James Diaz is the author of This Someone I Call Stranger (Indolent Books, 2018) and founding Editor of the literary arts & music journal Anti-Heroin Chic. His work can be found in Thimble Literary Magazine, Drunk Monkeys, Moonchild Magazine, Occulum, and Peculiars Magazine. He lives in upstate New York. The Notes We PlayedThere is nothing so beautiful it cannot crumble like old letters in attics like buildings with odd names we huddle in for warmth we do not get very far from our hauntings we want what is golden to grow in us but there is scrub land there is brier dark and rushing rivers we step into the mess of light the dirty and stinking parts of us crying out, oh, love what is broken in the body has this little hum and it is more than we can carry in two hands strange offerings to silence how it keeps us in its prayer-barrel of necessary stinging and we are singing not to be heard but to hear our own small voices carried off beyond us We Are Light of Day I considered crawling into the bottom of you on all fours, arrow straight in this desire to really see the world through you, vessel and skin and contagion, I am mess you are maker or I am builder and you are water or you are none of these things and I've bungled the lay of your light with my shaky hands or maybe you've also considered crawling into the bottom of things and you don't know why only that it hurts to be alone and so you seek a carrier a cleft of rock where your shadow is the size of salt become small boned and the heart grows and grows when it is left wanting and it is always left wanting everything that it cannot have. The Closing"will we ever find our places in this fucked up world? Hold on to me and we'll feel our way through this dark age." -Talons' at night the sound of the highway rattling the air crisp around us we're so out of season here, in this parking lot where the light dances like cigarette burns on our skin and I lean against you becoming air and lung and I'd put all of it right if only i could, everything that ever went wrong we stare at the kids in motel 6 autumn dusk running with sparklers in their clenched fists we don't speak a word we just share the silence and pavement like old friends we want this to last forever but it's only beautiful because it won't I smile at your two inky stars I want to touch you there at the side of your face I want to trip across your true north undo the past and make a fire and dance around it all night what is beyond wanting is simply letting go I want that to be beautiful and I know that we already are even in this closing there is so much that lives beyond us you can taste it in the air and it is equally sweet and burning. Drop Me Off, Lift Me Up, Cut Me Down everything happens out here in the dark of you, and i'm so many bad habits I can't keep em all straight maybe it's the way you laugh maybe it's how dark I know you get and still you ask me about the light where to find it when it hurts to breathe like this and I point to the heart you smile like that's my greatest trick the perfect response to the most imperfect question i'm more mess than you know you know what a mess i am and still you climb into me with your dangerous mouth full of New Jersey nights parking lot beer and a quota on who really gets to know you and who gets the extra the montage, the jump cut heart every thing worth loving is worth loving all wrong. A. Tells Her Story and if I killed someone, would you still love me then
she asks, and I know she's serious, just like I know she's lonely and scared of finding out too much about what it is that's brought her here she tells me things that she hopes will scare me off I say, you're light and good and I love you and she laughs, I am trash, I'm a cheater, I get bored easily - and I know she means it, but I think she doubts herself knows maybe there is light somewhere in the hill of her eyes just over the bend in that long road back home that winds in on itself we both know how little sense that word makes; home - sticks like a pit in the throat, air moving around the loss of it the wanting of it, oh, I love you more because you've killed, not less, never less - I'm not runnin' from what you're bringin' I'm standin' in for all the sunlight that you've never seen up close and through your bedroom window shiny little tomorrow's dancing just beyond your town at night, the heavy-heaven in you, the whiskey on your breath, bruises on your thigh like road maps to nowhere and everywhere all at once you're like this thing that I have no words for but I say it anyway, goodnight angel, sleep dark and dream of all that lonely highway light let it bring you... home.
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