John Grey is an Australian poet, US resident. Recently published in New Plains Review, Perceptions and the anthology, No Achilles with work upcoming in Big Muddy Review, Gargoyle, Coal City Review and Nebo. A CHILD SHORT-CHANGED ON BODIES OF WATER by John Grey It's nothing special, about as small in size as a bakery parking lot. And, to be honest, it's hardly a gem of sparkling waters, merely a blob of drowned weeds. It's as unremarkable as the kids I went to school with and yet, from that ordinary bunch, emerged my closest friends. No one ever wasted a moment fishing here. And it's certainly no swimming hole. The best you can do is dip your fingers, maybe disturb the muddy bottom a little. Or scoop up tadpoles for a brief life in ajar. Not even nostalgia can come to its aid. You'd think that, removed by years, it would grow in stature, purify, stock itself with trout. But it's been a struggle for time. And my memory has no wish to contradict their findings. Truth is, it was the only pond we had so we had to make the most of it. But it couldn't rise to the occasion. become a mighty river for warring tribes or the Pacific Ocean for our navy games. I envy those who grew up near real lakes, who could marvel at the circumference, the depths, without resorting to imagination. Yes, they do darkly color their reminiscing with tales of kids drowning. A small price to pay for all that coming up for air. LUNCH WITH KATE by John Grey
Kate leaves room beside her on a bench. The quick controlled sashay of her slim body across the seat, the squeezing of her arms tight to her sides, allows me to sit without our thighs quite touching. I still slide my way in tiny increments to make that microscopic gap between us, a statement in itself. Her perfume however is far from shy. It's in my nostrils, reeking femininity. Her conversation is sweet and circles topics like the kids playing catch on the distant greensward or hand-locked lovers drifting by us as they stroll the park trails. The fun, the seriousness, are like our bodies, putting up nervous barriers even as they will themselves to intertwine a little. It's a break from work and we eat our lunch together. Crumbs drop within easy reach of pigeons. Hints follow suit but without a beak to snare them. We are not in love but there's a definite liking there. Bread in teeth, water bottle at the ready, pants and dress separated by a thread, glances shared between face and meadow, not forgetting birds cooing around our shoes - on a warm midday in the park, this is what attraction has to work with.
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