Angela McCabe lives in Ballinamore, Co. Leitrim, where she works as a Neuropsychologist. She won the Listowel Poetry Collection award 2016. Her poetry is published nationally and internationally Her first book of poetry ‘Honeymoon in Coalisland’ was published by Alba Publishing, London 2014. She has published her second poetry book ‘Battenburgs and Lemon Drizzlers’ with Alba and is currently working on her third poetry book. Sunday Night A Victorian bedsit in London, the three of us undress as the gas geyser dribbles hot water into an oversized bath big enough for us all to wash in. We rearrange the armchairs, the two single beds with pink candlewick spreads, the TV, the record player, put five shillings into the electric metre and take the Bakelite phone off the hook. Underwear and light garments flutter on the clothes horse by the wall heater. Our bodies sink into bubble bath washing away the impulses of Saturday night, laugh about the Bierkeller, dancing on tables, wandering off with boys too late for the last tube home, stranded in St. James Park. We take turns, wrap each other in warm towels, brush hair, tease the tattles of past hurts from blonde, black and red locks. For now we are safe, my nurse’s uniform ironed, my turn to sleep on the floor. Three Girls: Summer 1966 After a day swimming in the Lough, and singing to Radio Caroline, we walked home sunburned. Danced at the Carnival. Late night snack; sandwiches, licked salad cream from fingers. Fell into a double bed, thighs between thighs. Kisses on shoulders, neck and breasts, lips on honeyed lips. Drunk on a sea of frenzied disquiet, we shushed each other, then laughed. Moaned our last soft moans, bodies limp with pleasure. Eve lit a Benson and Hedges, blew circles of smoke in the air. All lay back, everyone having a drag. watching blue floaters in the moonlight. Natural Dark clouds block the light, bar one entire field on fire from a single ray of sun. A minx waits till the trees turn, then steals through dewy grass taking a red hen’s companion. She swells her burnt umber breast, about to give up eggs and feathers, attempts to fly on broken wings. But there is a knowing, day cannot be night, and rivers flow one way. A Visit Father - man of the house, you rise before dawn, feed animals and birds. At night polish your shoes by the fireside. You built a stable home for us. Now in the kitchen you listen to the news from Athlone, your tweed jacket outdated yet smart. The teapot is ‘draws’ on the range. You ask, do you want long tea or short tea? as you pour in an up and down motion. The stirring spoon wakes me. In a muddled moment I reach for the cup. But touch instead my window filled with stars. Battenburgs and Lemon Drizzlers Ladakhi women in tall hats, long plaits and turquoise capes, grind all day the nuts into pure almond oil, sing Hoi Cho Cho Lay Song. Now yellow cream caresses my face, transports me to a time when we chopped almonds, made marzipan for Christmas cakes, Battenburgs and Lemon Drizzlers. Irish women baking in floral aprons and A line skirts. Drop by drop of measured time, my friend’s skin welcomes the healing liquid. Effleurage down the deep curve of her spine. Me singing the song of the Turquoise women. My hands dance along her buttocks. Knead, roll, pummel, arms, legs, feet glisten. Her long plaits tied up. Me wearing a Ladakhi amulet and a Claddagh necklace.
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Wafula P’Khisa is a poet, writer and teacher from Kenya. He studied English, Literature & Education at Moi University. His work has been published in the Aubade Magazine (issue 1), Emanations (issue 2), The Best 'New' African Poets 2015, Antarctica Journal, NYSAI Press, The Legendary (issue 48), AfricanWriter.com and other online literary journals. We signed our death sentence The chickens will not come home to roost They escaped from cages in Europe, and fled into the wild They are wandering all over town, singing redemption songs And dancing on graves of those they pecked and clawed. But you need not to strip naked and bathe in sand or curse your children for no reason When your dreams fail to hatch When your cries of agony aren’t answered We signed our death sentence and this, my people, is the price. You refused to heed the wisdom of ancestors even in the gaze of a stranger’s counsel Stuffed your ears with wax and opened mouths to swallow every poison thrown your way When the devil came, on a motorcade, singing hosannas In a tongue too sweet to ignore You tore others’ throats over their sacraments And left them gather your souls into ballot boxes! Why did you entrust them with our granaries and slaughtering the only beast we’d hunted in the wild Yet their hands smelt of fresh human blood And their stomachs swelled with unaccounted big chunks of the last season’s harvest? Was