Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality. Her poem 'A Rose For Gaza' was shortlisted for the Theatre Cloud 'War Poetry for Today' competition 2014. This and many other poems, have been widely published on line and in print in some rather excellent publications. Find her at: https://www.facebook.com/pages/Lynn-White-Poetry/1603675983213077?fref=ts and lynnwhitepoetry.blogspot.com I Remember My Father I remember my father. Remember being carried high on his shoulders when he was walking into town. I remember that I was scared. I had never been carried on shoulders before. Was there a bus strike or no money for the fare? That I don’t remember. I remember my father sitting in a chair, a passenger on a bus or tram, as I collected his fare and gave him a ticket. He drove trams once and then later he cleaned them. I remember my father. Remember sitting on his knee looking at Rupert Bear books. I knew the stories by heart so people thought I could read and were very impressed. But I could only remember. I remember my father. I don’t need photographs to jog my memory, which is just as well since there are none, None of him whole, anyway, just one of his legs in loose grey trousers, sitting by me as I planted seeds in my first garden. Spinning I’m spinning a sphere of mirrored glass and I’m seeing my world differently. Upside down. Round and round. Making me dizzy. But perhaps it was always upside down and spinning out of control in any case. Grains of Time Time is running out for me And I sit here gazing into space Watching each grain trickle away. I can't catch them, Can't stop them, Can't slow them down Or speed them up. I can only live the moment As it passes. Caged It’s pleasant enough wandering these pathways flanked by tall the rectangular cages, each protected by a steel door with a security code. Even pleasanter later, when the cages are lower and less daunting enclosures of decorative brick or pricey stone surrounding quiet green spaces, each protected by metal gates with a security code. Occasionally a creature emerges, sometimes with barred teeth, clenched fists, raised claws. But mostly looking sad and out of condition. Lost inside itself. Poor things. Lost souls searching. Mostly though, they are seen outside, moving purposefully to a destination, not free to wander random paths. Or heading back to their cages, hoping there is no diversion which may leave them lost. Leave them in terror of the unforeseen The unforeseen circumstances that may arise from freedom. Freedom to be lost. Poor things. Lost souls in or out of their zoo.
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