John Grey is an Australian poet, US resident. Recently published in New Plains Review, Perceptions and the anthology, No Achilles with work upcoming in Big Muddy Review, Gargoyle, Coal City Review and Nebo LITTLE JOHNNY'S GOT THE BLUES It's almost midnight. It's quiet out but for an oak branch that taps upon his bedroom window. From the small radio plugged to his ear, a disc jockey, three states away, spins old southern blues records, rough and raw, whiskey-stained, aural wizardry to a white kid in the upper Midwest. His father's playing poker with his buddies. His mother's drunk on the couch. Theirs is a strung out kind of blues. Not three chords and a growl. More red faces and raised voices. Mississippi John Hurt is wailing "Spike Driver Blues." In the pain of that leather throat, a railroad's being built on the backs of poor black men. That sounds nothing like the ache from a belt across the legs... until, by the second verse, it does. BEAR COUNTRY Nightfall, I'm back from a jaunt through the land of the grizzly. Behind me, woods have turned black, mountains melted into sky. I made noise the whole way so the bears knew that I was coming. I saw one in the distance, drinking at a pond. I did not go in that direction. As much as I love nature, I'm aware that, being human bestows on me a mental superiority but not a physical one. Should one of those great creatures decide to take me on, what chance has acuity against rapacious claws, sharp teeth. I'm back at my den turn on all lights, report to the kitchen where with a cut of meat, a slice of bread, locked doors and windows, I'm returned temporarily to the top of the food chain.
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