt-hangers While the elevator clatters and wheezes Its painful way down to me. I mutter internally, “Don’t let me be humbled By a garden slug. Leave me some shreds Of self-esteem.” Maker of Useful Things In a slower, quieter time Peat fire smoke rose straight and sweet From the chimneys of cottages Where a dozen generations of proud Irish Had been born and died. On a fog-cloaked morning you might hear At the edge of hearing, at the edge of daylight A tiny tapping from a hedgerow Where in a strict and secret nook A leprechaun cross-legged sat And hummed and tapped and formed The shoes his fellows like to wear. No one ever saw him. He slipped away in the brightness None know how or where But he’d leave behind at times A nail An eyelet A bit of moleskin A sliver of silver And these things touched by hands Of one whose kind is blessed Brought blessing in their turn To any child who found the magic scraps And gave them heed and comfort. This was long before the days Of disbelief and disregard But the leprechaun still lives Though he—just like the world-- Has gone on to other things. He lives now beneath a mossy overhang Of a slow-flowing stream And works there, making… Not shoes but songs Songs of love and quietude. He sends them Floating down the stream And they look, to people, Like sun flashes on the water. Just like his shoes These songs leave bits and trimmings Of themselves behind. And what does a love song fragment look like? Like a leaf, a snail shell, a chip of quartz To the hand of the lucky girl or boy Who finds it, keeps it With the curios of childhood-- Perhaps at the back of a dark drawer Where it works in silence And the child profits In luck, in love, in things of spirit And never guesses the source Could be a thing so small. And the magic goes on Never dims, Goes on.
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