it because they are sons of this accursed soil and a kinsman is never condemned, even after sinning against his people? Then why don’t they chorus and dance to songs of these ridges Instead of being chauffeured about in tinted guzzlers to hawk slogans Or fly over our caving roofs, to Dubai or Paris probably Whilst we besiege filthy streets like vultures, trampled by the giant foot of hunger Oh, my people: we signed our death sentence and this is the price! This place is not for us I wade through troubled waters to convey you across whilst ashore the world watches in awe: expecting us to safely end into the belly of a waiting crocodile or be swallowed by angry waves Everyone refused me use their boat because I went against the grain to elect you; and mine was grabbed by the law They fear untold misery could befell them for lending a hand to helpless earthlings. The sun no longer smiles at us It rises late, wanders beneath misty clouds, and retires early before its golden embers could warm our tender skins The moon fled When this dark age of grand theft, excessive eating, whoring and terror came and sat on us (to stay). We can't even engage our respiratory organs To negotiate for valuable atmospheric components For fear of inhaling poison and inviting cancer and her colleagues to rush us to the grave. The sweet taste of rain dissolved into soluble nothingness upon invasion by tears of gods for their beloved suffering below The soil refuses to bear more yams For ages it hasn't seen rain Thus its yellowing surface growth Shatters dreams of ever having a Christmas of roses We got to flee from this place to save my neck from the noose of a politician's hangman Whom I called thief for stealing our children's playground; flushing the Eurobond cash into his bottomless belly; conning my neighbour and condemning his famished family to litter the streets This place is not for us We got to flee and seek tranquility from the other side or lie low and mix with these spoiled earthlings and get infected with their rotten ways that will condemn our children to a turbulent life of injustice, falsehood and slavery. Coming of a storm This cloud has been hovering over us for a while Blocking the sun from gazing at our secrets We saw it and tucked under shed; Afraid of the heavy downpour. The fishermen rowed their boats ashore To secure their loved ones from the impending storm They couldn’t wait for nets to swallow more fish Only to find everything in ashes on return. … and claps of thunder threaten others to wet their pants Njoroge fastened a monster padlock onto his shop and fled When some juvenile brats of unknown breed, with discord brewing in their blood Hovered around it like flies over shit And my brother fastened a rope around his neck Upon discovering that our fortune had been swallowed before it could fall into deserving hands. We have bend our backs long enough To gather nothings that fall off the king’s table And clear the ground for his entourage to thrust into our virgin soils To harvest slaves and sycophants, and preach his gospel to poor masses Whilst collecting their offerings in ballot boxes. … and man can’t live on bended knees forever The age of languishing in the world’s extreme corners for earth’s children is over We are breaking this engagement; Since scars are all we can show for our sacrifices We must end this marriage; To stop being treated as third-rate partners. Song of My People Some people think we're dumb, Because we spend lives sleeping, forever sleeping, Our flock they invade, suck milk; And invite hunger Our men they conscript, Lure them with nothings: To glorify, and their songs sing-- Under our roof! Because we spend lives sleeping, forever sleeping: To many a merchant we're traded-- Gunpowder for coalition canons; Mercenaries to fight alien wars, Used and dumped-- like tissue paper, Whilst with us our men plead, To harden hearts like termite in the soil! Teachings of alien gods, From sacred shrines drew us; Wherein children of mulembe: Gathered for libations-- Then emptied pots of busaa, And brought down hills of ugali and chicken... What befell our land, my people, Has ruined us! We've outlived Elijah's prophecy-- Leadership in the house of Mwambu, Shall from lake Nam Lolwe come, So ashore, we gaze, forever gaze, The gourd to speak again? Our brain we soak in ignorance, Leave our roof falling, To seek refuge in neighbours' bungalow-- forever! And allow our hosts shield their wicked selves, With our blesseth name: Against the world's wrath-- More sinned against! Aren't our balls big enough to fill palms, Thus give us courage to speak our mind? Those who think we're dumb, Because we spend lives sleeping, forever sleeping, Should confirm their sanity. The rain has beaten us-- Washing our eyes clear; The rain has beaten us-- Away carrying our fortune... Soon our house shall re-organize, Summon back its prodigals, To Elijah, Wachie, Walumoli and Mwambu... Slaughter sheep to appease, Thus settle our internal feuds-- Buying back brotherhood... We shall stand strong, Like a boy facing the knife, Confront Goliaths herein, and claim our share! We are also children of this soil; We are also children of Our Father! Song of a youth You see these fellows leave the comfort of their limousines, choppers and Benzes to tread in mud, into uninhabited dungeons of the countryside or slip into flea-infested filthy slums like Kibera: Distributing mosquito nets, hawking slogans, funding retarded projects or settling medical bills And you think they are true humanitarians Wait until this game of hunting votes is over and the winner goes home with their prize You’ll never see them again if you can’t afford a newspaper or own a TV But you’ll hear them roving in Dubai, Paris, London and Israel … Whilst you wait them to come and see the sickness of Mandera, Turkana or Budalang’i. They are always on the run, like criminals Running from honouring their pledges Seeking to quieten their roaring appetites But they have reaped more than enough; Why can’t they vacate the arena for the new blood now that their aching bones make them spoil the dance and bar light from reaching young shoots below. They came wearing youthful masks chanted in our slang and ferried old geezers to office to drum for them as they dance to the song that bears sorrow since independence They ferried old geezers to office and left us to eat dust and be regular guests of the prison In pursuit of something to sustain us But, isn’t this serikali ya vijana? This disease of electing ancestors to govern our generation will bear problems! What do they know about what eats us? How much do they know about the changing world if they imprison themselves in palaces forever? Are we not men enough to stand on our feet and chase our dreams than be reduced to mere mercenaries for doing dirty assignments Of what value are the degrees we’ve earned if we can’t reason in times of crises and salvage the land we call ours from its eminent ruin? You see us swear and curse them Because they ruined our peace and lied You see us in tatters, with jutting bones Because they stole ours and denied us opportunities When corruption, tribalism, impunity end on this land We too shall eat and grow… Ken Allan Dronsfield is a published poet and author originally from New Hampshire, now residing in Oklahoma. He loves thunderstorms, walking in the woods at night, and spending time with his cat Willa. He is the co-editor of the poetry anthology titled, Moonlight Dreamers of Yellow Haze available at Amazon.com. His published work can be found in reviews, journals, magazines and anthologies throughout the web and in print venues including: The Burningword Journal, Scarlet Leaf Review, Indiana Voice Journal, The Literary Hatchet Magazine, Belle Reve Journal, Peeking Cat Magazine, The Australia Times, Bewildering Stories, Aquill Relle, Members Anthology, Book 6, Literature Today, Volume 5, Poetic Melodies and Imperfect Paths Anthologies by Creative Talents Unleashed, Birdsong Anthology Vol 1, Voices of Humanity, Vol 2 Anthology, and others. Ken's poetry has been nominated for Best of the Net for 2016. Au Revoir to Summer patiently, dishes wait in the sink for hot water and soap to arrive the cat sits nervously in wonder when his dinner will fill the bowl summer sun has left for Florida chain saws echo through the valley pumpkin looks pitiful on the porch wish I was better with the knife. standing in the back yard alone watch the leaves gliding down like paper airplanes here and there others helicopter spin to the ground. a sense of sadness now is born. Au revoir Summer, Bonjour Fall. and you are still working away I have only written a bit today dishes waiting in the kitchen for my lazy ass to wash and dry dinner will dirty them once more as colder days are now on the way. Mansion of Midnight Wails a captive glance down the darkened hall light rays disclosing the stale airborne dust frisky orbs frolic whilst dancing to the divine decrepit rose petals lie scattered all about. a curtsy to the shadow as it moves in respite laughter erupts from the second floor landing majestic claw tub sits waiting for the master as chandeliers swing to whispers in the wind. wrought iron fences surround the old home the barn roof collapsed in a storm last March lilacs and azaleas have long since died but oaks and pine have remained tall and strong. distant screams are heard on all hallow's eve and a cackling of witches as they fly in the sky changelings fly in the form of a black raven as children run past grasping bags of candy. eerie tales of the mansion of midnight wails as the ghosts dance by the old grand stairs the mailbox hangs open near the broken gate the old house breathes and sighs in repose. Amnesia Haze Within lofty daily trials life always in check gaze at self-made walls inhale an amnesia haze. Chastising red milestones beaten within submissions artful weaving of whispers wake from a deeper sleep. Questioned emotion on ice travel within a dark compass where in Hades am I spirited queries shuffle on downward. dissected voices in a breeze breathless inhales unshaken blowing kisses to a blue nebula poison barbs on a comet's tail. Blown away with red leaves, tincture of orange and yellows fog clearing in rising sunshine shaking off that amnesia haze. R Soos is a teacher, poet and musician, and has been published in over 200 print magazines, and has 20 books of poetry, including Somersaults With Life (2016), Parting/Departing (2015), Bringing In The Sheets (2012). His books may be purchased at on-line bookstores. His poetry appears online in Peacock Journal, Tuck, Leaves of Ink, Micropoetry, Random Poem Tree, Cuento, In Between Hangovers, and others. His video poems may be viewed on youtube. His latest chapbook, Cell Notebook, will be published in December, 2016. He blogs at http://rsoos.com + incessant eulogy in constant service to public suffering he decides on a quiet force of self will to judge the inner chaos of his own past in a carefree and advantageous manner pouring a silken salve on his fragile ego his intention toward a noble reputation predated his actual fear of a lonely death he learned to praise God with a thankful heart and walk through town using virtuous manners toward everyone he greeted, with conviction in service toward an attractive future legacy no one who lived with him would recognize + pleasantly honest stories of bread and wine are locked intimately in her heart friendship listens to her bitter lament about dreaming in the hot hell fires her body ordained with colored inks displaying a child's dance of sorrow each request for death rejected by her father despite his own faults and pretense to total omnipotence while hiding the dungeons of his mind from all his neighbors and co-workers comprehension of eternal condemnation evident in his external manner toward them as her father he could have absolved her of the perverse demons controlling his thoughts + mountain thoughts covered with perspiration he wavers on the precipice looking out from this altitude at what feels like eternity firmly establishing natural laws which people could obey without fault or guilt + a familiar conscience witness them being whipped for hours with braided rope as entertainment for honest governors of the eternal night esteem the wealth of character in these men laughing as fools while souls are voluntarily risked to save a child and loving wife distance yourself from joy crawl from the on-looking crowd + passionate repentance still exhausted from the defensive struggle with regret and self anger unable to control the imprisoned desires which expect suffering she has overcome torture rushing to weaken mercy which could rescue her self-doubts from the forest of masterful dedicated lies + whisper I live my own life I like to believe in this crazy as it seems Rainysarmistha was an hotelier by profession, now working as a content or blog writer. Her passion about writing made her potess.Her poems are published in some international and national books and in some literary magazines like Duane’s blog spot, raven cage ezine, literate online, newmedia, atunispoetry.com and in various literature magazines. She loves to sit beside the sea and love the song of rain. DOPPELGANGER Doppelganger she is called by an illusionist. It was a tale of a stormy night. She paused and started telling her story. It was starting to rain The night falls for its silent prey A knock at the door startled her instantly, She opened the door with unknown fear. A fragment of wind crushed her cheek. She fells asleep and the dream chased her. The sound of rain made her waken, And she found a new her had been created. She found herself in a dormant state. The other side of her intense desire has created a replica And the intensity was so strong that it appears to be real-- But it is not real! A doppelganger dwells in every human. Dark and light, real and false. Oh, it’s just an illusion. The secret is to live beyond the horizon of dreams. Experience the new you without any fear JD DeHart is a writer and teacher. He has two poetry projects available at Origami Poetry. Vast and Mighty check out scrawny with his yawning life like a leaf rattling he’s fallen off the tree hasn’t taken a bath in weeks who knows who watches him when he’s not in school? check out how he thinks he’s vast and mighty puffing up his small chest waving his bare body in the night air like a frail flag I’d snap him like a twig but he’ll grow to be a branch. Misunderstandings I don’t know or care to understand how the finger roves the place it should not go I don’t know or care to understand how the best and most special relationship can sour like cottage cheese in the sun Do you listen to your mind tick away like I do, and realize when a bad idea is really bad idea? Some will say I’m being judgmental. Probably. I’m looking at the world around me thinking about the mistakes people make, I mean illegal ones here, and just wonder how a species can turn against its own desire to survive. Found Poem from Nabokov I was thinking the other day of writing a found poem from Nabokov when I realized the book I had was in Russian. I wish my tongue were more prehensile when it comes to other languages, picking them up like a parrot’s. Another thwarted idea, but I’m learning to deal with thwarting. Shadow Dancing I’d dance in her shadow and save her a step, but she doesn’t want saving How many people really do? Beauty can be quite deceptive about what lies underneath, so I’ve observed It is a rare act to find reason, competence, kindness, and beauty all in the same place For my part, I’ve found it at least once and that’s made a difference. Observations A man ambles into the store. He could be a raven in disguise. Probably not though. A woman follows him. Perhaps she is stalking like a panther. But no. She just wants vegetables, like we all do. A child toddles by and has brighter eyes than others I’ve seen. Is this the promised one that will save us? Oh, wait. She just spat up. Michael Marrotti is an author from Pittsburgh, using words instead of violence to mitigate the suffering of life in a callous world of redundancy. His primary goal is to help other people. He considers poetry to be a form of philanthropy. When he's not writing, he's volunteering at the Light Of Life homeless shelter on a weekly basis. If you appreciate the man's work, please check out his book, F.D.A. Approved Poetry, available at Amazon. 'Neo-Liberalism, No Way' You won't find me leaning to the left inflicted with guilt self-loathing on my free time ashamed of the color of my skin I'm not the man who'll endorse exclusion of any race or gender It's all about free thinking solidarity over separation Points will be made some sharp as a knife I'm not here to draw blood my time is to be spent like a charitable event Pride is not a sin when used to benefit the lives of the less fortunate motivated by compulsion society is all talk I'm through with conversation Andrew Hubbard was born and raised in a coastal Maine fishing village. He earned degrees in English and Creative Writing from Dartmouth College and Columbia University, respectively. For most of his career he has worked as Director of Training for major financial institutions, creating and delivering Sales, Management, and Technical training for user groups of up to 4,000. He has had four prose books published, and his fifth book, a collection of poetry, was published in 2014 by Interactive Press. He is a casual student of cooking and wine, a former martial arts instructor and competitive weight lifter, a collector of edged weapons, and a licensed handgun instructor. He lives in rural Indiana with his family, two Siberian Huskies, and a demon cat. The Soup Kitchen (East Fourth Street, Indianapolis, Indiana) They changed the name since I was here last Now it’s the Men’s Christian Mission. Same difference. The line is long. We don’t look at each other much, We don’t talk much, Is it shame or indifference? Some of both probably I don’t really know, I don’t really care. A few snowflakes swirl around us, They melt on the cracked concrete. It’s cold, later on they’ll stick. This week I scored Army boots that fit And a wool scarf six feet long. I’m in pretty good shape. One guy mumbles how he was scouted by the Yankees Nobody listens to him. One guy has a pint of blackberry brandy We focus on him like sharks in bloody water. He sees, chugs the bottle, And throws it in the street. Inside there’s still a line But it’s warm: snow And sleet and snot And god knows what Drip off us onto the dirty tile floor. The cost is not extreme: Some woman reading the Bible, And she’s not hard on the eyes. St. Mark: something about How the bad ones are taught In parables so they can’t understand And get saved when they shouldn’t. Way over my head. The soup. It has real meat And carrots. I’d forgotten There was such a thing As carrots in this world. God bless carrots. Comeuppance in Flushing (Queens, New York) Hot, drizzly August morning Behind schedule leaving the apartment For the groceries, the cleaning, the diapers. I do an ungainly skip and hop To avoid stepping on a giant slug Oozing like a senscient, three-inch booger Across the flagstone walkway Apparently intent on the garden wall Ten feet ahead of him, Bricked up and five feet tall. I think how incomprehensible My maneuver must have looked To white-haired Mrs Van De Camp Who sits all day at her sixth floor window In her purple bathrobe Watching her world: The walkway, the garden wall And a sliver of street beyond With one metronomic traffic light. When I return, drenched, Laden like a pack camel with grocery bags And carrying four dry-cleaning hangers Between my teeth (an indignity No camel ever suffered) I find my morning whimsy was correct: Mr slug has crossed the walkway Traversed a yard of weeds And made it halfway up the wall Leaving an iridescent slime track behind. No less repulsive than two hours earlier But more interesting for the question he forces On my soaked and panting self: How does a snot-glob With a brain scarcely worthy of the name Conceive a plan so bold and reckless As to journey to the wall At the end of the universe And scale it Just to see What lies beyond? And how does a thing With no visible means of propulsion Execute his plan with such vigor, Fortitude and resolution? When I consider his achievement And what he’s got to work with I am awed. I stand in the rotten-cabbage smelling foyer Dripping on the unclean tile floor Drooling around my shirt-hangers While the elevator clatters and wheezes Its painful way down to me. I mutter internally, “Don’t let me be humbled By a garden slug. Leave me some shreds Of self-esteem.” Maker of Useful Things In a slower, quieter time Peat fire smoke rose straight and sweet From the chimneys of cottages Where a dozen generations of proud Irish Had been born and died. On a fog-cloaked morning you might hear At the edge of hearing, at the edge of daylight A tiny tapping from a hedgerow Where in a strict and secret nook A leprechaun cross-legged sat And hummed and tapped and formed The shoes his fellows like to wear. No one ever saw him. He slipped away in the brightness None know how or where But he’d leave behind at times A nail An eyelet A bit of moleskin A sliver of silver And these things touched by hands Of one whose kind is blessed Brought blessing in their turn To any child who found the magic scraps And gave them heed and comfort. This was long before the days Of disbelief and disregard But the leprechaun still lives Though he—just like the world-- Has gone on to other things. He lives now beneath a mossy overhang Of a slow-flowing stream And works there, making… Not shoes but songs Songs of love and quietude. He sends them Floating down the stream And they look, to people, Like sun flashes on the water. Just like his shoes These songs leave bits and trimmings Of themselves behind. And what does a love song fragment look like? Like a leaf, a snail shell, a chip of quartz To the hand of the lucky girl or boy Who finds it, keeps it With the curios of childhood-- Perhaps at the back of a dark drawer Where it works in silence And the child profits In luck, in love, in things of spirit And never guesses the source Could be a thing so small. And the magic goes on Never dims, Goes on. Rizwan Saleem is a Banker based in Dubai UAE. The thoughts and expressions detailed in his works are of his various escapades suffered through life, and of the profound surprise of having survived long enough to pen them into words. His poems have appeared in anthologies Twenty Seven Signs by Lady Chaos Press and Self Portrait Poetry Collection by Silver Birch Press. To the fallout I see in the distance skies How lightning crashes Illuminates this pitch black night I choose to burn all I ever loved Then burn the ashes Erase every word of endearment Blinded by salted water I give release to all memories That return to my eyes in flashes Doubtful if I can find An anecdote to what you’ve left behind Drops of that sweet nectar I aroused from you That flowed from your veins to mine Like turbulent seas Now I ail with this poison A brew concocted just for me Destitute, faithless, fallen Completely incomplete Yet felled by this weakness that makes me pray for your pity How your arrogance grows As every hour goes You wring my own tears On these seeds of loneliness you have sown I plot my revenge Or some vestige of retribution My plans flutter to my feet Like feathers of fallen angels I see now the looming clouds of storm Gales that howl and sway Bring messengers of the coming regime That shall rule my remaining days In these searing embers I swear to hide All the torment that I suffer inside But stuck in between the devil and the deep blue sea How I would spend this world’s weight in gold Only to know for the hundredth last time If you still think of me. Some Rain Some rain some rain for wilted flowers some rain for open wounds some rain for the dearly departed some rain for seeds just planted some rain for a child to see some rain for someone to be some rain to mix with tears some rain to wash clean the fears some rain for love lost some rain for love's new blossom some rain for the desert dunes some rain to beat in tune some rain for this summer heat some rain on dry parched lips some rain for those we miss some rain for the first kiss some rain for hope renew some rain for the ones with few some rain for prayers unanswered some rain for promises due some rain for people to believe some rain lord if you please some rain for the hungry to feed some rain dear god is all we need Saloni Kaul, author and poet, was first published at the age of ten and has stayed in print since. As critic and columnist Saloni has enjoyed thirty eight years of being published. Saloni Kaul's first volume, a fifty poem collection was published in the USA in 2009. Subsequent volumes include Universal One and Essentials All. Most recent Saloni Kaul poetic production has been published in Poetry Quarterly, Eye On Life Magazine, Tipton Poetry Journal, Poetry And Paint Anthology, Misty Mountain Review, Inwood Indiana, Mad Swirl, FIVE Poetry, The Penwood Review, The Voices Project, Mantid Magazine and Haiku Universe . Upcoming publication acceptances include Sentinel Quarterly , AJI Magazine, The Voices Project, The Penwood Review and River Poets Journal. CHISELLING THE HIGHEST TIDES The Elizabeth Bishop Centenary Sonnet A quiet character chiselling away in the land of the world’s highest tides. On 8.2.11 we celebrated Elizabeth Bishop’s hundredth birthday! To mark this centenary celebration, a sonnet virtually on location, from one who explored her childhood lands, lands she continually visited in her lifetime. Like restless housewife moving ceaselessly The staple furniture of her existence , Responding to each nudge from memory carelessly, For change’s sake change , new positions, less pretence As she lived and loved was all that was discernible Between Boston brownstone and elmtopped Great Village. She’d gleaned that in a freer Minas Basin air and tillage Lay all what was poetically ascertainable. Ah ! time and time again the eye reverts To semblances of balance, orders old. A sigh of sadness is all that escapes the culverts When newness waves wash curling village shorelines cold. From beds of loneliness though sweeping gestures stylised spring Each time the prize is given to the cultured thing. VOICES RECOUNT Term transmutations Longlasting permanent Voices omniscient Wavering computations Ephemeral transient Like change that’s imminent. And I’m happy when you recount All heading my way each amount , All going in my favour add to my account. LOVE’S ALCOVE Love with that pluck and thrill of the reckless is a long wild wild leap into the unexplored tight as a storyline’s trim contoured gist honed by its own instinct , innate sixth sense, and tempered by some good sense’s benevolence To move like a professional aerialist who is all accuracy prime itself above board And be sure to land on your feet in love’s neat recess. Love is incogitably slow floating on your back on calm expanse of water like up there the aerostat, like handsome indolently stretching bridge With most amazing wampumstrung new views of the sky eloquent above so blue And knowing for certain like fired cartridge, flying partridge, That it equilibratedly will always be like that. You never will sink, never skid, back track. All else is dotards devotion irrational on the shelf that may impress with its high ardent fervour and pressed sincerity the one receiving but who like your stellated subliminal gods does not reciprocate. Like wasting pouring your lifelong emotion state on highly questionable ‘god’ who far from pat reciprocating lives in a world remote, isn’t observer let alone preserver. So look for one within your own precincts, one like yourself. IN THE NAME O’ ALL THAT’S STRIVEN The air around the rose goes spiralling up Like a deed that long is proven. Each whiff touches its corresponding chord In us, as we the old enliven. And all that’s heightened musical, Lessons in classic correspondence , Exuberant vapours cloud to saturate the scene Till overwhelming wisdoms all condense. AT A HEIGHT , THE HEART ! When you see from the soul at a height all the world in a spin It is like a fixed point that embraces its view in a clasp That contains all the essences strong that diverge to the brim Of the air to perfume in a haze like strained light with its weight the dazed realms. You may dance, you may swing all you like if you think that you must For the world down below is upheld by a pivoted clamp That’s congenial long as it likes what it sees swift unscrolled In a patterning vivid and flourishing wide like the whirl That goes briskly as petals of rose ever widening clear Till it reaches a form of perfection, a dream to behold |
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